Bøger udgivet af FARRAR STRAUSS & GIROUX

A treasure of world literature back in print, featuring a new introduction by Eimear McBride This omnibus edition includes the novels The Country Girls, The Lonely Girl, and Girls in Their Married Bliss. The country girls are Caithleen "Kate" Brady and Bridget "Baba" Brennan, and their story begins in the repressive atmosphere of a small village in the west of Ireland in the years following World War II. Kate is a romantic, looking for love; Baba is a survivor. Setting out to conquer the bright lights of Dublin, they are rewarded with comical miscommunications, furtive liaisons, bad faith, bad luck, bad sex, and compromise; marrying for the wrong reasons, betraying for the wrong reasons, fighting in their separate ways against the overwhelming wave of expectations forced upon "girls" of every era.The Country Girls Trilogy and Epilogue charts unflinchingly the pattern of women's lives, from the high spirits of youth to the chill of middle age, from hope to despair, in remarkable prose swinging from blunt and brutal to whimsical and lyrical. It is a saga both painful and hilarious, and remains one of the major accomplishments of Edna O'Brien's extraordinary career.

A bristling, beautiful new collection from "the Dark Prince of American Poetry" (Dwight Garner, The New York Times). In So What, Frederick Seidel writes of speeding his racetrack-only Superbike across the island of Manhattan, "illegal river to river, wap wap wap WOW!" The poet hurtles toward the tenth decade of his life and into the sixth decade of his lightning-rod career, but the path from youth to old age is not a straight one. Throughout this book, Seidel smashes the boundaries of youth and age against each other and stirs up a surge of shotguns and wristwatches, late-blooming love and sex, and flashes of the naked face of American life. At its crest stands the poet, looking over the wreckage and creation, and he proclaims: so what.

From Christie Matheson and Anuska Allepuz comes a radiant picture book with a powerful message: you're never too small to make a difference. Featuring dreamy artwork, this makes for a beautiful gift for kids or graduates!Mouse feels all alone one dark and dreary night. She wonders if anybody else feels lonely, too. She's not sure if a single person can make a difference, but she decides to try.Mouse lit one light...And the result is magical. One by one, others in the neighborhood follow Mouse's lead. With each new spark, the stormy night becomes less gloomy. This luminous story is a brilliant and tender call to action, encouraging readers to spread kindness and create change in the world - one light at a time.

A moving middle-grade debut about foster care, self-advocacy, and realizing that a found family is a real family.

Bursting with warmth and words of encouragement, this lyrical picture book celebrates growing up and believing in yourself-the perfect gift for graduations, birthdays, the first day of school, and beyond.

Civil rights icon Claudette Colvin teams up with Phillip Hoose-author of the Newbery Honor and National Book Award-winning blockbuster biography Claudette Colvin: Twice Toward Justice-to tell her groundbreaking story in this unforgettable picture book illustrated by New York Times-bestselling artist Bea Jackson.

From the New York Times-bestselling author of All Boys Aren't Blue comes an empowering set of essays about Black and Queer icons from the Harlem Renaissance.In Flamboyants, George M. Johnson celebrates writers, performers, and activists from 1920s Black America whose sexualities have been obscured throughout history. Through 14 essays, Johnson reveals how American culture has been shaped by icons who are both Black and Queer - and whose stories deserve to be celebrated in their entirety.Interspersed with personal narrative, powerful poetry, and illustrations by award-winning illustrator Charly Palmer, Flamboyants looks to the past for understanding as to how Black and Queer culture has defined the present and will continue to impact the future. With candid prose and an unflinching lens towards truth and hope, George M. Johnson brings young adult readers an inspiring collection of biographies that will encourage teens today to be unabashed in their layered identities.

"After the bustle of the holiday season, grandparents wave goodbye and it's time to pack up the sparkly ornaments. The house feels too quiet. What do you do when the excitement and festivities are over? The fireplace may be a perfect place to read new books with a cup of hot cocoa and some snuggles with Mom and Dad. And leftovers might still be pretty tasty. Upon reflection, the memories of the Christmas season can bring smiles, not sadness -- and a hopefulness that there's still so much to look forward to."

Stranger Things meets A Monster Calls in this spine-tingling, emotionally rich middle grade novel about a boy who must protect his neighborhood from a malevolent monster tree while dealing with the recent loss of his father.

