Bøger udgivet af Fairleigh Dickinson University Press

This is the first edited volume in English on the Sicilian author Goliarda Sapienza, contextualizing her work within Italian and European literature. The essays in this volume examine Sapienza through multiple perspectives, taking into account the articulation of subjectivity through autobiographical writing and the complex representation of gender and sexual identities.

This book is divided into three sections. The first section deals with the general situation of Italian/American literature and its reception both in the United States and in Italy. It also discusses other social and cultural issues that pertain to Italian Americana. Section two consists of six chapters, each discussing a specific author; three dedicated to prose (Pietro di Donato, Mario Puzo, Luigi Barzini), three dedicated to poetry (Joseph Tusiani, Maria Mazziotti Gillan, Rina Ferrarelli). Section three examines the current state of criticism dedicated to Italian/American literature, the second part focusing in on a number of specific works.

Fr. Thomas Reese has observed that American Catholic dioceses are simultaneously mysterious and essential to the institutional health and vitality of American Catholicism. In recent years, as American Catholicism increasingly finds itself embroiled in scandal and conflict, this mysteriousness has given way to feelings of suspicion, frustration, and even contempt. How can American dioceses navigate this complex and often hostile social, cultural, and political environment?Several decades ago, J. Michael Sproule invited rhetorical and communication scholars to focus on institutions to increase our understanding of the profound role complex organizations play in contemporary life, assess the purpose and significance of communication in pursuit of their missions, and ';give a human face to the otherwise institutional voice of corporate suasion.' Following Sproule, this book defines a new field called diocesan institutional rhetoric that strives to transform dioceses from structures characterized by closure and adversity into sites of hope-full, response-able, Spirit-led opportunity.Today, rhetorical and communication issues emerge everywhere in American Catholicism. Drawing together relevant literature in Catholic theology, philosophy of communication, and corporate communication scholarshipas well as over twelve years' experience working as a communication professional in a diocesan chancerythis book helps diocesan leaders, scholars, and observers to think differently and more fruitfully about the future of American Catholic ecclesial leadership.

In Italy and the Cultural Politics of World War I, well-known scholars of history, political science, film, literature, and cultural studies explore the impact that the Great War had on twentieth-century culture and the enduring legacy of the cultural products that it engendered.

Ollam (';ollav'), named for the ancient title of Ireland's chief poets, celebrates the career of Toms Cathasaigh, Henry L. Shattuck Professor of Irish Studies at Harvard University, who is one of the foremost interpreters of the rich and fascinating world of early Irish saga literature. It is a complement to his own book of essays, Coire Sois, the Cauldron of Knowledge: A Companion to Early Irish Saga, also edited by Matthieu Boyd (University of Notre Dame Press, 2014), and a sequel to his classic monograph The Heroic Biography of Cormac mac Airt (Dublin Institute for Advanced Studies, 1977) and as such it begins to show the richness of his legacy.The essays in Ollam represent cutting-edge research in Celtic philology and historical and literary studies. They form three clusters: heroic legend; law and language; and poetry and poetics. The 21 contributors are among the best Celtic Studies scholars of their respective generations, whether they are rising stars or great professors at the finest universities around the world. The book has a Foreword by William Gillies, Emeritus Professor at the University of Edinburgh and former President of the International Congress of Celtic Studies, who also contributed an essay on courtly love-poetry in the Book of the Dean of Lismore. Other highlight include a new edition and translation of the famous poem Messe ocus Pangur bn; a suite of articarticles on the ideal king of Irish tradition, Cormac mac Airt; and studies on well-known heroes like C Chulainn and Finn mac Cumaill.This book will be a must-have, and a treat, for Celtic specialists. To nonspecialists it offers a glimpse at the vast creative energy of Gaelic literature through the ages and of Celtic Studies in the twenty-first century.

