Bøger udgivet af Edward Everett Root

This major new work on significant but neglected or marginalised late nineteenth-century and early twentieth-century Irish women writers could not be more timely.  / This collection presents international research on the work of Irish women writers at the turn of the twentieth century. Discovering new voices and introducing original perspectives on the lives, works and networks of more familiar literary figures, these essays make a key contribution to contemporary feminist recovery projects and remapping the landscape of Irish literature of this period. / There is a burgeoning interdisciplinary and international field in which a diverse range of hitherto neglected Irish women writers have been recovered, and their lives, works, networks and other contexts illuminated.  Irish Women Writers at the Turn of the Twentieth Century capitalises on this rich, diverse and innovative field, drawing on new scholarship that develops existing strands of enquiry further. It also opens up new avenues for exploration. / The strengths of the work is in its seeking of new engagements specifically in relation to Irish women’s cultural economies, particularly literary networks, access to literary production and publication, the long nineteenth century and emergent modernist aesthetics. A further key concern is the politics of retrieval of lost women’s lives and writings, the relationship of Irish feminist critical projects to the ongoing acts of commemoration associated with the formation of the Irish state, and increasing concerns with the future-proofing of ‘lost’ feminist digital recovery projects of the 1990s. / This new collection of original work offers new scholarship about these concerns in late nineteenth-century and early twentieth-century Irish women’s writing. It draws attention to the significant figure of the Irish New Woman, feminism in the archives, vegetarianism and suffrage, anthologies and the canon, literary and publishing networks, digital methodologies, and women’s writing and intellectual journals, newspaper and periodical histories. / Waking The Feminists, a movement campaigning for better female representation in the arts was established in Ireland in 2015. The launch of ‘Fired!’, a ‘convergence of practising women poets and academics responding to the publication of The Cambridge Companion to Irish Poets (2017) protested against the exclusion of Irish women poets generally from the literary canon, including many who were popular and prolific during the nineteenth century. / Two recently held events – ‘Irish Women Playwrights and Theatremakers’ (2017) and the symposium, “Occluded Narratives: Researching Irish Women’s Writing (2016) - foregrounded the interest in these areas and the plenitude of new research. The present book draws on work first presented at the editors’ symposium, “Occluded Narratives: Researching Irish Women’s Writing (1880-1910)” (May Immaculate College, Limerick 2016) where the Irish Women’s Writers Network was also launched.

This revised edition includes an introduction and bibliographical guide to electoral sources for the important period of reforms, 1832-1885, by Professor H. J. Hanham. It remains an essential work of reference for any serious study of the electoral system of the UK. It is an indispensable work by the noted Parliamentary insider who devoted his life to his compendiums.

Who really wrote the Shakespeare plays? This important literary and cultural controversy is livelier and more widely discussed than ever before. Here, nine leading experts offer their version of who wrote the plays.

This radical new book offers economic solutions based on direct financial incentives to the individual to care for themselves better, to save and invest in future funding, for a much broader funding base including the greater use of insurance, and to ask government to re-appraise the system urgently.

This unusual, witty, satirical, pseudonymous, controversial and very pointed work gathers together the 50 episodes which were originally published on the famous and widely-read nhsManagers.net eletter by Roy Lilley, which has some 100,000 subscribers here and abroad. This edition has 20 new, previously unpublished pieces.

