Bøger udgivet af Drawn and Quarterly

A seasoned cartoonist of epic proportions, Brandon-Croft carves out space for Black women's perspectives in her nationally syndicated stripFew Black cartoonists have entered national syndication, and before Barbara Brandon-Croft, none of them were women. From 1989 to 2005, she brought Black women's perspectives to an international audience with her trailblazing comic strip Where I'm Coming From.From diets to day care to debt to dreaded encounters with everyday racism, no issue is off-limits. This remarkable and unapologetically funny career retrospective holds a mirror up to the ways society has changed and all the ways it hasn't. The magic in Where I'm Coming From is its ability to present an honest image of Black life without sacrificing Black joy, bolstered by unexpected one-liners eliciting much-needed laughter. As the daughter of the mid-century cartoonist Brumsic Brandon Jr.-the creator of Luther, the second nationally syndicated strip to feature a Black lead-Brandon-Croft learned from the best. With supplementary writing by the author and her peers alongside throwback ephemera, this long-overdue collection situates Brandon-Croft as an inimitable cartoonist, humorist, and social commentator, securing her place in the comics canon and allowing her work to inspire new readers at a time when it is most needed.

A laugh out loud funny parable for the digital ageThere once was a lady who was very creepy. She moved about the world in seemingly normal ways, except for one tremendously bizarre tic. First she sought out kids transfixed by their screens, staring blindly and blank-faced at nearly any device, and then she would snatch something precious from them.In this picture book for grown-ups, sibling duo Keiler Roberts and Lee Sensenbrenner render a compelling-and downright creepy-modern fable about kids who are hooked on their digital devices. Creepy is the contemporary answer to the shocking tales of the Brothers Grimm and bedtime moral stories like the boy who cried wolf or the princess and the pea: in it, Roberts and Sensenbrenner provide a shrewd and comical commentary on the increasing digitization of childhood. Known for her award-winning autobiographical comics, Roberts's signature deadpan humor is on full display in these vibrantly painted pages.It's safe to say that no one tackles the peril of screen time as vividly or absurdly as this pair.

A crisis of faith follows a mother and daughter in this beautifully rendered, harrowing WWII memoirWith the heartrending We Are on Our Own, Miriam Katin recounts the story of her escape from German-occupied Hungary as a child, led by her determined mother. The two fled Budapest near the end of WWII and at the age of sixty-three Katin enshrined her memory in these extraordinary pages, originally published in hardcover more than fifteen years ago.In 1944, Miriam is a toddler beloved by her dog Rexy, but when her mother is forced to give up their "Jewish dog" to the German authorities, Miriam's world begins to unravel. The two flee to the countryside after faking their deaths and traversing lands blanketed with snow. Miriam's fragmented childhood memories of forests, chocolate, strange men, and the noise of war are reconstituted in this beautifully told epic journey where the innocence of a child is set against unthinkable violence.Another crisis, one of faith, haunts the severed family on their path. Struggling to reunite with Miriam's father who has been conscripted to the Hungarian army, mother and daughter contemplate God, wondering how He could allow such destruction. Poetic words of the Torah combine with images of war as Miriam examines the theological dilemma both victims as well as survivors of the Shoah. When Miriam and her mother hide with a winemaker, they soothe their nerves with the tonic, reciting "God is red. God is in the glass." God, they understand, is in the very human will to survive, and in that pursuit of survival, we are truly on our own.

A cutting portrayal of the pursuit of work-life balance from the cartoonist of Shit is RealTo achieve the proper work-life balance perhaps we just need the right therapist to coach us through our day-to-day. Anita, Sandra, and Dex have ambitions. Anita wants to move from making utility ceramics to fine-art sculpture but her pent-up dissatisfaction results in an outburst that puts her studio mate's work at risk. Sandra juggles her practical administrative day job at a startup with her wellness-influencer channel, finding both in jeopardy when a messy affair with a coworker comes to light. In another corner of the same startup, Dex's innovative ideas are rejected, leading him to spend his days hacking and working as a bike courier. All three are disillusioned with the daily grind. As the pressure for self-improvement builds, they end up looking to the same therapist for answers.Soon the boundaries between work and life begin to bleed into each other and it becomes increasingly impossible to find balance. All the solace the characters expect their therapist to provide is obscured by her quirks, whims, and psycho-parlance, leading to sessions that are neglectful at best and actively inhibit growth at worst. In striking colors and trippy transformational sequences, Aisha Franz captures the comedic absurdity of contemporary work life and the wellness culture in Work Life Balance.

