Bøger udgivet af Farrar, Strauss & Giroux-3pl

The Futurist movement was founded and promoted by Filippo Tommaso Marinetti, beginning in 1909 with the First Futurist Manifesto, in which he inveighed against the complacency of "cultural necrophiliacs" and sought to annihilate the values of the past, writing that "there is no longer any beauty except the struggle. Any work of art that lacks a sense of aggression can never be a masterpiece." In the years that followed, up until his death in 1944, Marinetti, through both his polemical writings and his political activities, sought to transform society in all its aspects. As Günter Berghaus writes in his introduction, "Futurismsought to bridge the gap between art and life and to bring aesthetic innovation into the real world. Life was to be changed through art, and art was to become a form of life."This volume includes more than seventy of Marinetti's most important writings-many of them translated into English for the first time-offering the reader a representative and still startling selection of texts concerned with Futurist art, literature, politics, and philosophy.

The Insecurity of Freedom is a collection of essays on Human Existence by one of the foremost Jewish thinkers of our time, Abraham Joshua Heschel.

During the space of a day in Rome in 1933, a ten-lira coin passes through the hands of nine people-including an aging artist, a prostitute, and a would-be assassin of Mussolini. The coin becomes the symbol of contact between human beings, each lost in private passions and nearly impenetrable solitude."A Coin in Nine Hands has . . . passages that move close to poetry and a story that belongs in both literature and history."-Doris Grumbach, Los Angeles Times Book Review"What lingers at the end of A Coin in Nine Hands is the shadowiness and puppetlike vagueness of the Dictator, and the compelling specificity of the so-called 'common people' revolving all around him."-Anne Tyler, The New Republic"Within a few pages we have met half the major characters in this haunting, brilliantly constructed novel. . . . The studied perfection, the structural intricacy and brevity remind one of Camus. Yet by comparison, Yourcenar's prose is lavish, emotional and imagistic."-Cynthia King, Houston Post"Transcends its specific time and place to become a portrait of vividly delineated characters caught in the vise of a tragically familiar political situation."-Publisher's WeeklyBest known as the author of Memoirs of Hadrian and The Abyss, Marguerite Yourcenar (1903-87) achieved countless literary honors and was the first woman ever elected to the Académie Française.

They are all infantrymen; none were commissioned officers. One is a German-speaking artist whose sole record is nineteen stunning watercolors that cover a year's enlistment. Another is a free black from Syracuse, New York. Six are from slave states, one of whom was a Unionist. Drawing from the more than 60,000 documents housed in the privately held Gilder Lehrman Collection, Robert E. Bonner has movingly reconstructed the experiences of sixteen Civil War soldiers, using their own accounts to knit together a ground-level view of the entire conflict. The immediacy of diaries and the intimacy of letters to loved ones accompany the humor of an anonymous cartoonist from Massachusetts, the vivid paintings of Private Henry Berckhoff.All reproduced for the first time in The Soldier's Pen, the documents and images that Bonner weaves together, providing context and explanation as required, powerfully re-create the day-to-day lives of the soldiers who fought and died for Union and Confederacy. Not since the 2000 publication of Robert Sneden's paintings and papers in Eye of the Storm has a collection of original Civil War documents so evocatively captured the war.

"The best American poet writing today"* "The title itself-a parody of a threat, something the monster under the bed might grunt-manages to capture the weird dialectic of Mr. Seidel's black comedy: He is scary, but funny, but still scary . . . You would have go back to confessional masters like Lowell and Berryman to find poetry as daringly self-revealing, as risky and compelling, as the best of Frederick Seidel's." -*Adam Kirsch, The New York Sun"The poems in Ooga-Booga are [Seidel's] richest yet and read like no one else's: They're surreal without being especially difficult, and utterly unpretentious, suffused with the peculiar American loneliness of Raymond Chandler . . . [The poem 'Barbados'] is the loveliest Seidel has written to date, and he's perfected the subtle rhythms and rhymes that rocket the stanzas forward like his Ducati 916 SPS. While I can think of a more likable book of poems, I can scarcely imagine a better one." -Alex Halberstadt, New York magazine"[Ooga-Booga is] as beguiling and magisterial as anything [Seidel] has written. I can't decide whether Seidel has more in common with Philip Larkin or John Ashbery, but the fact that he can prompt such a bizarre question is more revealing than any possible answer." -Joel Brouwer, The New York Times Book Review

