Bøger udgivet af Fairleigh Dickinson University Press

Drawing on novel archival evidence that sheds light on Anglo-Italian diplomatic relations and the French-Italian contest for power in the Adriatic, this book recounts the story of decadent poet Gabriele D'Annunzio's occupation of Fiume. Determining the fate of this Italian enclave in coastal Croatia had proved impossible at the Paris Peace Conference. In September 1919, D'Annunzio and his 'legionnaires' installed themselves in Fiume in a bid to embarrass Italy into declaring its annexation. In the months that followed, the poet did his best to fashion Fiume into his ideal political community, culminating in the proclamation of a Constitution known as the Carnaro Charter. The Charter was as visionary as it was short-lived: having reached an agreement with Yugoslavia on the status of Fiume, Italy put an end to the poet's socio-political experiment in December 1920. In addition to offering the most comprehensive and detailed analysis to date of the CarnaroCharter, the book shows what has eluded all historians of D'Annunzio's Fiume: that the sublimation and discursive circulation of same-sex desire was integral to shaping and sustaining the political and legal order of the occupation, and that D'Annunzio's love-lore in Fiume was continuous with broader homoerotic preoccupations in his oeuvre.

This volume examines the significance of place in contemporary Italian American literature from an ecocritical perspective. It fills a gap in the theoretical/critical discourse on Italian American culture, whose concerns about environmental justice have been mostly overlooked. From mid-twentieth-century poets such as John Ciardi and Diane di Prima to late twentieth- and twenty-first-century fiction writers such as Carole Maso and Salvatore Scibona, the author combines Italian American literary criticism with the "spatial turn" that, over the last decades, has asserted the interpretive significance of place and the environment in literary texts. Contesting the prejudice that sees Italian American culture as distant from ecological concerns, the works examined show that such diasporic heritage has helped forge different modes of relationship and new forms of expression in contact with the 'American' land. Their relevance lies not so much in defining or redefining Italian American ethnicity but in forging ideas and futures beyond their immediate framework and subject matter. By focusing on the intersection of gender and ethnicity with local and transnational spaces and aesthetic practices, Italian American Poetics of Place contributes to the growing field of inquiry that explores the resources of the literary in laying the basis for more dialogic and inclusive forms of awareness and community with both the human and other-than-human.

Vincenzo Tomeo's pioneering research in the 1960s and 1970s drew attention to the importance of popular culture in our understanding of the operation of the justice system. He was the first to recognize that how laws are interpreted and put into effect depends heavily on how the public understand them. This understanding comes from the ideas and understanding which the public have about the justice system. These ideas, in an era of mass popular culture, come largely from film. In his groundbreaking research he examined how judges and the police were viewed in popular film. He also stressed the importance of popular culture as opposed to classical accounts of law and justice and showed how these meshed with law and justice on film. The Judge on the Screen preceded the attention paid to popular culture by over a decade and provided empirical data some thirty years before any such work was carried out by Anglo-American and other European scholars. This classic work now appears for the first time in an English translation with additional supporting materials.

Malevolent Legalities draws upon archival research conducted at the Scalia Papers at the Harvard Law School Historical and Special Collections to examine the influence of Justice Antonin Scalia's judicial philosophy of "textualist-originalism" on the US Supreme Court's antidiscrimination jurisprudence. The book focuses on six US Supreme Court cases, organized into two parts. The main argument of the book, grounded in archival and legal materials, is that textualist-originalism makes it lawful for discrimination to be performed through the text, and explicitly seeks to prevent progress by enacting a regime of "static law". In Shelby County v. Holder (2013), Justice Ginsburg remarked that discrimination today behaves like the Hydra, the many-headed serpent in Ancient Greek mythology which regenerates each time its head is severed. The analysis of archival and legal materials is therefore prefaced by the development of a unique methodology for studying discrimination called discriminatology, understood as a framework for analyzing how discrimination persists through time, is performed through the text, and is a product of the manipulation of legal speech. In this way, Malevolent Legalities approaches the study of textualist-originalism as itself a vehicle for discrimination performed mala fide or "in bad faith."

India's Imperial Formations explores the ways in which empire building occurs and consolidates through the Indian and diasporic cultural landscape where a collusion with whiteness, Hindu fundamentalism, casteism, and religious and racial bigotry are rampant, and denies a democratic space of multiple Indias to coexist together.

