Bøger udgivet af Farrar, Straus and Giroux (BYR)

Nobel Prize winner Peter Handke--"the extravagantly talented Austrian playwright of chutzpah, novelist of sensibility, poet of linguistic games" (Kirkus)--ponders the life and early death of his mother"The Sunday edition of the Kärntner Volkszeitung carried the following item under 'Local News': 'In the village of A. (G. township), a housewife, aged 51, committed suicide on Friday night by taking an overdose of sleeping pills.'"So opens A Sorrow Beyond Dreams, Handke's reckoning with his mother's life--which spanned the rise of the Nazis, World War II, and postwar suffering--and death. Both stark and lyrical, full of love, anger, admiration, and a keen sense of history, this slim book reveals Handke at his most lucid and direct. It is the most moving and accessible work in his distinguished career; it is "indispensable" (Bill Marx, The Boston Globe).

The celebrated Danish poet Tove Ditlevsen begins the Copenhagen Trilogy ("A masterpiece" -The Guardian) with Childhood, her coming-of-age memoir about pursuing a life and a passion beyond the confines of her upbringing-and into the difficult years described in Youth and DependencyTove knows she is a misfit whose childhood is made for a completely different girl. In her working-class neighborhood in Copenhagen, she is enthralled by her wild, red-headed friend Ruth, who initiates her into adult secrets. But Tove cannot reveal her true self to her or to anyone else. For "long, mysterious words begin to crawl across" her soul, and she comes to realize that she has a vocation, something unknowable within her-and that she must one day, painfully but inevitably, leave the narrow street of her childhood behind.Childhood, the first volume in the Copenhagen Trilogy, is a visceral portrait of girlhood and female friendship, told with lyricism and vivid intensity.

National Bestseller. A New York Times Book Review Editors' Choice. Named a best book of March by Apple Books and Amazon, and a most anticipated book by The New York Times, Esquire, The Guardian, Time, BuzzFeed, Electric Literature, Literary Hub, and Chicago Review of Books"A major novel, and a notably audacious one." -Dwight Garner, The New York Times "It feels fairly rare for a novel to be hugely intelligent and moving and fun in equal measure, but with Biography of X, Catherine Lacey somehow-magically-makes the nearly impossible look easy." -Lauren GroffFrom one of our fiercest stylists, a roaring epic chronicling the life, times, and secrets of a notorious artist.When X-an iconoclastic artist, writer, and polarizing shape-shifter-falls dead in her office, her widow, CM, wild with grief and refusing everyone's good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM knows where X was born, and in her quest to find out, she opens a Pandora's box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, and which finally, in the present day, is being forced into an uneasy reunification. A masterfully constructed literary adventure complete with original images assembled by X's widow, Biography of X follows CM as she traces X's peripatetic trajectory over decades, from Europe to the ruins of America's divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. At last, when she finally understands the scope of X's defining artistic project, CM realizes her wife's deceptions were far crueler than she imagined. Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.

The Wonder Paradox offers a lively, practical, and transcendent road map to meaning and connection through poetry.Where do we ¿nd magic? Peace? Connection?We have calendars to mark time, communal spaces to bring us together, bells to signal hours of contemplation, öcial archives to record legacies, the wisdom of sages read aloud, weekly, to map out the right way to live-in kindness, justice, morality. These rhythms and structures of society were all once set by religion. Now, for many, religion no longer runs the show.So how then to celebrate milestones? Find rules to guide us? Figure out which texts can focus our attention but still öer space for inquiry, communion, and the chance to dwell for a dazzling instant in what can't be said? Where, really, are truth and beauty? The answer, says The Wonder Paradox, is in poetry.In twenty chapters built from years of questions and conversations with those looking for an authentic and meaningful life, Jennifer Michael Hecht öers ways to mine and adapt the useful aspects of tradition and to replace what no longer feels true. Through cultures and poetic wisdom from around the world-Sappho, Rumi, Shakespeare, Issa, Tagore, Frost, Szymborska, Angelou, and others-she blends literary criticism with spiritual guidance rooted in the everyday. Linking our needs to particular poems, she helps us better understand those needs, our very being, and poetry itself.Our capacity for wonder is one of the greatest joys of being human; The Wonder Paradox celebrates that instinct and that yearning.

