Bøger udgivet af Fairleigh Dickinson University Press

Trump and Mussolini: Images, Fake News, and Mass Media as Weapons in the Hands of Two Populists compares two historic men of power and influence, Donald Trump and Benito Mussolini, to analyze the commonality of practices and mannerisms between the two. From rhetoric to body language, to their control over oral and written communication and analogous power strategies, they both possess an unusual talent for new technologies which they utilize to their advantage in unique moments in history. Mussolini lived at the beginning of mass society, Trump at the height of social media, both controversial leaders finding means to utilize these periods of time and the tools surrounding them to further their own agendas and influence society, culture, and authority. The authors examine a plethora of topics and themes such as outward personalities and consuming charisma, means and tools of communication and propaganda, and treatment of women, just to name a few, in order to define the relationship and similarities between these two controversial figures. This book was written before the Capitol Hill assault on January 6th 2021. Mussolini in November 1922 in front of the Parliament said: ';I could have made a bivouac of this gloomy gray hall: I could have shut down the Parliament and formed a Government exclusively of Fascists; I could have done so, but I did not wish to do so, at least not at this moment.' Trump, however never said anything like this, but indeed, tried to do it.

In Light as Experience and Imagination from Medieval to Modern Times, David S. Herrstrom synthesizes and interprets the experience of light as revealed in a wide range of art and literature from medieval to modern times. The true subject of the book is making sense of the individual's relationship with light, rather than the investigation of light's essential nature, while telling the story of light ';seducing' individuals from the Middle Ages to our modern times. Consequently, it is not concerned with the ';progress' of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions as reflected in art, architecture, and literature. Instead of its evolution, this book celebrates the complexity of our relation to light's character. No individual experience of light being ';truer' than any other.

While over the past four hundred years numerous opinions have been voiced as to Shakespeare's identity, these eleven essays widen the scope of the investigation by regarding Shakespeare, his world, and his works in their interaction with one another. Instead of restricting the search for bits and pieces of evidence from his works that seem to match what he may have experienced, these essays focus on the contemporary milieu-political developments, social and theater history, and cultural and religious pressures-as well as the domestic conditions within Shakespeare's family that shaped his personality and are featured in his works. The authors of these essays, employing the tenets of critical theory and practice as well as intuitive and informed insight, endeavor to look behind the masks, thus challenging the reader to adjudicate among the possible, the probable, the likely, and the unlikely. With the exception of the editor's own piece on Hamlet, Shakespeare the Man: New Decipherings presents previously unpublished essays, inviting the reader to embark upon an intellectual adventure into the fascinating terrain of Shakespeare's mind and art.

This book is about description and image in Renaissance poetry, but focuses not on descriptions that present a vivid image to the reader's mind but on those that seem to avoid doing so. Against the ancient and still active tradition that poetry is painting in words, it argues that poetry is most poetic when its goals are not visual.

This collection of essays brings together innovative scholarship on Shakespeare's afterlives in tribute to Christy Desmet. Contributors explore the production and consumption of Shakespeare in acts of adaptation and appropriation across a range of performance topics, from book history to the novel to television, cinema, and digital media.

Vigilante Justice in Society and Popular Culture offers a transnational investigation of vigilantism and its context across a range of eleven different jurisdictions. Focusing on vigilante justice in popular culture, this unique collection enriches the debate by adding the opportunity for comparison which has been lacking in scholarly literature.

This is an interdisciplinary work that philosophically analyzes concepts such as heroism; practical wisdom; honor; Nietzsche's notions of will to power, the overman, and the three metamorphoses; Plato's understanding of love; creating meaning in life; the issue of morally dirty hands in political administration; the relationship between political means and ends; the proper role of positive duties in society; the aspirations of grand strivers; and the linkages between biological, biographical, and autobiographical lives, all in the context of explaining and evaluating the lives and works of fourteen historically significant Italian: Gaius Julius Caesar, Brunetto Latini, Dante Alighieri, Caterina Sforza, Niccol Machiavelli, Giuseppe Mazzini, Giuseppe Garibaldi, Francesca Cabrini, Gabriele D'Annunzio, Antonio Gramsci, Salvatore Giuliano, Oriana Fallaci, Giovanni Falcone, and Paolo Borsellino.By dissecting the lives and philosophies of the figures discussed in this work, by extracting moral, political, and existential lessons from their aspirations and enterprises, by reflecting on their ideals from the vantage point of our divergent social context, by evaluating their virtues and vices from a wider perspective, and by confronting the conceptual puzzles and social impediments hampering the exercise of practical wisdom and heroism, we may confront the people that we are and reimagine the people we might become.