Manga's most beloved creator ventures into Japan's mythical past and emerges with a menagerie unlike any otherShigeru Mizuki is no stranger to the supernatural and its portents. Kitaro and Tono Monogatari reimagined the obscure folktales of his youth, bringing them to life with whimsy. Mizuki the cartoonist certainly left an indelible mark on comics as world literature. Mizuki the fine artist, on the other hand, rounds out the full scope of his fascination with the otherworldly and fantastic, bringing these worlds to life in robust color. Yokai: The Art of Shigeru Mizuki showcases his expertise of not only folklore, but celebrates him as a naturalist. Elements of Mizuki's lush compositions-flora, fauna, and everything in between-showcase his mastery of form and love for nature. These popular renderings of a disappearing, rural Japan are his contribution to the preservation of a cultural heritage that would have otherwise been forgotten. The grotesque realism central to his body of work is offset by the ingenuity of his fancy for the macabre. Pieces in this deluxe, full-color edition call to mind the playful pop-sensibility of Maurice Sendak informed by the technical prowess of traditionalists like Dürer and Doré. And like any other Mizuki classic, each oeuvre is a unique snapshot of spirit, human or otherwise, in constant transition. Yokai: The Art of Shigeru Mizuki includes supplementary writing by acclaimed Mizuki scholar and translator Zack Davisson.

Take flight to this post-apocalyptic utopia filled with birds.Birds roam freely around the Moon complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there are angsty teens who form bands to show off their best bird song and other youngsters who yearn to become clothing designers even though clothes are only necessary during war. (The truly honourable professions for most birds are historian and/or librarian.) These birds are free to crush on hot pelicans and live their best lives until a crash-landed human from Earth threatens to change everything.Michael DeForge's post-apocalyptic reality brings together the author's quintessential deadpan humour, surrealist imagination, and undeniable socio-political insight. Appearing originally as a webcomic, Birds of Maine follows DeForge's prolific trajectory of astounding graphic novels that reimagine and question the world as we know it. His latest comic captures the optimistic glow of utopian imagination with a late-capitalism sting of irony.

A celebrated masterwork shimmering with vulnerability from one of alt-manga's most important female artists."Now that we've woken from the dream, what are we going to do?" Chiharu thinks to herself, rubbing her husband's head affectionately.Set in an apartment complex on the outskirts of Tokyo, Murasaki Yamada's Talk to My Back (1981-84) explores the fraying of Japan's suburban middle-class dreams through a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant.While engaging frankly with the compromises of marriage and motherhood, Yamada remains generous with the characters who fetter her protagonist. When her husband has an affair, Chiharu feels that she, too, has broken the marital contract by straying from the template of the happy housewife. Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family-as fears of having been "thrown away inside that empty vessel called the household" gnaw at Chiharu's soul.Yamada was the first cartoonist in Japan to use the expressive freedoms of alt-manga to address domesticity and womanhood in a realistic, critical, and sustained way. A watershed work of literary manga, Talk to My Back was serialized in the influential magazine Garo in the early 1980s, and is translated by Eisner-nominated Ryan Holmberg.

A deeply emotional visual representation of a teenager s confusion

A boldly drawn, unforgettable memoir about trauma and the barriers to gender-affirming health care.

An immigrant weaves a new, surreal Americana, complete with bubblegum fights and bomb queens.

Are we not all criminals eating our take-out, foraging for mushrooms, lapping at puddles?