From Cristina Fernández Cubas, Spain's award-winning master of the short story, comes a collection of unsettling, thought-provoking, and often hilarious stories, The Angle of Horror. A socially awkward twenty-something who transforms from Jekyll to Hyde by playing the tuba; a miserly curmudgeon whose ultimate act of generosity as well as his final breath are snuffed out by a seemingly innocent grandson; a young collegian who suffers a nightmare of shadows and slants, then discovers his waking world is also horribly askew; a lonely Spaniard living abroad who seeks familiarity in a Spanish specialty shop but only finds true belonging while obsessively stalking the proprietor. These are but a few of the "angles" that Fernández Cubas constructs in these four twisted tales: "Helicon," "Grandfather's Legacy," "The Angle of Horror," and "The Flower of Spain." Presented in critical edition and translation for the first time, these acclaimed Spanish tales are featured alongside their English translation, with historical contextualization and critical commentary by scholars Jessica A. Folkart and Michelle Geoffrion-Vinci.

Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theatre history to 1642, covering not only plays and early performance history, but of topics relating to cultural history, as well as manuscript studies and the history of printing.

Shakespeare Studies is an annual peer-reviewed volume featuring the work of performance scholars, literary critics, and cultural historians. The journal focuses primarily on Shakespeare and his contemporaries, but embraces theoretical and historical studies of socio-political, intellectual and artistic contexts that extend beyond.

Starting in the early 1900s, male and female elementary schoolteachers in Italy gained increasing awareness of the role of social workers in the fight against illiteracy and in creating civic consciousness based on widespread, qualified education. In 1900, the Unione Magistrale (the Teachers Association) was founded; in 1919, the Sindacato Magistrale (the Italian Teachers Union, a member of the General Confederation of Labor) was created.Inevitably, some of these teachers, firmly convinced of their duty, opposed fascism which, from the moment it originated, aimed at creating obedient boys who were loyal to fascist doctrine and trained in warfare, and girls ready to become the mothers and wives of soldiers. These teachers resisted in the most diverse ways. Some were forced to abandon teaching, a number of them were killed by fascist violence, but others were able to navigate the restrictions imposed on them by the regime.In Teaching Freedom, the author reconstructs twelve biographies of these teachers, based on unpublished material and archive documents, in a form of research suspended between history and pedagogy. The chronological order of the stories retraces the way fascism progressively seized power, suffocating all forms of freedom of expression. Moreover, the study of newly-found documents and various testimonies show the teachers' ceaseless invention of alternative teaching strategies.

This unique collection explores the complex issue of vigilantism, how it is represented in popular culture, and what is its impact on behavior and the implications for the rule of law. The book is a transnational investigation across a range of eleven different jurisdictions, including accounts of the Anglophone world (Australia, Britain, Canada, and the United States), European experiences (Germany, Greece, Italy, Poland, and Portugal), and South American jurisdictions (Argentina and Brazil). The essays, written by prominent international scholars in law, sociology, criminology, and media studies, present data, historical and recent examples of vigilantism; examine the national Laws and jurisprudence; and focus on the broad theme of vigilante justice in popular culture (literature, films, television). Vigilante Justice in Society and Popular Culture sheds light on this topic offering a detailed look beyond the Anglophone world. This collection will enrich the debate by adding the opportunity for comparison which has been largely lacking in scholarly debate. As such, it will appeal not only to scholars of law, sociology, criminology, and media studies, but also to all those who are engaged with these topics alike.

"What interests me in poetry is the interplay of language, the page, and silence. Heaven falls out of words because possibility is in the page, another kind of heaven; I wonder if that's the only heaven we are given to know in life." -- Edward Dickinson (Ted) BlodgettE.D. Blodgett's final volume of poems, Walking Into God, is the culmination of the poet's lifelong devotion to a poetry and poetics of the sacred. His mastery of craft, including cadence and sustained musicality, is unsurpassed in Canadian literature. Though this volume is divided into two parts (or sequences), these compressed poems present as a single long poem that explores the processes of walking, moving, changing, and evolving within a unified field.

The Yearbook of Transnational History is dedicated to disseminating pioneering research in the field of transnational history. The nine chapters of this volume explore topics and themes from the history of migration on a global scale across six centuries.

Who created the most famous Southeast Asian hero during the heyday of imperialism and colonialism? Who inaugurated with The Mysteries of the Black Jungle over a century long link uniting the Italian imaginary to the Indian one? Who envisioned the most celebrated interracial love stories of world literature, those between Sandokan, leader of the Tigers of Mompracem, and Marianna, the Pearl of Labuan, between Tremal-Naik, the Bengali snake catcher, and Ada, the Virgin of Kali's temple at the time of the British Raj? Who defined the Caribbean as a symbolic trope of plunder and rebellion through the melancholic viewpoint of the Black Corsair and the forsaken love for his enemy's daughter? Who created Yanez de Gomera, a most famous Portuguese hero, and the imperfect voice of white anti-colonialism?It was Italy's great adventure novelist, Emilio Salgari (Verona, 1862 - Turin, 1911). From the Mahdi's revolt in Sudan to the African slave trade, from the Philippine insurgency to the Mediterranean at war between Turks and Christians, and to ancient Egypt, Salgari's breath-taking plots, together with his indigenous heroes and heroines in Vietnam, Thailand, Venezuela, Arctic Canada, the American Far West, the Chinese diaspora, deeply challenge canonical colonialist representations by contemporary Victorian authors like Conrad, Kipling, and Forster.

