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This new Idriess book tells of stirring episodes in the pursuit, of lawbreakers in the primitive lands. Every chapter is authentic. Patrols through the Kimberleys, the wild Fitzmaurice River country, the nor'-west of Western Australia, the Northern Territory, and Central Australia; each incident recorded from the lips of the pursuers and pursued whether white, black, or brown. Here are given for the first time the romantic stories of Nemarluk and Minmara, Tuckiar and Mepara, Chugulla, Tiger, Moodoprish, Natchelma - Aboriginal leaders so much lately before the public eye. Here, too, will be found details of the spearing of Constable McColl, the ambushing of Hemming's patrol, the killing of the Japanese of the luggers' Ouida, The Myrtle, Olga and The Raff, the spearing of Stephens and Cook, of Tetlow, Nichols, Renouf, Traynor and Fagan. The inner story of the most intriguing murder in the rugged fastnesses of northern South Australia, the big mail robbery on the little Centralian railway...The book contains remarkable stories of the methods of aboriginal trackers, given exactly as they worked on each case. Nothing like these tracking chapters has ever been attempted in book form before. - Port Macquarie News, 1935

The True Story of the Kelly Gang of Bushrangers, published in 1900, was a highly researched biography of the notorious 19th-century Victorian family of bushrangers. Chomley wrote the biography using court documents, police records and court evidence. It is recognised as being one of the most accurate depictions of the story of Ned Kelly, particularly regarding the police involvement. In his discussion of The True Story of the Kelly Gang of Bushrangers, Paul Eggert writes: "He often expresses scepticism about the extant accounts of events and of motives, but his attitude is always one of confident understanding and conservative judgement". As the nephew of Arthur Wolfe Chomley, the Assistant prosecutor at Ned Kelly's trial in 1880, and the nephew of Hussey Malone Chomley, a police officer during the Kelly years, Chomley had a unique insight into the case. - Wikipedia

Jamie watches the Queensland town beneath him from the sheltered branches of the mango tree. Through days of shimmering heat choked with red dust to days of rainstorms bringing mud to the mangroves, everything is as it should be - the sights and sounds and smells are as familiar to him as the everlasting childhood in which they appear. Then everything changes overnight when he falls in love. A tender, fumbling first love that flowed and ebbed just as suddenly. And in its wake came death, the sudden shocking death of someone he loved.Ronald McKie "...is a true professional... a super word-handler... This is a novel which bears the mark of the craftsman who is master of the language." - from the report of judges of the Miles Franklin Award, 1974.

In Crocodile Land is principally the story of travels by lugger through northern waters and into slimy creeks where the huge crocodiles abound. The author took part in many hunting expeditions and enlightens us on the various methods adopted for catching these fearsome creatures. The party had more than a little success, to the great glee of the blackfellows who accompanied them.We journey next into the country of the buffaloes. Here on sunlit clearings through thickets of pandanus palms the buffaloes were to be found in hundreds... There is plenty of risk in hunting the buffalo... Once the shooting starts, the horse must continue his gallop, faster than the buffaloes and alongside them, keeping them going. One stumble and the end is near for horse and rider. - Western Mail, Perth 1946Although it has the thrill of crocodile shooting and trapping as its central theme, the book also affords a sympathetic and fascinating study of the aborigines and their tribal customs, slants on the dangerous sport of buffalo hunting, and vivid pen pictures of Wyndham, Darwin and other far northern towns. - Adelaide Advertiser, 1946Introduced by Tony McKenna

Sydney's North Shore was - and still largely is - a very special place. It is a particular subset of Sydney's wider community ... a separate enclave, with its own habits, beliefs, and peculiar ways. Sandra Darroch (nee Jobson) was born and bred on the East side of the North Shore Line, then regarded as the Right Side of the Tracks. She was privileged to be familiar with its particular atmosphere and culture (both high and low).So Put Down at Birth is a native's expose of Sydney's North Shore. It is not a history book, nor is it a Politically Correct tale. Instead, it provides a unique view of what is still a little world unto itself. A reporter by both profession and inclination (she was the first female general reporter at the Sydney Morning Herald), Sandra looks back at the North Shore she grew up in and knew so well. She exposes the strengths and frailties which made this leafy enclave, even today, rather more genteel than the raffish other parts of Sydney. Strictly speaking, the genuine North Shore, which begins at Roseville and peters out around Pearces Corner, Wahroonga, must be treated separately from the more general 'North Side' of Sydney.Being Put Down at Birth for one of the North Shore's exclusive private schools was, and still is, a passport to a comfortable, well-heeled future. Dancing class at Miss Kay's; the Saturday afternoon birthday party; school uniforms at David Jones or Farmers; the Regatta; the North Shore sex Code in those pre-Pill days; holidays up the Mountains at the Hydro; the growth of evangelical religion - growing up on the right side of the tracks, Sandra Darroch gives an insider's glimpse of these North Shore rituals, some of which exist to this day.