"Tocqueville: A Biography is a book of considerable importance, primarily because of its comprehensive treatment of both Tocqueville's public life and his private life--including many details necessarily absent from the two previous biographical essays."--John Lukacs, The New YorkerIn this first major biography of the author of Democracy in America, André Jardin traces Alexis de Tocqueville's eventful life from his birth in 1805 to aristocratic parents in post-revolutionary France, through his trip to antebellum America as a young man, his adventures in Algeria, and his political career in France's Second Republic, to his return to writing and the publication of his other classic work L'Ancien régime et la révolution in 1856. Jardin also offers an illuminating critical analysis of Democracy in America, arguing that the concerns for just government that inform this famous work dominated Tocqueville's thought throughout his life."His scholarship is meticulous, his judgment careful and fair, his style plain and clear... Jardin has put all students of Tocqueville deep in his debt... More than any of his contemporaries--more than Marx, more than Mill, much more than Mazzini, Comte or Proudhon--[Tocqueville] is the man for the late twentieth century. It is the triumph of André Jardin's biography that it shows so clearly how this is so."--Hugh Brogan, Times Literary Supplement"Mr. Jardin is the complete master of his subject. His portrait of the writer is lucid and well composed, his comments are penetrating, and he draws on a wide range of unfamiliar material... Mr. Jardin is telling astory that has been told many times before. But he manages to recapture much of its original freshness, and he makes effective use, as elsewhere, of previously unpublished documents."--John Gross, New York Times"Jardin gives us a concise and balanced account of Tocqueville's public positions and passions. He does this with economy, grace, thoroughness, and reliability."--George Armstrong Kelly, New RepublicGracefully traces the trajectory of Tocqueville's multifaceted career and provides and illuminating critique of Democracy in America and Tocqueille's later works.

As a middle-aged American academic who desperately needs to publish a book in order to gain tenure, Jack Exley leaps at the chance to go to Rwanda to write about his old college classmate Dr. Joseph Gasana, who has in the intervening years has specialized in treating children stricken by AIDS. But when Jack, along with his African-American second wife, Linda, and his disaffected teenage son, Geoffrey, arrive in Kigali in the fall of 1994, they are not only unable to find Joseph, they are unable to find anyone who will even admit to having known the Tutsi doctor. Befriended by both a cynical American diplomat and a perhaps too-helpful Hutu political powerbroker, Jack and his family slowly, then urgently, become enmeshed in the tension and terror, the professional risks and personal betrayals, that they ultimately realize mark the start of a genocidal war-a horror that they can sense but cannot comprehend or control.In The Overwhelming, J.T. Rogers has written a play that is both a brilliantly crafted piece of writing and a tense, suspenseful exploration of one of the great human tragedies of our time. It will have its U.S. premiere off-Broadway in November 2007.

All the work of this major poet who has "set a new standard for American poetry."*Collected Poems brings together in one volume C. K. Williams's work of nearly forty years, enabling readers to follow the career of this great poet through its many phases and reinventions.Here are his confrontational early poems, which bristle with a young idealist's righteous anger. Here are the roomy, rangy poems of Tar and With Ignorance, in which Williams married the long line of Whitman to a modern's psychological self-scrutiny; the compact sonnets of Flesh and Blood; and the inward investigations of A Dream of Mind. Here are the incomparable poems from the prize winning books Repair and The Singing. Here, too, are new poems, in which Williams's moral vigilance is brought to bear, again, on life during wartime. Collected Poems is the life's work of a modern master-fiercely intelligent, arresting in its beauty, unforgettable in its echoes and reverberations.

Combining compelling narrative and grand historical sweep, Forgotten Allies offers a vivid account of the Oneida Indians, forgotten heroes of the American Revolution who risked their homeland, their culture, and their lives to join in a war that gave birth to a new nation at the expense of their own. Revealing for the first time the full sacrifice of the Oneidas in securing independence, Forgotten Allies offers poignant insights about Oneida culture and how it changed and adjusted in the wake of nearly two centuries of contact with European-American colonists. It depicts the resolve of an Indian nation that fought alongside the revolutionaries as their valuable allies, only to be erased from America's collective historical memory. Beautifully written, Forgotten Allies recaptures these lost memories and makes certain that the Oneidas' incredible story is finally told in its entirety, thereby deepening and enriching our understanding of the American experience.