The commemoration of the Easter Rising centenary in 2016 posed the key question of whether - leaving aside the revolutionary decade (1913-1923) - it was appropriate to talk about a "revolutionary Ireland". The revolutionary decade brought about a change of governance and led to Ireland's independence, but the new Irish Free State fell short of the proclaimed intentions of the imagined republic. The new state veered away from the influence of labour and socialism to become an institutional replica, and a staunchly socially conservative one, of the British system. It was only from the 1960s onwards that Irish society started to open itself up to more liberating social practices and patterns. This volume offers entirely new work which highlights the historical moments at which it would be possible to talk about a political or social revolution in Ireland, while also considering that in the years when Ireland became "the Celtic Tiger", certain social involutions took place. The contributors include independent researchers who write about their topics within a theoretically informed, scholarly, framework. Yet it is precisely their independence from academia that provides their chapters with fresh and multidisciplinary perspectives. Others are well established scholars. It is precisely the wealth of approaches and of disciplines (history, sociology, film studies and literary studies) that enriches the volume and broadens the scope. This volume discusses the idea of revolution in Ireland from a multi- and inter-disciplinary perspective. It covers, on the one hand, the political revolution, mainly the Easter Rising 1916, and on the other the social transformations that the country underwent following the claims for civil rights and the sexual revolution of the late 1960s both in the USA and Europe. Changes in Northern Ireland resulting from the cease fire declaration of the IRA in 1994 are also examined. The kind of state - its conservative political regime and social configuration - that emerged after independence points towards the potentially oxymoronic nature of the phrase "revolutionary Ireland." Yet Ireland's European location has made the country easily permeable to external influences. These, when allied with Ireland's process of modernisation, managed to rupture social strictures. Yet, while patterns in religious practice, gender roles and sexuality have inexorably moved towards much more liberal standards, during the decade known as "Celtic Tiger Ireland" the country experienced an involutionary process as regards racism and discrimination against emigrants and asylum seekers. These studies approach the Easter Rising and the revolutionary period from different perspectives and methodologies: archival research, oral history, postcolonial analysis of documentaries on the Easter Rising, critical discourse analysis of witness statements and research into gendered violence in the Easter Rising aftermath. From this history-based section, the volume shifts to social and cultural issues mainly as refracted and articulated through literature and film: the ground breaking literary work of Edna O'Brien, the shifting grounds for masculinity in Roddy Doyle's The Van, the radical changes in cinematic representations of the Northern Troubles following the IRA's cease fire, Evelyn Conlon's vindication of women's historical voices and presence, and research into Direct Provision Centres. The volume ends with an interview to political activist and page and performer poet Sarah Clancy and the inclusion of two unpublished poems by her.

This attractively illustrated new collaborative work examines dress, style and performance as a significant pleasure of fiction. It illuminates many significant factors of Victorian life. The book examines the ways in which Victorian writers, illustrators, periodicals, designers and clothing manufacturers have critiqued the social ideologies inherent in dress, fashion and imaginative engagement with clothes.This is the first volume in the New Paths in Victorian Popular Fiction and Culture series being published by EER. The series comprises specially commissioned work based on innovative or under-researched perspectives on Victorian literature and culture. As an aesthetic medium, fashion expresses a person's life course, their ideas, desires and beliefs, and fiction itself is a site where these issues can be resolved.Not only were fictional characters made recognisable through their dress, but readers of serial fiction encountered them in between adverts, cartoons, print and patterns. Thus, how dress is depicted in fiction responds to its material paratext. Victorian dress and literature equally licensed or discouraged particular forms of clothing, fantasies and moralities about men and women, as well as distinctions between generations. As a result, this volume's multidisciplinary approach engages with theoretical perspectives on dress history, periodical publications, archives and dress.The book is shaped in four distinct sections. Writers engage with fashion and material culture using an interdisciplinary methodology, as well as through fashion's multiple performances as depicted in text, image and design.Part 1, 'Fashion and Hierarchies of Knowledge' examines how periodicals, journalism and couture established 'fashion' as a discipline.Part 2's 'Artistic Engagement with Fashion's Material Culture' focuses on how fabric, printed patterns and illustrations critique social constructions of beauty and femininity.Part 3, 'Conduct and Clothing', considers novelistic depictions of fashion with regard to scientific, racial and gender identities. These are cross-related to reader consumption and behaviour.Part 4, 'Consumption and Fashionable Performance', examines periodicals, genres and drama as performative in their own right.

These volumes comprise a unique and original work which provides comprehensive biographical information on all 884 persons who left personal estates of ¿100,000 or more in Britain from 1809, when these sources begin in a usable form. ¿100,000 is the equivalent of about ¿10 million today.

The great man's career was riddled with contradictions. This new book highlights these, and shows the difficulties he experienced as well as his ultimate successes.; Until now, little or nothing has been said about the many contradictory and anomalous positions Churchill took throughout his career.

"What to make of the British?" is a question that puzzled Stendhal throughout his whole life. In this new work, which is both a biography and an exercise in cultural history, David Ellis brings to bear on the issues it raises much new and unfamiliar information.