The adventures of "Top Hat" that magic hat, who can change his look, his style his brim, with just a wink, a flick, a grin. He has been a turban, beret, fez, even a crown on the head (I can't say whose). Told by ace reporter Minnie Joan Briggs-Kent for the magazine "Hat & Cap". Hat-napping, thieves, pirates and Holymen, this adventure has it all. I am telling you, you really should, "Read All About It".

Thompson's city is Sydney, and perhaps the most impressive feature of his writing is the way the physical reality of the city is caught throughout the prose, and the power with which Thompson draws the skin of human relationships over this brutal and jagged landscape that cuts and moulds them. - Neil Armfield, ABC RadioThompson's prose is fast and sharp and he creates in these episodes an extraordinary feeling of the city and its people as somehow integrated in the one sliding, crumbling disintegrating world. Neon Line is a disturbing vision of today's young urban culture. - Nation ReviewThe outstanding success of Neon Line, to my mind, is Thompson's portrayal of Marlene, where he has captured through the voice of the woman herself, a tortured, lonely, and utterly persuasive individual, an achievement which is apparently rare in male-written fiction. - Australian Book Review

The first and best biography of the great Troubadour with artwork by Martin Sharp.Throughout his lifetime, Tiny Tim was a repository of recorded music stemming from the early days of vaudeville to the latest chart favourites. But despite all these influences he remained a true original perfecting his performances as an outreach of his personality. True, he had some strange traits, but they did not impede on his enthusiastic kindness to people he loved, to the musicians he accompanied, and to the many listeners he met. In the age of celebrity, he functioned as the complete entertainer. Lowell Tarling has provided Tiny with a living biography and given us a definitive incentive to re-listen to his recording and re-visit his numerous You Tube postings. You get the feeling that somewhere Tiny is standing on his tiptoes, strumming his ukulele, blowing kisses and saying, 'God bless you all!' - Hal Stein, (Tiny's cousin and close friend) April 2013

Essington Holt, in his second adventure, finds himself caught up in the complexities of Balkan nationalist groups, the French police and the ASIO while investigating the murder of an old Yugoslav lady. His investigations take him from the south of France to Venice and the Australian outback.Readers will welcome the return of Wallace's reserved, yet very likable artist/sleuth as he moves between the sophistication of the Riviera and Sydney and the insularity of an Australian small town. - Publishers WeeklyEssington Holt: a brilliant bitter creation - Time Out

Alister Kershaw was ABC Radio's Paris Correspondent for many years and wrote classic books on French manners, like The History of the Guillotine and Murder in France. With this book though, he tells of his life in the small hill-town of Maison Salle, and its wine makers; and gives us both the joy and horror of his twelve greatest drinks ever. From Melbourne to Paris and London, and deep in the South of France, this is something to Savour for the earnest Traveller.

In 1932, Ion Idriess was one of those who set out from tiny port of Derby with the ending of the Wet season, moving through the rugger Kimberleys towards the developing goldfield of Tennant's Creek. This is the story of his wanderings in the 1930s and what he heard and saw along the way; at a time when wireless and air and motor transport were rapidly changing life in the North and North-west: but when the age of pioneers, of heroic journeys, terrifying loneliness, and violent death, had not yet passed away.Back in print after 60 years.

In 1936, the celebrated American author Zane Grey arrived in the sleepy New South Wales town of Bermagui, with the express reason of angling for the world's largest fish - Marlin, sharks and Swordfish. Here is his little classic of the chase.Four miles out I sighted a long sickle fin cutting through a swell. Did I yell, Marlin!? I certainly did. An instant later Peter sighted another farther out, and this tail fin belonged to a large fish. I could not tell whether or not it indicated a black marlin. It stood up three feet or more, and that much would make a tail spread of over six feet. These marlin were riding the swells and they were moving fast. The tails would come up out of the top of a swell and cut the water at more than a ten-knot speed. Then they would vanish. It is always necessary to run the boat in the right direction to head the fish off. The Avalon is fast - she can do eighteen knots when opened up - but we could not catch up with the big fellow.

