Bøger udgivet af Doubleday Books

NEW YORK TIMES BESTSELLER - An intimate memoir of love, desire, and personal growth that follows a happily married mother as she explores sex and relationships outside her marriage - "This book about open marriage is going to blow up your group chat"--The Washington Post Molly Roden Winter was a mother of small children with a husband, Stewart, who often worked late. One night when Stewart missed the kids' bedtime--again--she stormed out of the house to clear her head. At a bar, she met Matt, a flirtatious younger man. When Molly told her husband that Matt had asked her out, she was surprised that Stewart encouraged her to accept. So began Molly's unexpected open marriage and, with it, a life-changing journey of self-discovery. Molly signs up for dating sites, enters into passionate flings, and has sex in hotels and public places around New York City. For Molly it's a mystery why she wants what she wants. In therapy sessions, fueled by the discovery that her parents had an open marriage, too, she grapples with her past and what it means to be a mother and a whole person. Molly and Stewart, who also begins to see other people, set ground rules: Don't date an ex. Don't date someone in the neighborhood. Don't go to anyone's home. And above all, don't fall in love. In the years that follow, they break most of their rules, even the most important one. They grapple with jealousy, insecurity, and doubts, all the while wondering: Can they love others and stay true to their love for each other? Can they make the impossible work? More is an electric debut that offers both steamy fun and poignant reflections on motherhood, daughterhood, marriage, and self-fulfillment. With warmth, humor, and style, Molly Roden Winter delivers an unputdownable journey of a woman becoming her most authentic self.

A TIME MOST ANTICIPATED BOOK - From the iconic internationally bestselling author of the Crazy Rich Asians trilogy: A forbidden affair erupts volcanically amid a decadent tropical wedding in this outrageous comedy of manners from the iconic author of Crazy Rich Asians. Rufus Leung Gresham, future Earl of Greshambury and son of a former Hong Kong supermodel has a problem: the legendary Gresham Trust has been depleted by decades of profligate spending, and behind all the magazine covers and Instagram stories manors and yachts lies nothing more than a gargantuan mountain of debt. The only solution, put forth by Rufus's scheming mother, is for Rufus to attend his sister's wedding at a luxury eco-resort, a veritable who's-who of sultans, barons, and oligarchs, and seduce a woman with money. Should he marry Solène de Courcy, a French hotel heiress with honey blond tresses and a royal bloodline? Should he pursue Martha Dung, the tattooed venture capital genius who passes out billions like lollipops? Or should he follow his heart, betray his family, squander his legacy, and finally confess his love to the literal girl next door, the humble daughter of a doctor, Eden Tong? When a volcanic eruption burns through the nuptials and a hot mic exposes a secret tryst, the Gresham family plans--and their reputation--go up in flames. Can the once-great dukedom rise from the ashes? Or will a secret tragedy, hidden for two decades, reveal a shocking twist? In a globetrotting tale that takes us from the black sand beaches of Hawaii to the skies of Marrakech, from the glitzy bachelor pads of Los Angeles to the inner sanctums of England's oldest family estates, Kevin Kwan unfurls a juicy, hilarious, sophisticated and thrillingly plotted story of love, money, murder, sex, and the lies we tell about them all.

In his first work of nonfiction since The Innocent Man, #1 bestselling author John Grisham and Centurion Ministries Founder Jim McCloskey share ten harrowing true stories of wrongful convictions. Impeccably researched and grippingly told, Framed offers an inside look at the injustice faced by the victims of the United States criminal justice system. A fundamental principle of our legal system is a presumption of innocence, but once someone has been found guilty there is very little room to prove doubt. Framed shares ten true stories of men who were innocent but found guilty and forced to sacrifice friends, families, wives, and decades of their lives to prison while the guilty parties remained free. In each of the stories, John Grisham and Jim McCloskey recount the dramatic hard-fought battles for exoneration. They take a close look at what leads to wrongful convictions in the first place, and the racism, misconduct, flawed testimony, and the corrupt court system that can make them so hard to reverse. Told with page-turning suspense as only John Grisham can deliver, Framed is the story of overcoming adversity when the battle already seems lost, and the deck is stacked against you.