Two narratives are used in telling the story of indigenous peoples and minorities in relation to globalization and intellectual property rights. This book steers a careful path between Optimism and Fear, exploring how law functions in and as culture as it contours the landscape of intellectual property rights, as experienced by minorities.

Annie Chartres Vivanti: Transnational Politics, Identity, and Culture explores the workof British Italian writer Annie Chartres Vivanti (1866-1942). This volume provides amultidisciplinary approach to the study of Vivanti in order to analyze the diverse andcomplex writing experiences in which she engaged. Essays examine Vivanti's workthrough multiple perspectives, taking into account her politics and her career asjournalist, writer, and singer as well as her literary works.

Italian Prisoners of War in Pennsylvania examines the World War II experience of 1,200 Italian soldiers, detained at Letterkenny Army Depot. They provided valuable logistical, quartermaster, repair, and ordnance support that aided Allied operations, these POWs formed strong bonds with local citizens and Italian Americans, leaving a lasting legacy.

This book focuses on the Biafran humanitarian crisis of 19671970 which generated a surge of human rights anxieties and attracted the attention of world humanitarian organizations. For the first time in recent history, different church groups and humanitarian activists around the world came together for the sole purpose of alleviating human suffering and saving lives regardless of theological differences, race, ethnic affiliation, nationality, and geographical distance. Despite their role in shaping the course and outcome of the conflict, most scholars of the Nigeria-Biafra War treat the humanitarian aspect of the war as a footnote, making it appear less important among other issues of interest in the conflict. Notable exceptions, however, include Joseph Thomson's American Policy and African Famine, which focuses on American policy on the humanitarian aid, and Reverend Tony Byrne's Airlift to Biafra. This study underlines that the international humanitarian aid largely contributed to the internationalization of the war. The efforts of the churches from thirty-three countries which remain virtually unexplored was not just the first of its kind in the developing world but also the largest civilian airlift in history. While the paucity of scholarship on the humanitarian aspect of the Biafra war could be attributed to the newness of this field of enquiry, the increase in conflicts in different parts of the world has just opened humanitarian aid studies as a new frontier in academic study. This book is a masterful example of scholarship in this newly emergent field.

Representing Ebola addresses the legal and cultural facets of the latest West African Ebola outbreak for both an academic and general audience.

This book explores the phenomenon of online social networking in the contexts of a global multicultural society caught in the turmoil of the information and communication revolution. It offers readers an up-to-date overview of the field and pushes the area into new understandings of the topic within a multidimensional space.

Acknowledged Legislator: Critical Essays on the Poetry of Martín Espada is the first-ever edited collection on poet and activist Martín Espada. With the aid of contributions by established scholars who have a specialized interest in the poet's life and work, its principal aim is to argue for a long overdue critical awareness of and cultural appreciation for Espada and his body of writing.

From Ecclesiastes to Simone Weil: Varieties of Philosophical Spirituality reads major philosophers from the Western philosophical canon and beyond for the spirituality implicit in their metaphysics, epistemology, ethics, aesthetics, and logic. Ernest Rubinstein revives for the modern reader the spiritual import of philosophy as an area of inquiry and study. Spirituality is understood as a lived orientation towards the sacred. The sacred is characterized as the source of all being and human wellbeing. Philosophy is presented as an avenue of approach to the sacred alternative to the western religious traditions. Philosophers treated include Plato, Descartes, Spinoza, Kant, Hegel, Kierkegaard, Emerson, William James, Bertrand Russell, and Simone Weil.

Avenging Lincoln's Death: The Trial of John Wilkes Booth's Accomplices is an examination of the 1865 military commission trial of eight alleged accomplices of John Wilkes Booth, the assassin who murdered President Abraham Lincoln. The book analyzes the trial transcript and other relevant evidence relating to the guilt of Booth's alleged accomplices, as well as a careful application of basic constitutional law principles to the jurisdiction of the military commission and the fundamental fairness of the trial. The author found that the military commission trial was unconstitutional and unfair because Congress never authorized trial by military commission for these eight civilians. President Johnson exceeded the scope of his authority as commander in chief by ordering the accomplices to be tried by military commission. He failed to follow the Habeas Corpus Act of 1863 that required him to turn over the alleged accomplices to civilian authorities for prosecution. The accomplices were convicted on perjured testimony and the Government was allowed to drag in unrelated evidence of Confederate atrocities to poison the minds of the panel of officers.