Lowell Tarling recorded Martin Sharp's life, and his effect on his friends, over twenty years. Now two volumes in one, in advance of the film of these books - GHOST TRAIN...Sharp: The Road to Abraxas - Part One, 1942-1979Sharper: Bringing It All Back Home - Part Two, 1980-2013'Like the Ancient Mariner, it's also a ghastly tale. I could understand the events at Luna Park a bit. I was trying to understand them and then suddenly there was this poetic language working to say: this is a crucifixion, Golgotha, death by fire. And then it starts to fit into Apocalyptic vision. It was Abraxas if you like - the dark face and the light face. To look upon Abraxas is blindness. To know it is sickness. To worship it is death. To fear it is wisdom. To assist it not is redemption. I don't know what it means. I've never been able to work it out. You get a Pop Art Parallel. It was the Year of the Child, the place of Golgotha, the Place of the Skull, and the Ghost Train. You then get these events that are caused by plotting, not caring for kids, carelessness, living a human life - the way of the world.' - Martin Sharp, 4 March 1984

In the dark of river bends, in the slow meander of deceit, in the closed still autumn mist, Freddy and Joyce with poles in hand, propel the craft into the stream.The parrot chirps, he chews a nut then begins to chew upon the mast.The squawking parrot knows it all, the secret keeper of this land, of wine and river, war and love, and dreams men brought to river bank; alas they tried to build them. Part family saga, part love story, told over three generations by an undeliable parrot, a most marvellous tale.

Throughout all the game of war, in every Age, there has been no task so fascinating, so alive with thrills, as that of the scout. Against an enemy army he plays a lone hand as does the sniper. But the scout's job is not to hide and kill, his is to press forward and see, but never be seen. And - he must return.Ion Idriess's Australian guerrilla manual presents a rare insight into one of the most vital functions of small-unit combat intelligence - scouting. Despite great technical achievements in modern military science, the small-unit commander must still rely heavily on the eyes, ears and stealth of his scouts. Details obscure techniques often overlooked in most U.S. Army and Marine scouting texts.The sixth book of the Australian Guerrilla series, The Scout, by Ion Idriess is now available. It is packed with knowledge and bush lore, and gives to any soldier who studies it most of the data necessary for the job of scouting. With the rest of the series it provides a small compact little work that, carried in the haversack, is a means of learning as you go. - Hobart Mercury, 1943.

A rollicking ride through the early days of Australian Motorsport set in 1900-1918 in Perth, Melbourne, Brisbane and the Gold Coast, the true story of bitter rivalry between two Brisbane car importers/dealers: E.G.Eager Son and Canada Cycle and Motor (CCM). There are four main characters: Fred Z. Eager, Alec Fraser Jewell, E.G.Eager and CCM managing director A.V.Dodwell.The paths of speedsters Fred Eager and Alec Jewell collide on Christmas Day, 1916, on Southport Beach at the first attempt to set an Australian land speed record.Whitey in the premier motorsport event of hill climbs so they decided to stage an event of their own, bespoke for Studebaker. This race would nullify Fred Eagers driving skills and suit the big-engined Studey: A straight line speed contest against the clock on the firm low-tide sand of Southport (Surfers Paradise) beach. Only one of them could win ... Or could they?

Bush Studies, written during the 1890s, presents a bleak and uncompromising image of life in the Australian bush. These are not the stories of mates gathered around a fire, but of the dark loneliness of women. Not only are there fences to be built and a living to be coaxed from the land, but babies to be born - or buried - and the dangers of profound isolation to be endured, as well as the cruelties, or plain disappointments, of men.She drew out the saw, spat on her hands, and with the axe began weakening the inclining side of the tree. Long and steadily and in secret the worm had been busy in the heart. Suddenly the ace blade sank softly, the tree's wounded edges closed on it like a vice.Classic stories of pioneering Australia introduced by Elizabeth Webby

American-born Gus Pierce arrived in Australia in 1860 and promptly deserted, swimming ashore at Port Phillip. He worked as a photographer for Batchelders and painted scenery for the Lyceum theatre before hunting for snakes with Joe Shires - the inventor of a snake-bite cure. He compiled a strip map of the Murray River from Albury to Goolwa, by navigating it in a canoe with an Aboriginal dancer and a tracker in 1863, eventually skippering several steamboats along the Murray between 1868 and 1876.In 1869 in Echuca he began painting historical panoramas and toured scenes, with musical accompaniment to Wagga Wagga, and a further series showing at his Hill End Tent Theatre in 1872 in a musical recue with William Gill, who went on to write the first Broadway musical. His Mirror of Australia panoramas were toured to Geelong and Castlemaine - where he added the male impersonator, Ellen Tremayne in 1881. Impresario, navigator, photographer and artist of Austral scenes - here is his confounded life with his own illustrations.