In The End of the Poem, Paul Muldoon dazzlingly explores a diverse group of poems, from Yeats's "All Souls' Night" to Stevie Smith's "I Remember" to Fernando Pessoa's "Autopsychography." Muldoon reminds us that the word "poem" comes, via French, from the Latin and Greek: "a thing made or created." He asks: Can a poem ever be a free-standing structure, or must it always interface with the whole of its author's bibliography-and biography? Muldoon explores the boundlessness created by influence, what Robert Frost meant when he insisted that "the way to read a poem in prose or verse is in the light of all the other poems ever written."Finally, Muldoon returns to the most fruitful, and fraught, aspect of the phrase "the end of the poem": the interpretation that centers on the "aim" or "function" of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent and deeply learned, The End of the Poem is a vigorous approach to looking at poetry anew.

The title of Horse Latitudes, Paul Muldoon's tenth collection of poetry, refers to those areas thirty degrees north and south of the equator where sailing ships tend to be becalmed, where stasis (if not stagnation) is the order of the day.From Bosworth Field to Beijing, the Boyne to Bull Run, from a series of text messages to the nineteenth-century Irish poet Thomas Moore to an elegy for Warren Zevon, and from post-Agreement Ireland to George W. Bush's America, this book presents us with fields of battle and fields of debate, in which we often seem to have come to a standstill but in which language that has been debased may yet be restruck and made current to our predicament. Horse Latitudes is a triumphant collection by one of the most esteemed poets of our time.

Shakespeare's best as chosen by the great English poet"According to most anthologies, [Shakespeare] wrote only sonnets and songs for his plays. The reason for this [is the] reluctance of anthologists to break into the sacred precincts of his drama and start looting portable chunks . . . Yet when he great speeches of his plays are taken out of context they are no more difficult to understand and appropriate than those by other great poets."This clear, compact, inviting selection of Shakespeare's verse opens the door to new readers of our greatest writer and deepens lifelong readers' understanding of his work. Ted Hughes spent his life considering Shakespeare's works and drawing on them for his own poetry; his book-length account of Shakespeare's development, Shakespeare and the Goddess of Complete Being, was one of the most distinctive works of literary criticism of recent years.For this selection, Hughes deliberately took strong, relatively self-contained passages of Shakespeare's verse out of the plays and arranged them in a pattern, like beads on a string, including the best-known songs and sonnets. The result is at once a revealing sequence of Shakespeare's verse and an anthology of his greatest bits-"read in less than a minute, learned in less than five," Hughes remarks in the introduction, and always "capable of striking up a life of their own in the general experience of the reader."

"An arresting piece of popular history." -Sean Wilentz, The New York Times Book ReviewNicholas Lemann opens this extraordinary book with a riveting account of the horrific events of Easter 1873 in Colfax, Louisiana, where a white militia of Confederate veterans-turned-vigilantes attacked the black community there and massacred hundreds of people in a gruesome killing spree. This began an insurgency that changed the course of American history: for the next few years white Southern Democrats waged a campaign of political terrorism aiming to overturn the Fourteenth and Fifteenth Amendments and challenge President Grant's support for the emergent structures of black political power. Redemption is the first book to describe in uncompromising detail this organized racial violence, which reached its apogee in Mississippi in 1875.

A Leading Figure in the Development of the New Cosmology Explains What It All MeansAmong his peers, Alex Vilenkin is regarded as one of the most imaginative and creative cosmologists of our time. His contributions to our current understanding of the universe include a number of novel ideas, two of which-eternal cosmic inflation and the quantum creation of the universe from nothing-have provided a scientific foundation for the possible existence of multiple universes. With this book-his first for the general reader-Vilenkin joins another select group: the handful of first-rank scientists who are equally adept at explaining their work to nonspecialists. With engaging, well-paced storytelling, a droll sense of humor, and a generous sprinkling of helpful cartoons, he conjures up a bizarre and fascinating new worldview that-to paraphrase Niels Bohr-just might be crazy enough to be true.