Through a psychological analysis of John Fante¿s characters and a literary comparison with authors like Cervantes, Hamsun, Bukowski, When We Were Bandini explores the subtle use of humor and satire in Fante's depiction of the American world, and it clears him of the label of autobiographical or even confessional writer.

The collective essays in Sacred Rhetoric dissect the manner in which religious actors or religious themes inform various layers of cultural discourse to foster discussion based upon a greater awareness of the issues at stake and contribute to ongoing discourse about identity and meaning.

Contending with Codes in a World of Difference presents a new set of original, fieldwork-based case studies that examine speech codes in on- and offline settings around the world. The book culminates with a newly updated, expanded, and reenergized version of speech codes theory, well-suited to the contemporary study of communication and culture.

The Final Days of Edgar Allan Poe contains an in-depth examination of the circumstances of Edgar Allan Poe's death in 1849. Beginning with a chronology of the poet¿s life, the book then delves into the many myths and theories that have become attached to the poet's mysterious demise.

Mythologist in Microgroove investigates the ways in which popular music, as well as other popular genres, engaged with and critiqued modern myth during years of cultural and political upheaval, from the late 1960s to the mid 1980s. The Italian cantautore, Fabrizio De André, is the productive lens of the book, as it considers the myths of the medieval hanged man, the cowboy, Jesus of Nazareth, and Fiddler Jones. Across four chapters, the author engages the contemporary cultural context and events in Italy, as well as abroad, and interprets them through the lens of popular cultural productions. She weaves the voices of Bob Dylan, Francesco De Gregori, Francesco Guccini, Dario Fo, and Edgar Lee Masters with that of De André to propose a new perspective on the countercultural years. De André¿s music arises as singularly profound and persistent in its critique of elements of western culture that have guided its trajectory since the late medieval period.

In Speculative Poetry and the Modern Alliterative Revival, editor Dennis Wilson Wise argues that speculative poets over the last century have initiated a long unrecognized revival of medieval alliterative poetics. This anthology collects for the first time those poets¿C. S. Lewis, Poul Anderson, and others¿who have fomented this revival.

Volume V of The Annotated Works of Henry George presents the unabridged and posthumously published text of The Science of Political Economy (1898). George's original text is comprehensively supplemented by annotations which explain his many references to other political economists and writers both well known and obscure.

David Fincher's Zodiac, the first book-length study of the critically acclaimed 2007 release, offers various critical approaches to the film ranging from early influences, studies in genre and narrative, and media analysis including cinema history, game theory, musicology, and extensions in television studies.

What are the best ways of thinking about the founding of Dartmouth College in 1769¿in the context of the religious, political, and economic history of Britain, colonial America, and even the world? In Dartmouth and the World, a distinguished panel of scholars approaches the issue in a rich variety of ways.

Contemporary Italian Diversity in Critical and Fictional Narratives brings together creative literary works and scholarly articles. Both address the changes and challenges to identity formation in an Italy marked by the migrations, populism, nationalism, and xenophobia, and analyze diversity and the affirmation of belonging.

From Treason to Runaway Slaves provides case studies of high-profile trials from the early republic examined in terms of the period¿s history, law, and culture. It focuses on a historical period and place crucial to identity formation in the new nation and the survival of the U. S. as a democratic experiment.

Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theatre history to 1642, covering not only plays and early performance history, but of topics relating to cultural history, as well as manuscript studies and the history of printing.

Shakespeare Studies is an annual peer-reviewed volume featuring the work of performance scholars, literary critics, and cultural historians. The journal focuses primarily on Shakespeare and his contemporaries, but embraces theoretical and historical studies of socio-political, intellectual and artistic contexts that extend beyond.

Marginal to Mainstream traces the near-miraculous progress of modern art in France in the first half of the twentieth century¿from a marginal phenomenon, the domain of a handful of second-string dealers, to the representative form of the epoch and a foundational part of French national identity.

The Ian Willock Collection on Law and Justice in the Twenty-First Century presents a diverse collection of essays inspired by Ian Willock's diverse range of scholarly interests, from the Scottish jury through women in the legal profession, and more.

The Yearbook of Transnational History is dedicated to disseminating pioneering research in the field of transnational history. The ten chapters of this volume explore topics and themes of heritage creation from the Crusades to the Apollo space flights.

In Diplomacy in Postwar British Literature and Culture, Krzakowski shows how matters of international relations¿refugee crises, tribunals, espionage, and diplomatic practice¿have influenced the thematic and formal concerns of twentieth-century cultural production.