Radiohead and the Global Movement for Change examines the work of the British group Radiohead, focusing particularly on their landmark recording OK Computer (1997). This book studies the band's exploration of the crucial issues surrounding contemporary technological development and 'musical hermeneutics' with the media ecology perspective.

This collection examines a wide variety of literature-travel, memoir, and fiction-and explores the ways travel and ideas of "culture" have evolved since the heyday of the Grand Tour. The sites of the Grand Tour remain a powerful cultural draw, and they continue to define ideas of taste and learning for those who visit them.

Clyde Fitch (1865-1909) was the most successful and prolific dramatist of his time, producing nearly sixty plays in a twenty-year career. He wrote witty comedies, chaotic farces, homespun dramas, star vehicles, historical works, stark melodramas, and adaptations of European successes, but he was best known for his society plays, mirroring themes found in the novels of Henry James and Edith Wharton. In fact, Fitch collaborated with Wharton on a stage adaptation of her House ofMirth. He was also a gay man, although that gentler adjective was not the term of his time. He was bullied in school and baited by critics throughout his career for what they supposed of his private life. He responded with impressive strength and integrity. He was, at least for a short time, Oscar Wilde's lover, and Wilde influenced his early plays, but Fitch's study of Ibsen and other European dramatists inspired him to pursue the course of naturalism. As he became more successful, he took greater control of the staging and design of his plays. He was a complete man of the theatre and among the first names enrolled in New York's theatrical hall of fame.

Claude Simon: Fashioning the Past by Writing the Present considers the aesthetic, cultural, and philosophical facets of a temporal paradox in the works of French novelist Claude Simon (1913-2005), and its broader implications for the study of narrative, and for cultural and post-modern theory. This paradox emerges from the problematic representation of the past through an aesthetic rooted in an exclusive valorization of the present. In his 1985 Nobel speech, as well as on other numerous occasions, Simon expressed a fascination with simultaneity through the provocative claim that he never wrote about the past, but attempted to capture only what was happening during the writing process, that is, in the ';present of writing,' as he put it. Simon's seemingly unambiguous claim raises significant issues and contradictions that become extensively apparent when the statement is considered in the light of his fictional works, since these must be construed, for the most part, as explorations of the past. In this study Alina Cherry propose to look at the tensions that arise from this paradox, and examine the present of writing holisticallythat is both as a stylistic device and within the thematic context of Simon's worksin order to assess its capacity for becoming an instrument of ontological and epistemological inquiry that can also intervene powerfully in the decisive philosophical and socio-political debates that have animated the cultural landscape of post-World War II France. Simon's vivid portrayals of suffering and devastation open new ways of understanding the impact of some of the most traumatic historical events of the twentieth century: the two World Wars and the Spanish Civil War. This impact is necessarily connected with a need to tell these events, and to tell them in highly innovative ways, namely by creating a distinctive style that revolutionizes the outworn narrative traditions of a world whose very foundations have been shattered by the chaos of war and effectively undermines various institutions and dominant socio-cultural structures, revealing implicitly and explicitly, a strong ethical vein.

Evelyn Waugh (19031966) is one of the twentieth century's great prose stylists and the author of a suite of devastating satires on modern English life, from his first unforgettably funny novel Decline and Fall, to his last work of fiction, ';Basil Seal Rides Again.' Evelyn Waugh's Satire: Texts and Contexts renews scholarly debates central to Waugh's work: the forms of his satire, his attitudes towards modernity and modernism, his place in the literary culture of the interwar period, and his pugnacious (mis)reading of literary and other texts. This study offers new exegetical accounts of the forms and figures of Waugh's satire, linking original readings of Waugh's texts to the literary-historical contexts that informed them. Posing fresh readings of familiar works and affording attention to more neglected texts, Evelyn Waugh's Satire: Texts and Contexts offers readers and scholars a timely opportunity to return to the rich, dark art of this master of prose satire.