"When kitty first got adopted, everything was purr-fect. Then came the rules. NO eating the bread! NO chasing the baby! BAD KITTY! Excuse me? She's not a bad kitty. Left with no choice, she says goodbye to everything she loves (even her favorite crinkled-up receipt) and quits! But kitty's adventure in the great outdoors doesn't go as planned, and she realizes that she may have made a few mistakes. She knows she can do better, but how can she get home? Would her family even want her back?"--

"Maya is only three days into summer vacation and already bored. Outside her window, the street is full of neighbors. Coming and going. Earning and spending. Fixing and mending. Everyone has something to do--everyone's hands are busy. Except Maya's. When she opens her palms, they are empty. They are small. ... As Maya longs to do something useful alongside her neighbors--proclaim truth, stand for justice, or show mercy--she discovers that children like her can give the greatest gift of all: love.

"Uh oh. Duck is lost. Luckily, Rabbit is around to help! Rabbit hops over the tall grass to reunite the lost duckling with their family. But soon, Rabbit needs help, too. We also meet a pigeon, raccoon, and many more animal friends, who all find themselves in tight spots around the neighborhood. But don't worry, there's always an animal friend ready to lend a hand!"--

"A novel in twenty-six alphabetical chapters set in the dark side of early twentieth-century Vienna"--

"A ... book of poems by three-time Poet Laureate Robert Pinsky, a writer of 'art whose scope and complexity and grandeur are rarely equalled' (Louise Glèuck)"--

"A group portrait of young Afghans who came of age during the two decades following 9/11"--

"Contagiously curious essays on reading, art, and the life of the mind from the acclaimed author of The Unreality of Memory"--

"A history of the right-wing political figures who defined the early 1990s"--

"Americans have been leaving their churches. Some drift away. Some stay home. And some have been searching for--and finding--more authentic ways to find and follow Jesus. This is the story of one such 'radical outpost of Jesus followers, ' dedicated to service, the Sermon on the Mount, and working toward justice for all in this life, not just salvation for some in the next. Part of a little-known yet influential movement at the edge of American evangelicalism, Philadelphia's Circle of Hope grew for forty years, planted four congregations, ... found itself in crisis, [and ultimately disbanded]. The story that follows is an American allegory full of questions with urgent relevance for so many of us, not just the faithful: How do we commit to one another and our better selves in a fracturing world? Where does power live? Can it be shared? How do we make 'the least of these' welcome?"--

"A bold, innovative biography that offers a new understanding of the life, work, and enduring impact of Audre Lorde"--

An empowering message inspired by a beloved quote from Madeleine L'Engle's enduring classic A Wrinkle in Time. "Stay angry, little Meg," Mrs. Whatsit whispered. "You will need all your anger now."This picture book encourages girls everywhere to proudly share their ideas and emotions, even if those traits will be met with resistance. Because being brave, sensitive, stubborn, curious, loud, kind, and playful helps them build strength and stay true to themselves.Michelle Jing Chan's bright artwork welcomes girls of all backgrounds to use these important affirmations.

Blending memoir with social history, Clair Wills movingly explores the gaping holes in the fabric of modern Ireland, and in her own family story.In 2015, the Irish government commissioned an investigation into the state's network of Mother and Baby Homes after the discovery of a mass grave containing the remains of up to eight hundred children prompted international outrage. The homes, which operated from the 1920s to the 1990s, were responsible for nearly nine thousand child deaths and countless other abuses.Yet in the face of overwhelming evidence, everyone seemed to forget what had actually occurred. No one remembered who the babies were, how they died, or where they were buried. A whole society had learned not to look, or not to look too closely, and certainly not to ask too many questions.Clair Wills's investigation leads her back to the discovery that nearly thirty years ago a cousin of hers had been born in one of the Homes and her existence had been covered up. As Wills finds out more about her own family's secret chronicle of loss, her investigation expands into an exploration of the secrets and silences that make up our family stories, the limits of record-keeping, and the fragility of memory itself. Wills unravels a history of illegitimacy that stretches back into her grandmother's life in Ireland a hundred years ago and forward to her own generation today. Missing Persons reveals the truth that seeps through the gaps in our stories about the past and that is encrypted in things left unsaid-if you learn how to read what is missing.

A new collection of poetry inspired by the work of Agnes Martin, exploring topics of feminism, art, depression, and grief, by the author of the prizewinning collection Obit. Yesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.