An appreciation of the young turks who took hold of Hollywood in the nineties: from P. T. Anderson to Spike Jonze to the godfather of them all, Steven SoderberghHollywood is undergoing a renaissance, spawned by a vanguard of auteurs who for more than a decade have managed to turn La-La Land upside down. With films like Boogie Nights, Rushmore, Being John Malkovich, and Memento, young filmmakers have in many ways forced the major studios to march to the beat of their very different drummer. In Sundance Kids, James Mottram paints a vibrant portrait of Hollywood as it stands today. Focusing on writers and directors who made their debuts in the nineties, Mottram takes a close look at how these mavericks have impacted the cinematic landscape. He explores the current state of the Hollywood studios; what it can mean now to be "independent" in the wake of mini-majors like Miramax and New Line; the particular influence of uncompromising artists like Steven Soderbergh and Quentin Tarantino; the unique platform provided them by the Sundance Film Festival; the contribution of British filmmakers like Sam Mendes to the mix; and how, for the first time since Paddy Chayefsky, writers such as Charlie Kaufman are becoming household names while playing a key part in the new Hollywood.

Rumspringa is Tom Shachtman's celebrated look at a littleknown Amish coming-of-age ritual, the rumspringa-the period of "running around" that begins for their youth at age sixteen. During this time, Amish youth are allowed to live outside the bounds of their faith, experimenting with alcohol, premarital sex, revealing clothes, telephones, drugs, and wild parties. By allowing such broad freedoms, their parents hope they will learn enough to help them make the most important decision of their lives-whether to be baptized as Christians, join the church, and forever give up worldly ways, or to remain in the world.In this searching book, Shachtman draws on his skills as a documentarian to capture young people on the cusp of a fateful decision, and to give us "one of the most absorbing books ever written about the Plain People" (Publishers Weekly).

It's extremely difficult to be an actor, for many reasons: It's mostly unrewarding financially. It takes a lot of hard work before an actor even gets a part. A career is apt to be short-lived. The field is incredibly competitive. Cream does not always rise to the top. And yet actors young and old line up by the thousands wanting to do it. What fuels this desire? What is it that drives actors to withstand the frustration of not getting parts, of getting bad parts in bad plays, of being mistreated by directors, misundertood by audiences, misinterpreted by critics?With a nod to the Paris Review's Writers at Work model, Actors at Work looks at the way some of our most respected stage and film actors today approach their calling. In a collection of interviews with a dozen artists, including Philip Seymour Hoffman, Patti LuPone, and Billy Crudup, the book explores not only the impetus to perform but also key topics about the process and profession, including the way actors approach a role, what techniques they use to deal with directors and other cast members, the ways in which they use their own personal lives in their work, and their influences, idols, and insecurities. The result is a book that actors will find indispensable and fans will find irresistible.

In Scar Tissue, the Pulitzer Prize-winning poet Charles Wright not only investigates the tenuous relationship between description and actuality-"A thing is not an image"-but also reaffirms the project of attempting to describe, to capture the natural world and the beings in it, although he reminds us that landscape is not his subject matter but his technique: that language was always his subject-language and "the ghost of god." And in the dolomites, the clouds, stars, wind, and water that populate these poems, "something un-ordinary persists."Scar Tissue is a groundbreaking work from a poet who "illuminates and exalts in the entire astonishing spectrum of existence" (Booklist).

Poet, novelist, literary critic, and teacher, Randall Jarrell was a writer with many facets, but most of all, he was a poet with a unique voice, one that was by turns imaginative, realistic, sensitive, and ironic. From the narratives of army life during the Second World War to the domestic scenes he wrote about so movingly in his final book, The Lost World, Jarrell's poems are marked throughout by a voice that could be astonishingly intimate or could open up to speak to our common humanity. This collection, prepared by William H. Pritchard, presents some of Jarrell's finest poems to a new generation of readers.