With contributions by many of the most prominent scholars in law, sociology, criminology, and film, Framing Law and Crime offers a critical survey of a variety of genres and media, integrating descriptions of technique with critical analyses.

Spenser in the Moment argues that contrary to anyone's expectation, Spenser studies may be on the brink of a revolution. Bringing together scholars from three continents, it surveys established methods, and then makes the case that there may be whole worlds of Spenser that have been nearly unsee-able or unhearable in the past forty years.

One of the most pertinent questions facing students of Mormon Studies is gaining further understanding of the function the Bible played in the composition of Joseph Smith's primary compositions, the Book of Mormon and the Doctrine and Covenants. With a few notable exceptions, such as Philip Barlow's Mormons and the Bible and Grant Hardy's Understanding the Book of Mormon, full-length monographs devoted to this topic have been lacking. This manuscript attempts to remedy this through a close analysis of how Mormon scripture, specifically the Book of Mormon and the Doctrine and Covenants, integrates the writings of New Testament into its own text. This manuscript takes up the argument that through the rhetoric of allusivity (the allusion to one text by another) Joseph Smith was able to bestow upon his works an authority they would have lacked without the incorporation of biblical language. In order to provide a thorough analysis focused on how Smith incorporated the biblical text into his own texts, this work will limit itself only to those passages in Mormon scripture that allude to the Prologue of John's gospel (John 1:1-18). The choice of the Prologue of John is due to its frequent appearance throughout Smith's corpus as well as its recognizable language. This study further argues that the manner in which Smith incorporates the Johannine Prologue is by no means uniform but actually quite creative, taking (at least) four different forms: Echo, Allusion, Expansion, and Inversion. The methodology used in this work is based primarily upon recent developments in intertextual studies of the Bible, an analytical method that has proved to be quite effective in studying later author's use of earlier texts.

This book is both a celebration of the life and career of the eminent literary scholar, critic, and journalist John Sutherland and an extension of Sutherland's work in various fields, including nineteenth- and twentieth-century Anglo-American literature, the publishing industry, and its impact upon creativity and literary puzzles.

Hamlet stands as a high water mark of canonical art, yet it has equally attracted rebels and experimenters, those avant-garde writers, dramatists, performers, and filmmakers who, in their adaptations and appropriations, seek new ways of expressing innovative and challenging thoughts in the hope that they can change perceptions of their own world. One reason for this, as the book argues, is that the source text that is their inspiration was written in the same spirit. Hamlet as a work of art exhibits many aspects of the ';vanguard' movements in every society and artistic milieux, an avant-garde vision of struggle against conformity, which retains an edge of provocative novelty. Accordingly, it has always inspired unorthodox adaptations and can be known by a neglected portion of the company it keeps, the avant-garde in every age. After placing Hamlet alongside ';cutting edge' works in Shakespeare's time, such as Marlowe's Doctor Faustus and Kyd's The Spanish Tragedy, chapters deal with the ways in which experimental writers, theatre practitioners, and film-makers have used the play down to the present day to develop their own avant-garde visions. This is a part of the uncanny ability of Shakespeare's Hamlet to be ';ever-now, ever-new.'