A sparkling YA debut rom-com about a popular high-school girl, her ex-boyfriend-turned-best-friend, and the girl they both fall for-perfect for fans of Becky Albertalli or Casey McQuiston.Sam Dickson is a charismatic actress, ambitious and popular with big plans for her future. Ros Shew is one of the smartest people in school-but she's a loner, and prefers to keep it that way. Then there's Christian Powell, the darling of the high school soccer team. He's not the best with communication, which is why he and Sam broke up after dating for six months; but he makes up for it by being genuine, effusive, and kind, which is why they're still best friends.When Christian falls for Ros on first sight, their first interaction is a disaster, so he enlists Sam's help to get through to her. Sam, with motives of her own, agrees to coach Christian from the sidelines on how to soften Ros's notorious walls. But as Ros starts to suspect Christian is acting differently, and Sam starts to realize the complexity of her own feelings, their fragile relationships threaten to fall apart.This fresh romantic comedy from debut author Rachel Roasek is a heartfelt story about falling in love-with a partner, with your friends, or just with yourself-and about how maybe, the bravest thing to do in the face of change is just love somebody.

WINNER OF THE NOBEL PRIZE IN LITERATURE The collected works of the inimitable Pulitzer Prize-winning poetIt is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape-Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain-persistently emerge and reappear with the dark energy of the inevitable, shot through with the bright aspect of things new-made. From the outset ("Come here / Come here, little one"), Gluck's voice has addressed us with deceptive simplicity, the poems in lines so clear we "do not see the intervening fathoms." From within the earth'sbitter disgrace, coldness and barrennessmy friend the moon rises: she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

Based on an incredible true story, Carnegie Medal nominee and New York Times-bestselling author Megan Shepherd crafts a harrowing, propulsive girl-and-her-dog tale that will linger in your heart long after the last page.Laika is a Cold Dog, a stray pup fighting for her life on the streets of Moscow. Then, one winter night, she is plucked from her alley to become a starflyer, a dog trained to travel into space. Distrustful of people, Laika tries to do everything she can to escape. That is, until she meets Nina. Nina is a Cold Girl, lonely and full of questions. Her best friend has moved to America in a rush, leaving Nina to face the school bullies all by herself. Plus, her father's work as a scientist in the Soviet Space Program grows more secretive by the day.When the two meet in her father's laboratory, their growing bond slowly warms the chill that has settled in each other's hearts. As the Space Race between the United States and the Soviet Union grows fierce, Laika and Nina uncover shocking secrets and hard truths that will test their friendship. How will they find the courage to chase their dreams all the way to the stars?

"This book changed my life. Tom Rasmussen's honesty, vulnerability, and fearlessness jump out of every page and every word. It is the queer bible I've always needed." -Sam Smith, singer and songwriter"Tom covers the nuance, doubt, and uncertainty of being a drag queen. Crystal covers the transcendence . . . Charisma and quick intelligence-two qualities that have long been prerequisites for drag . . . Diary puts on technicolor display." -Katy Waldman, The New YorkerIn these pages, find glamour and gaffes on and off the stage, clarifying snippets of queer theory, terrifyingly selfish bosses, sex, quick sex, KFC binges, group sex, the kind of honesty that banishes shame, glimmers of hope, blazes of ambition, tender sex, mad dashes in last night's heels plus a full face of make-up, and a rom-com love story for the ages. This is where the unspeakable becomes the celebrated. This is the diary of a drag queen-one dazzling, hilarious, true performance of a real, flawed, extraordinary life. "I hope people like me will read this and feel seen and loved by it. I hope people who aren't like me will enjoy it, laugh with it, learn from it. And I hope people who don't like me will file lawsuits just so I can wear my brand-new leopard-print skirt suit and bust their asses in court."-Crystal Rasmussen, in Refinery29

A 2021 Scott O'Dell Award WinnerA Society of Midland Authors Winner in Children's FictionA Bank Street Best Book of the Year 2021A novel in verse about a young deaf boy during World War II, the sister who loves him, and the conscientious objector who helps him. Inspired by true events.Henry has been deaf from an early age-he is intelligent and aware of langauge, but by age six, he has decided it's not safe to speak to strangers. When the time comes for him to start school, he is labeled "unteachable." Because his family has very little money, his parents and older sister, Molly, feel powerless to help him. Henry is sent to Riverview, a bleak institution where he is misunderstood, underestimated, and harshly treated.Victor, a conscientious objector to World War II, is part of a Civilian Public Service program offered as an alternative to the draft. In 1942, he arrives at Riverview to serve as an attendant and quickly sees that Henry is far from unteachable-he is brave, clever, and sometimes mischievous. In Victor's care, Henry begins to see how things can change for the better. Heartbreaking and ultimately hopeful, Helen Frost's All He Knew is inspired by true events and provides sharp insight into a little-known element of history.