Peterson unfurls the quotidian fabric of our lives, patterned with the difficulties of language and this moment.Confusion frames the human predicament. In Katie Peterson's Fog and Smoke, confusion is, literally, our climate. Writing to, and from, the California landscape, Peterson sees fog and smoke as literal-one a natural weather event, the other an aftereffect of the West's drought-caused fires-but they are also metaphysical. Fog and smoke subsume the poet and reflect the true conditions (and frustrations) of our ability to perceive and to connect. She writes, "I've been speaking about it at a distance. / Now I want to talk about its thickness. / A person could get killed in here."The collection moves through three sections: First, the poet follows her local fog's cyclical journey of descent and dispersion; second, in a sort of pastoral interlude, she travels widely, almost erratically, to the California desert, the greater world, and ancient history; finally, she descends into the enclosed space of the household, and the increased confinement and intimacy of raising a child during the pandemic. Peterson unfolds the small moments that make up our lives and reveals the truths contained within them, and her poems capture the lyricism of our daily rhythms-the interruptions, dialogues, and epiphanies.

The Way That Leads Among the Lost reveals a hidden place where care and violence are impossible to separate: the anexos of Mexico City. The prizewinning anthropologist Angela Garcia takes us deep into the world of these small rooms, informal treatment centers for alcoholism, addiction, and mental illness, spread across Mexico City's tenements and reaching into the United States. Run and inhabited by Mexico's most marginalized populations, they are controversial for their illegality and their use of coercion. Yet for many Mexican families desperate to keep their loved ones safe, these rooms offer something of a refuge from what lies beyond them-the intensifying violence surrounding the drug war.This is the first book ever written on the anexos. Garcia, who spent a decade conducting anthropological fieldwork in Mexico City, draws readers into their many dimensions, casting light on the mothers and their children who are entangled in this hidden world. Following the stories of its denizens, she asks what these places are, why they exist, and what they reflect about Mexico and the wider world. With extraordinary empathy and a sharp eye for detail, Garcia attends to the lives that the anexos both sustain and erode, wrestling with the question of why mothers turn to them as a site of refuge even as they reproduce violence. Woven into these portraits is Garcia's own powerful story of family, childhood, homelessness, and drugs-a blend of ethnography and memoir converging on a set of fundamental questions about the many forms and meanings that violence, love, care, family, and hope may take.Infused with profound ethnographic richness and moral urgency, The Way That Leads Among the Lost is a stunning work of narrative nonfiction, a book that will leave a deep mark on readers.

The culmination of Christopher Tilghman's great Chesapeake saga, a story spanning four centuries of an American family.It is the Fourth of July 2019, and the Mason family is gathering for its annual celebration at the family's historic Chesapeake farm, Mason's Retreat. It isn't everyone's favorite tradition, but Harry Mason has once again goaded his wife, Kate, and their children into participating. Their oldest, Rosalie, is having trouble with her marriage; the youngest, Ethan, is in the throes of a fitful first relationship. In between, Eleanor despairs over her stalled novel, a fictionalized memoir of the wife of the first Mason immigrant who landed in 1659. Kate, recovering from a second round of chemotherapy, is at the center of this ritual of remembrance. Tart and candid, she asks her husband, "What crimes against humanity did your family not commit on this farm?" And so it happens that when the family, joined by a cast of neighbors and cousins from France, sits down for dinner, the question of how they should regard their past comes to the fore.Told with warmth and humor, On the Tobacco Coast is Christopher Tilghman's concluding meditation on the themes of his novels about Mason's Retreat: place and history, the persistence of family stories, race and white privilege, the enigmas and customs of regions. It is a reflection on the state of America today, its battles with its own history, and efforts to reckon with the wrongs of the past while looking forward to a more just future.

A personal exploration of the American West and the work of one of America's greatest photographers.Timothy O'Sullivan is America's most famous war photographer. You know his work even if you don't know his name: A Harvest of Death, taken at Gettysburg, is an icon of the Civil War. He was also among the first photographers to elevate what was then a trade to the status of fine art. The images of the American West he made after the war, while traveling with the surveys led by Clarence King and George Wheeler, display a prescient awareness of what photography would become; years later, Ansel Adams would declare his work "surrealistic and disturbing."At the same time, we know very little about O'Sullivan himself. Nor do we know-really know-much more about the landscapes he captured. Robert Sullivan's Double Exposure sets off in pursuit of these two enigmas. This book documents the author's own road trip across the West in search of the places, many long forgotten or paved over, that O'Sullivan pictured. It also stages a reckoning with how the changes wrought on the land were already under way in the 1860s and '70s, and how these changes were a continuation of the Civil War by other means. Sullivan, known for his probing investigations of place in the pages of The New Yorker and books like Rats and My American Revolution, has produced a work that, like O'Sullivan's magisterial photos of geysers and hot springs, exposes a fissure in the American landscape itself.