Volume 1 of The Annotated Works of Henry George includes an introduction to the six-volume series that focuses on the social context for George's political economy, as well as the public and private struggles that George faced. Tension between the dream of economic justice and different techniques to realize it proved a continuing challenge for the Georgist movement after its heady early years.Volume 1 presents three major works by George and new essays to provide context. George wrote Our Land and Land Policy (1871) while still a journalist in California. Fred Foldvary shows that George, even as a neophyte economist, wrote with uncanny insight and analytical skill. In The Irish Land Question (1881), George dove into the maelstrom of Irish land policy. Jerome Heavey provides the essential clarification of the history and politics of Irish land law and explains why George's remedy was not adopted. Property in Land (1885) incorporates the debate between George and the eighth Duke of Argyll. Brian Hodgkinson provides the historical and philosophical setting for this exchange between the Scottish aristocratic landowner and the American "Prophet of San Francisco."

This collection is an in-depth exploration of a central contemporary American poet with links to many key literary movements. The book provides a sweeping intellectual survey of modernism, postmodernism, and twentieth- and twenty-first-century American poetry.

This documentary history is intended for specialist and non-specialist alike. The introductions to the book's sections, together with introductions to each document, provide a general history of the war. The contents cover the pre-war, war, and post-war periods in Cuba, Guam, Hawaii, Puerto Rico, Spain, the Philippines, and the United States. Included are documents on the main battles and diplomatic history of the war, along with internal situations in Cuba, Puerto Rico, Spain, the Philippines, and the United States. Of particular interest is the section on Black Americans' views and participation in the war, and the section on the views of many participants, military and non-military.

This book presents the supernatural as a truly international phenomenon, not restricted to the original folk characters, their literary representations, or popular media. Instead, we move around the world and into the twenty-first century, reshaping legends into a post-modern image that is psychologically and socially relevant.

T. S. Eliot was raised in the Unitarian faith of his family in St. Louis but drifted away from their beliefs while studying philosophy, mysticism, and anthropology at Harvard. During a year in Paris (1910-1911), he became involved with a group of Catholic writers there and subsequently went through a gradual conversion to Catholic Christianity. He surprised his brother during a visit to Rome in 1926, when he fell to his knees at St. Peter''s, and he surprised his Bloomsbury friends a year later when he was received into the Church of England, becoming an adherent of the traditionalist Anglo-Catholic wing of that church.Many studies of Eliot''s writings have mentioned his religious beliefs, but most have failed to give the topic due weight and many have misunderstood or misrepresented his faith. More recently, however, some scholars have begun exploring this dimension of Eliot''s though more carefully and fully. The critics whose essays are collected here are among that group.Here the reader will find Eliot''s Anglo-Catholicism accurately defined and thoughtfully considered. Several essays illuminate the all-important influence of the French Catholic writers he came to know in Paris. Prominent among them were those who wrote for or were otherwise associated with the Nouvelle Revue Française, including André Gide, Paul Claudel, and Charles-Louis Philippe. Also active in Paris at that time was the notorious Charles Maurras, whose influence on Eliot has been exaggerated by those who wished to discredit Eliot''s traditionalist views. A more measured assessment of Maurras''s influence has been needed and is found in several essays here. A wiser French Catholic writer, Jacques Maritain, has been largely ignored by Eliot scholars, but his influence is now given due consideration.Contributors to the volume take account of Eliot''s intellectual relationship with such figures as John Henry Newman, Charles Williams, and the expert on church architecture, W. R. Lethaby. Eliot''s engagement with other contemporaries who held a variety of Christian beliefs--including George Santayana, Paul Elmer More, C. S. Lewis, and David Jones--is also clarified.The keynote of Eliot''s cultural and political writings is his belief that religion and culture are integrally related. Several writers in this volume examine his ideas on this subject, placing them in the context of Maritain''s ideas, as well as those of the Catholic historian Christopher Dawson.The book as a whole presents the subject of Eliot''s religious beliefs in rich detail, from a number of different perspectives, giving readers the opportunity to see the topic in its complexity and fullness.

Cinematography in the Weimar Republic argues that the new medium of film was preeminent among the avant-garde art forms that distinguished the cultural renaissance of the Weimar Republic and that within this progressive medium cinematographers were the leading purveyors of the new kinetic visual imaginary.