A short book about the challenges to liberalism from the right and the left by the bestselling author of The Origins of Political Order.Classical liberalism is in a state of crisis. Developed in the wake of Europe's wars over religion and nationalism, liberalism is a system for governing diverse societies, which is grounded in fundamental principles of equality and the rule of law. It emphasizes the rights of individuals to pursue their own forms of happiness free from encroachment by government.It's no secret that liberalism didn't always live up to its own ideals. In America, many people were denied equality before the law. Who counted as full human beings worthy of universal rights was contested for centuries, and only recently has this circle expanded to include women, African Americans, LGBTQ+ people, and others. Conservatives complain that liberalism empties the common life of meaning. As the renowned political philosopher Francis Fukuyama shows in Liberalism and Its Discontents, the principles of liberalism have also, in recent decades, been pushed to new extremes by both the right and the left: neoliberals made a cult of economic freedom, and progressives focused on identity over human universality as central to their political vision. The result, Fukuyama argues, has been a fracturing of our civil society and an increasing peril to our democracy.In this short, clear account of our current political discontents, Fukuyama offers an essential defense of a revitalized liberalism for the twenty-first century.

Critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman).A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past-public ones alongside others that are poignantly personal-with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages-sometimes about language, beauty, memory; sometimes about history, art, photography, and literature-always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.At the heart of Ordinary Notes is the indelible presence of the author's mother, Ida Wright Sharpe. "I learned to see in my mother's house," writes Sharpe. "I learned how not to see in my mother's house . . . My mother gifted me a love of beauty, a love of words." Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method," collects entries from a community of thinkers toward a "Dictionary of Untranslatable Blackness," and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.4-color art throughout

From the acclaimed, award-winning author of Present Tense Machine and Knots, a collection of playfully surreal stories about love, death, and metamorphosis.In Evil Flowers, a precise but madcap collection of short stories, Gunnhild Øyehaug extracts the bizarre from the mundane and reveals the strange, startling brilliance of everyday life. In her new collection, Øyehaug renovates the form again and again, confirming Lydia Davis's observation that her "every story [is] a formal surprise, smart and droll." These tales converse with, contradict, and expand on one another; birds, slime eels, and wild beasts reappear, gnawing at the fringes. A fairly large part of a woman's brain slips into the toilet bowl, removing her ability to remember or recognize species of birds (particularly problematic because she is an ornithologist). Medicinal leeches ingest information through fiberoptic cables, and a new museum sinks into the ground. Inspired by Charles Baudelaire, a dreamer and romantic in the era of realism, Øyehaug revolts against the ordinary, reaching instead for the wonder to be found in fantasy and absurdity. Brimming with wit, ingenuity, and irrepressible joy, these stories mark another triumph from a dazzling international writer.

«No recuerdo. Cuéntamelo todo, Pepito. Cuéntame de Cuba».Cuando la fallida invasión de Bahía de Cochinos en 1961 solidifica el poder de Castro en Cuba, la familia de Cumba, de doce años, toma la difícil decisión de enviarlo solo a la Florida. Ante la idea de vivir en otro país por sí mismo, Cumba intenta recordar el sonido del clarinete de su padre, el olor del perfume de lavanda de su madre.La vida en Estados Unidos presenta toda una nueva serie de desafíos. Perdido en un mar de angloparlantes, Cumba tiene que navegar una nueva ciudad, una nueva escuela y una nueva libertad por su propia cuenta. Con cada día que pasa, Cumba se siente más confiado en su nuevo entorno, pero continúa preguntándose si su familia volverá a estar completa otra vez. ¿O acaso sus familiares se mantendrán fuera de su alcance, a 90 millas, al otro lado del mar?