Shaped by politics and policy, Gender Justice and the Law presents a collection of essays that contribute to understanding how theoretical practices of intersectionality relate to structures of inequality and relations formed as a result of their interaction.

Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides; it explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and non-verbal relationships inherent in noise, sounds, and music, ending with a discussion with ASC Actors.

The Legal Exhibitionist explores Morris Ernst's use of "exhibitionism" to transform himself from insecure youth into America's most popular lawyer. Though Ernst later abandoned his progressive values to defend the FBI and a Dominican dictator and is today largely unknown, his story presaged the phenomenon of the modern celebrity attorney.

The Yearbook of Transnational History is dedicated to disseminating pioneering research in the field of transnational history. The six chapters of this volume explore topics and themes from early modern times to the fall of Communism.

Volume V of The Annotated Works of Henry George presents the unabridged and posthumously published text of The Science of Political Economy (1898). George's original text is comprehensively supplemented by annotations which explain his many references to other political economists and writers both well known and obscure.

Longfellow's Imaginative Engagement is a first-of-its-kind study of Henry Wadsworth Longfellow's late-career poems and biography from 1861 until 1882, covering the poet's posthumous publications and the handling of his literary estate. Using never-before-discussed archival materials from Harvard's Houghton Library and the Longfellow HouseWashington's Headquarters National Historic Site, including unpublished poems and poem fragments, this literary biography presents Longfellow's vibrant and complex final two decades. After the tragic death of his beloved second wife, Frances (Fanny) Elizabeth Appleton, Longfellow reinvented himself as a creative artist, transforming his loss and the nation's suffering in the Civil War and postwar period into compelling art. In this book, Jeffrey Hotz interprets the distinct phases of Longfellow's late career, exploring his narrative poetry, translations, personal lyrics, religious poetry, aesthetic verse, and end-of-life vision of mortality as a journey. He considers Longfellow's friendships and family life, publication strategies and literary reputation, and the recurrent theme of longing for an ideal female figure in his poems and private life. Interweaving unpublished poems and poem fragments with interpretations of published collections, Longfellow's Imaginative Engagement examines the poet's complex voice, which captured the public's imagination, making him America's most famous poet in the nineteenth century.

For the 250th anniversary of the founding of Dartmouth College, the Political Economy Project at Dartmouth assembled a stellar cast of junior and senior scholars to explore the systemic conditions facing those seeking to found a new college two hundred fifty years ago. What were the key political, economic and religious parameters operating in the Atlantic world at the time of the College's founding? What was the religious scene like at the moment when the Rev. Samson Occom of the Mohegan nation and the Rev. Eleazar Wheelock of Connecticut, two men from very different backgrounds whose improbable meeting occurred during the Great Awakening of the early 1740s, set about establishing a new school in the northern woods in the 1760s? How were the agendas of contemporaries differently mediated by the religious beliefs with which they acted, on the one hand, and the emerging thought world of political economy, very broadly understood, on the other? These are among the rich and variegated topics addressed in Dartmouth and the World, which breaks the mold of the traditional commemorative volume.

David Fincher's Zodiac, the first book-length study of the critically acclaimed 2007 release, offers various critical approaches to the film ranging from early influences, studies in genre and narrative, and media analysis including cinema history, game theory, musicology, and extensions in television studies.

The Unpopular Realism of Vincenzo Padula provides a microhistory of life in a Southern Italian province in the decade following Unification and of Vincenzo Padula, who wrote single-handedly from March 1864 to July 1865 a period when pro-Bourbon loyalists were attempting to exploit the discontent of the Region's poor masses by fomenting brigantry and reverse the Unification Il Bruzio, a pro-Government periodical published in Cosenza. The pro-government reformist Padula pointed out not only the successes but also the shortcomings and failures of the Savoy regime, so as to consolidate their rule. He gave particular attention to the problems of daily life through the correspondence of a literary creation, Mariuzza Sbrffiti. The difficult integration of the South, in Padula's view, was often exacerbated by the unwillingness of the ';piemontesi' to learn the social, political, and economic realities of the South. Padula enables us to view from multiple angles both macroscopic issues, such as the relationship between the Church and the New Italy, and the dire state of the infrastructure and economy, and microscopic ones, such as the peasantry's misplaced hopes in Garibaldi, clerical obscurantism, popular beliefs and culture, contradictions in the structure of the new liberal regime, and the status and role of women in such a society. He views his subjects from a unique perspective, one is defined by its empathy for and identification with the marginalized ';persons of Calabria.'