"[A] lavishly enjoyable book." -Tunku Varadarajan, The Wall Street JournalBetween 1837 and 1901, fewer than one thousand Britons at any one time managed an empire of 300 million people spread over the vast area that now includes India, Pakistan, Bangladesh, and Burma. How was this possible, and what were these people like? The British administration in India took pride in its efficiency and broad-mindedness, its devotion to duty and its sense of imperial grandeur, but it has become fashionable to deprecate it for its arrogance and ignorance. In The Ruling Caste, a balanced, witty, and multi-faceted history, David Gilmour goes far to explain the paradoxes of the "Anglo-Indians," showing us what they hoped to achieve and what sort of society they thought they were helping to build. "[A] dense and impressive new book on the civil administrators of Victoria's Indian Empire . . . Gilmour is a serious historian. He writes accessibly and even wittily, with a wealth of anecdotage and an eye for the telling story." -Shashi Tharoor, The Washington Post"Mr. Gilmour is a stylish and engaging writer . . . [He] does make the case that the civilians, however tarnished their cause in modern eyes, deserve better than they get in A Passage to India." -William Grimes, The New York Times

Seamus Heaney's new collection starts "In an age of bare hands and cast iron" and ends as "The automatic lock / clunks shut" in the eerie new conditions of a menaced twenty-first century. In their haunted, almost visionary clarity, the poems assay the weight and worth of what has been held in the hand and in the memory. Images out of a childhood spent safe from the horrors of World War II - railway sleepers, a sledgehammer, the "heavyweight / Silence" of "Cattle out in rain" - are colored by a strongly contemporary sense that "Anything can happen," and other images from the dangerous present - a journey on the Underground, a melting glacier - are fraught with this same anxiety. But District and Circle, which includes a number of prose poems and translations, offers resistance as the poet gathers his staying powers and stands his ground in the hiding places of love and excited language. In a sequence like "The Tollund Man in Springtime" and in several poems which "do the rounds of the district" - its known roads and rivers and trees, its familiar and unfamiliar ghosts - the gravity of memorial is transformed into the grace of recollection. With more relish and conviction than ever, Seamus Heaney maintains his trust in the obduracy of workaday realities and the mystery of everyday renewals.District and Circle is the winner of the 2007 Poetry Now award and the 2006 T.S. Eliot Prize for Poetry.

It's the thick of the mid-1990s boom, and David M. Gross is racking up billable hours for a Manhattan corporate law firm and thinking that there must be more to life. Out of the blue, a friend calls with a tantalizing and risky proposal: How would he feel about moving to Bologna to help turn around a legendary, down-on-its-luck Italian motorcycle company, known for its dominance on the track and its inability to turn a profit? After a brief soul-search and popping his first (unintentional) wheelie during his maiden ride on the company's monstrous superbike, he signs on.And so Gross heads to Bologna, fabled home of marbled meats, radical leftist politics, and bespoke shoes, diving into his new life as the "corporate image consultant" to gearheads and learning to navigate the giddy mores of Bolognese society. He meets the CEO, who can relax only on planes between meetings; the manic, bellicose bike designer, convinced that only his genius can save the company; and the director of the museum, obsessed by the factory's role in World War II. Gross sparks the business's "spectacularization" with sexy ad campaigns starring factory workers who, when not on strike, strut to the espresso machine clad in Versace. Above all, he falls in love with motorcycles, seduced by speed, and realizes that becoming a better rider means tapping into dormant parts of his self that, as it turns out, were just waiting to be unleashed. And when he picks up a handsome, young-and closeted-skinhead, things really get interesting . . .In sensuous, hilarious, and wildly entertaining prose, Gross pens a wry yet ecstatic love letter to an uproarious city and its style-obsessed denizens, and to the motorcycle that gave him the freedom to live life at its very fastest.

Ottavio Cappellani's wildly entertaining Mafia comedy takes us into the unhinged world of a family that makes the Sopranos look like the Waltons. As blood-red as a good bottle of Sicilian wine, Who Is Lou Sciortino? is an exhilarating debut from one of Italy's brightest young talents.Growing up on the streets of New York, young Lou Sciortino learned many lessons from his grandfather, Don Lou: that whiners are fools; that in order to get respect from other people, you sometimes have to whack a guy; and that the movie business is a perfect place to make dirty money clean. So when young Lou is set up as the head of Starship Pictures, everybody's happy. That is, until the day a rival Mafia family plants a bomb in their offices. Nobody's happy after that, especially not Don Lou, who decides to send his grandson to Sicily to stay out of danger; after all, a really nice, decent person like Lou just doesn't take part in Mafia warfare.Not long after young Lou goes to work for Uncle Sal Scali-a hapless Mafia boss from Catania who can't even keep the peace in his own neighborhood-a cop is killed during a routine robbery and young Lou is chosen to bring the situation under control. But there's someone else Sal has to reckon with: Lou's grandfather. Don Lou doesn't like the way things are shaping up in Sicily, and decides it's time he paid one last visit to the old country. That's when the bullets really start to fly.