A wormhole into a fleeting romance told in a mind-bending first-person chorus. Time Zone J is Julie Doucet s first inked comic since she famously quit in the nineties after an exhausting career in an industry that, at the time, made little room for women.

Stability withers where passion blossoms in this cool-toned meditation on mid-life relationships.

A memoir about trauma and writing yourself to a place of healingAt 15, Emily is a relatively typical teenage girl living in the Maritimes. She lives with her eccentric dad as he prepares to build a log cabin. She rides her beloved horse and spends all her free time taking in the fresh air. But things aren't perfect, the winters are harsh and her dad's place is cold and draughty. Enter their neighbour who sees a girl in need and offers to lend a hand. Three words: "OUR LITTLE SECRET," and Emily's fate is sealed.Twenty five years later, Emily is adrift and depressed when she spots her neighbour again on a ferry. The events of that long-ago winter come rushing back, and she is forced to reckon with the past anew. She vows that she will bring him to justice, tell her secret, and come to terms with the wounds that defined so many years of her life. Inept lawyers, expensive therapy, and a broken justice system block Emily's path to peace. Only when she rediscovers her youthful artistic talent by putting pen to paper does she see a way out.Now in her fifties, Carrington has crafted a compulsively readable debut that shows a powerful command of the comics medium. Our Little Secret is a testament to survival and to the importance of telling your story your way.

The classic book featuring Maybonne Mullen and her little sister Marlys is back in print!Lynda Barry captures all the glorious magic and excrutiating pain of junior high school in this Ernie Pook Comeek collection from the early 90s. The star of this collection is 14 year old Maybonne who relays the angst and insecurity of life through hand scrawled diary entries, class assignments, and letters, in cursive with doodle and bubble letters. Of course, there is the ever-annoying yet adorable little sister Marlys who never fails to read her big sister's diary. Barry deftly portrays the capricious nature of teen friendships, adolescent peer-pressure, and the kill or be killed nature of a middle school's social scene in her signature style.No one but Lynda Barry can so naturally zero in on the joyous urgency yet heartbreaking poignancy of childhood. In an authentic teen voice full of diffidence and melodrama, the bespectacled and freckled Maybonne relates all of life's indiginities on equal measure. Heartbreaking stories of a broken home, child molestation, an alcoholic absentee father and a bitter mom emerge between strips about home ec class, summer vacation, and babysitting, illustrating Barry's peerless ability to make the reader both cry and laugh.

Anxiety and longing suffuse incisive portraits of postwar Japan.

From the author of Clyde Fans, named a book of the year by The Washington Post, The Guardian, and The New York Times

A captivating, revealing biography of the legendary musician and poet

An affecting glimpse into the ways millennials cope with mental health struggles

Two of Canada s most famous visual artists take on the book medium in their own hilarious way

The story began with a mother's confession...sisters permanently separated by a border during the Korean War

Journey through the countryside in this magical realist debut from an underground Chinese cartoonistIn Night Bus, a young woman wearing round glasses finds herself on an adventurous late night bus ride that constantly makes detours through increasingly fantastical landscapes. Meanwhile a young cartoonist returns home after art school and tries his hand at becoming a working artist while watching over his aging grandmother whose memory is deteriorating. Nostalgic leaps take us to an elementary school gymnasium that slowly morphs into a swamp and is raided by a giant catfish. Beetles, salamanders, and bug-eyed fish intrude upon the bus ride of the round-glasses woman as the night stretches on. Night Bus blends autobiography, horror, and fantasy into a vibrantly detailed surreal world that shows a distinct talent surveying his past.Nature infringes upon the man-made world via gigantism and explosive abundanceΓÇôthe images in Night Bus are often unsettling, not aimed to horrify, but to upset the balance of modern life. Zuo Ma is part of a burgeoning Chinese art comics scene that pushes emotion to the forefront of the story while playing with action and dreams.

A mat-leave murder mystery, complete with post-partum physiotherapy and suspicious grocery store footage