The Suburbs: New Literary Perspectives places the suburbs firmly at the center of attention by focusing on those "places that thrive on disregard." By examining the suburbs across continental and cultural differences, this study shows how this liminal space also ushers in, albeit fleetingly, humane urbanity, or urban humanity.

In No Place for Ethics, Hill argues that contemporary judicial review by the U.S. Supreme Court rests on its mistaken positivist understanding of lawlaw simply because so orderedas something separate from ethics. Further, to assert any relation between the two is to contaminate both, either by turning law into an arm of ethics, or by making ethics an expression of law. This legal positivism was on full display recently when the Supreme Court declared that the CDC was acting unlawfully by extending the eviction moratorium to contain the spread of the Covid-19 Delta variant, something that, the Court admitted, was of indisputable benefit to the public. How mistaken however to think that acting for the good of the public is to act unlawfully when actually it is to act ethically and must therefore be lawful.To address this mistake, Hill contends that an understanding of natural law theory provides the basis for a constitutive relation between ethics and law without confusing their distinct role in answering the basic question, how should I behave in society? To secure that relation, the Court has an overriding responsibility when carrying out its review to do so with reference to normative ethics from which the U.S. Constitution is derived and to which it is accountable. While the Constitution confirms, for example, the liberty interests of individuals, it does not originate those interests which have their origin in human rights that long preceded it. Essential to this argument is an appreciation of ethics as objective and based on principles, like those of justice, truth, and reason that ought to inform human behavior at its very springs. Applied in an analysis of five major Supreme Court cases, this appreciation of ethics reveals how wrongly decided these cases are.

Ideology in the Poetry of Sylvia Plath provides close readings of some of Plath's transitional and late poetry that deals with the domestic and cultural ideologies prevalent in post-war America, which affected women's lives at the time. By examining some of Plath's manuscripts, Ikram Hili shows how these ideologies informed her writing process.

Sexuality, Human Rights, and Public Policy engages with public policy and its intersection with contemporary discourse on sexuality and rights, and by extension the inclusion or exclusion of groups of individuals in mainstream sociocultural groups in societies.

Warfare, Trade, and the Indies in British Literature, 16521771 demonstrates how British travel narratives of the long eighteenth century distinguished between Mughal and American ';Indians.' Through a New Historical and postcolonial lens, it argues that the distinction between East and West ';Indians' was widely recognized and shaped British people's tendency to view Mughal Indians as similar and in some ways even superior to Europeans while they disdained native populations in the Americas. Drawing on representations of ';Indians' in Peter Heylyn's critically neglected 1652 Cosmographie as well as representations in the works of canonical literary authors such as John Dryden, Richard Steele, and Henry Mackenzie, this monograph provides a more nuanced account of the origins and (d)evolution of ';Indian' stereotypes than scholars have to date. A text committed to the exposure and eradication of colonial rhetoric and violence, Peter Craft's Warfare, Trade, and the Indies in British Literature, 16521771 proposes a modification of Saidian postcolonial theory that better applies to texts of the seventeenth and eighteenth centuries.

Contemporary Italian Diversity in Critical and Fictional Narratives brings together creative literary works and scholarly articles. Both address the changes and challenges to identity formation in an Italy marked by the migrations, populism, nationalism, and xenophobia, and analyze diversity and the affirmation of belonging.

Utopia and Dystopia in the Age of Trump focuses on utopias and dystopias that either prefigure or suggest alternatives to the rise of individuals such as Donald J. Trump and the changing conditions of America we now see around us. These topical studies provide compelling reading for both the general reader and the specialist.

Like previous works by the authors, Thomas North's 1555 Travel Journal uses original digital research to analyze Thomas North's previously unpublished journal, arguing that its descriptions, especially of northern Italy, provided a template for Shakespeare's Henry VIII and The Winter's Tale.

The fourth volume of the Yearbook of Transnational History is focused to the theme of exile. This volume is the first publication to provide a comprehensive overview over exiles of various political and ethnic groups beginning with the French Revolution and ending with the transfer of Nazi scientists from post-World-War-II Germany to the US.