A complete collection of Robert Lowell's autobiographical prose, from unpublished writings about his youth to reflections on the triumphs and confusions of his adult life.Robert Lowell's Memoirs is an unprecedented literary discovery: the manuscript of Lowell's lyrical evocation of his childhood, which was written in the 1950s and has remained unpublished until now. Meticulously edited by Steven Gould Axelrod and Grzegorz Kosc, it serves as a precursor or companion to his groundbreaking book of poems Life Studies, which signaled a radically new prose-inflected direction in his work, and indeed in American poetry. Memoirs also includes intense depictions of Lowell's mental illness and his determined efforts to recover. It concludes with Lowell's reminiscences of other writers, among them T. S. Eliot, Robert Frost, Ezra Pound, John Berryman, Anne Sexton, Hannah Arendt, and Sylvia Plath. Memoirs demonstrates Lowell's expansive gifts as a prose stylist and his powers of introspection and observation. It provides striking new evidence of the range and brilliance of Lowell's achievement.Includes black-and-white photographs

"Ted Hughes was a great man and a great poet because of his wholeness and his simplicity and his unfaltering truth to his own sense of the world." -Seamus HeaneyOriginally, the medieval bestiary, or book of animals, set out to establish safe distinctions-between them and us-but Ted Hughes's poetry works always in a contrary direction: showing what man and beast have in common, the reservoir from which we all draw. In A Ted Hughes Bestiary, Alice Oswald's selection is arranged chronologically, with an eye to different books and styles, but equally to those poems that embody animals rather than just describe them. Some poems are here because, although not strictly speaking animal, they become so in the process of writing; and in keeping with the bestiary tradition there are plenty of imaginary animals-all concentratedly going about their business.In Poetry in the Making, Hughes said that he thought of his poems as animals, meaning that he wanted them to have "a vivid life of their own." Distilled and self-defining, A Ted Hughes Bestiary is subtly responsive to a central aspect of Hughes's achievement, while offering room to overlooked poems, and "to those that have the wildest tunes."

Tractor Mac sees Plane Jane swooping across through the clouds, and he wonders what it would be like to be able to give hayrides in the sky. He even talks to birds to try to learn how they fly. Then one day Tractor Mac is driving downhill too fast, his wheels lift off the ground, and he can finally fly! But when Tractor Mac has a crash landing, he learns that he is better suited to life on the ground.

The definitive life of the painter who forged American identity visually, in art and illustration, with an impact comparable to that of Walt Whitman and Mark Twain in poetry and prose-yet whose own story has remained largely untold.In 1860, at the age of twenty-four, Winslow Homer (1836-1910) sold Harper's Weekly two dozen wood engravings, carved into boxwood blocks and transferred to metal plates to stamp on paper. One was a scene that Homer saw on a visit to Boston, his hometown. His illustration shows a crowd of abolitionists on the brink of eviction from a church; at their front is Frederick Douglass, declaring "the freedom of all mankind." Homer, born into the Panic of 1837 and raised in the years before the Civil War, came of age in a nation in crisis. He created multivalent visual tales, both quintessentially American and quietly replete with narrative for and about people of all races and ages. Whether using pencil, watercolor, or, most famously, oil, Homer addressed the hopes and fears of his fellow Americans and invited his viewers into stories embedded with universal, timeless questions of purpose and meaning. Like his contemporaries Twain and Whitman, Homer captured the landscape of a rapidly changing country with an artist's probing insight. His tale is one of America in all its complexity and contradiction, as he evolved and adapted to the restless spirit of invention transforming his world. In Winslow Homer: American Passage, William R. Cross reveals the man behind the art. It is the surprising story of a life led on the front lines of history. In that life, this Everyman made archetypal images of American culture, endowed with a force of moral urgency through which they speak to all people today.Includes Color Images and Maps

A hilariously filthy tale of sex, crime, and family dysfunction from the brilliantly twisted mind of John Waters, the legendary filmmaker and bestselling author of Mr. Know-It-All.Marsha Sprinkle: Suitcase thief. Scammer. Master of disguise. Dogs and children hate her. Her own family wants her dead. She's smart, she's desperate, she's disturbed, and she's on the run with a big chip on her shoulder. They call her Liarmouth-until one insane man makes her tell the truth.Liarmouth, the first novel by John Waters, is a perfectly perverted "feel-bad romance," and the reader will thrill to hop aboard this delirious road trip of riotous revenge.