Quiver of Arrows is a generous gathering from Carl Phillips's work that showcases the twenty-year evolution of one of America's most distinctive-and one of poetry's most essential-contemporary voices. Hailed from the beginning of his career for a poetry provocative in its candor, uncompromising in its inquiry, and at once rigorous and innovative in its attention to craft, Phillips has in the course of eight critically acclaimed collections generated a sustained meditation on the restless and ever-shifting myth of human identity. Desire and loss, mastery and subjugation, belief and doubt, sex, animal instinct, human reason: these are among the lenses through which Phillips examines what it means to be that most bewildering, irresolvable conundrum, a human being in the world.Phillips's sensibility as he questions morality, psychology, and our notions of responsibility is as startlingly original as the poems themselves, whose exacting standards for the line's flexibility and whose argument for a versatile, more muscular syntax bring to American poetry "something not unlike a new musical scale" (The Miami Herald). Quiver of Arrows is the record of a powerful vision that, in its illumination of the human condition, has established itself as a necessary step toward our understanding of who we are in the twenty-first century.

A classic examination of the roots of corporate culture, newly revised and updated for the twenty first centuryAlan Trachtenberg presents a balanced analysis of the expansion of capitalist power in the last third of the nineteenth century and the cultural changes it brought in its wake. In America's westward expansion, labor unrest, newly powerful cities, and newly mechanized industries, the ideals and ideas by which Americans lived were reshaped, and American society became more structured, with an entrenched middle class and a powerful business elite. Here, in an updated edition which includes a new introduction and a revised bibliographical essay, is a brilliant, essential work on the origins of America's corporate culture and the formation of the American social fabric after the Civil War.

An engrossing study of Leo Africanus and his famous book, which introduced Africa to European readersAl-Hasan al-Wazzan--born in Granada to a Muslim family that in 1492 went to Morocco, where he traveled extensively on behalf of the sultan of Fez--is known to historians as Leo Africanus, author of the first geography of Africa to be published in Europe (in 1550). He had been captured by Christian pirates in the Mediterranean and imprisoned by the pope, then released, baptized, and allowed a European life of scholarship as the Christian writer Giovanni Leone. In this fascinating new book, the distinguished historian Natalie Zemon Davis offers a virtuoso study of the fragmentary, partial, and often contradictory traces that al-Hasan al-Wazzan left behind him, and a superb interpretation of his extraordinary life and work. In Trickster Travels, Davis describes all the sectors of her hero's life in rich detail, scrutinizing the evidence of al-Hasan's movement between cultural worlds; the Islamic and Arab traditions, genres, and ideas available to him; and his adventures with Christians and Jews in a European community of learned men and powerful church leaders. In depicting the life of this adventurous border-crosser, Davis suggests the many ways cultural barriers are negotiated and diverging traditions are fused.

New York City, the early 1990s: the recession is in full swing and young people are squatting in abandoned buildings in the East Village while the homeless riot in Tompkins Square Park. The Internet is not part of daily life; the term "dot-com" has yet to be coined; and people's financial bubbles are burst for an entirely different set of reasons. What can all this mean for a young Midwestern man flush with promise, toiling at a thankless, poverty-wage job in corporate America, and hard at work on his first novel about acute knee pain and the end of the world?With The Year of Endless Sorrows, acclaimed playwright and finalist for the 2003 William Saroyan International Prize for Writing Adam Rapp brings readers a hilarious picaresque reminiscent of Nick Hornby, Douglas Copeland, and Rick Moody at their best-a chronicle of the joys of love, the horrors of sex, the burden of roommates, and the rude discovery that despite your best efforts, life may not unfold as you had once planned.