-Fascists, - -Brownshirts, - -jackbooted stormtroopers---such are the insults typically hurled at conservatives by their liberal opponents. Calling someone a fascist is the fastest way to shut them up, defining their views as beyond the political pale. But who are the real fascists in our midst? Liberal Fascism offers a startling new perspective on the theories and practices that define fascist politics. Replacing conveniently manufactured myths with surprising and enlightening research, Jonah Goldberg reminds us that the original fascists were really on the left, and that liberals from Woodrow Wilson to FDR to Hillary Clinton have advocated policies and principles remarkably similar to those of Hitler's National Socialism and Mussolini's Fascism. Contrary to what most people think, the Nazis were ardent socialists (hence the term -National socialism-). They believed in free health care and guaranteed jobs. They confiscated inherited wealth and spent vast sums on public education. They purged the church from public policy, promoted a new form of pagan spirituality, and inserted the authority of the state into every nook and cranny of daily life. The Nazis declared war on smoking, supported abortion, euthanasia, and gun control. They loathed the free market, provided generous pensions for the elderly, and maintained a strict racial quota system in their universities--where campus speech codes were all the rage. The Nazis led the world in organic farming and alternative medicine. Hitler was a strict vegetarian, and Himmler was an animal rights activist. Do these striking parallels mean that today's liberals are genocidal maniacs, intent on conquering the world and imposing a new racial order? Not at all. Yet it is hard to deny that modern progressivism and classical fascism shared the same intellectual roots. We often forget, for example, that Mussolini and Hitler had many admirers in the United States. W.E.B. Du Bois was inspired by Hitler's Germany, and Irving Berlin praised Mussolini in song. Many fascist tenets were espoused by American progressives like John Dewey and Woodrow Wilson, and FDR incorporated fascist policies in the New Deal. Fascism was an international movement that appeared in different forms in different countries, depending on the vagaries of national culture and temperament. In Germany, fascism appeared as genocidal racist nationalism. In America, it took a -friendlier, - more liberal form. The modern heirs of this -friendly fascist- tradition include the New York Times, the Democratic Party, the Ivy League professoriate, and the liberals of Hollywood. The quintessential Liberal Fascist isn't an SS storm trooper; it is a female grade school teacher with an education degree from Brown or Swarthmore. These assertions may sound strange to modern ears, but that is because we have forgotten what fascism is. In this angry, funny, smart, contentious book, Jonah Goldberg turns our preconceptions inside out and shows us the true meaning of Liberal Fascism.

"The Five Stages of the Soul" is the first book to identify the five specific stages of spiritual awakening most of us go through: the Call, when we receive a message that we have lost our way and that something has gone wrong in our lives; the Search; the Struggle, when we have found the way and begin the climb to spiritual fulfillment; the Breakthrough; the Return. Combining psychology, religion, myth, and literature, Harry Moody - in the bestselling tradition of Joseph Campbell, Thomas Moore, and Scott Peck - charts the passages of countless individuals across the country who have lived through these five spiritual stages, and recounts their lessons and experiences. Moreover, he explores their confrontation with the question of meaning in their lives and the experiences the five stages offered them - from a return to traditional religion to an embrace of mysticism to the desire simply to do community service.

Every jury has a leader, and the verdict belongs to him.In Biloxi, Mississippi, a landmark tobacco trial with hundreds of millions of dollars at stake beginsroutinely, then swerves mysteriously off course. The jury is behaving strangely, and at least one juroris convinced he's being watched. Soon they have to be sequestered. Then a tip from an anonymousyoung woman suggests she is able to predict the jurors' increasingly odd behavior.Is the jury somehow being manipulated, or even controlled? If so, by whom? And, more important, why?

Twilight is Anna Deavere Smith's stunning new work of "documentary theater" in which she uses the verbatim words of people who experienced the Los Angeles riots to expose and explore the devastating human impact of that event. From nine months of interviews with more than two hundred people, Smith has chosen the voices that best reflect the diversity and tension of a city in turmoil: a disabled Korean man, a white male Hollywood talent agent, a Panamanian immigrant mother, a teenage black gang member, a macho Mexican-American artist, Rodney King's aunt, beaten truck driver Reginald Denny, former Los Angeles police chief Daryl Gates, and other witnesses, participants, and victims. A work that goes directly to the heart of the issues of race and class, Twilight ruthlessly probes the language and the lives of its subjects, offering stark insight into the complex and pressing social, economic, and political issues that fueled the flames in the wake of the Rodney King verdict. Combining Smith's introduction exploring Twilight's evolution from the streets to the stage, the complete play script, and photos of the author in character, Twilight is a captivating work of dramatic literature - and a unique first-person portrait of a pivotal moment in current history.

From the "terrifyingly talented" (London Times) author of THE CURIOUS INCIDENT OF THE DOG-IN THE NIGHT-TIME and THE PORPOISE, eight mesmerizingly imaginative, deeply-humane stories that use Greek myths and contemporary dystopian narratives to examine mortality, moral choices and the many variants of love. Greek myths have fascinated people for millenia, seeing in them lessons about fate and hubris and the contingency of existence. Mark Haddon digs into the heart of these ancient fables and sees them anew. The dawn goddess Eos asked asks Zeus to give her lover Tithonus eternal life, but forgets to ask for eternal youth. In "The Quiet Limit of the World" Haddon imagines Tithonus' life as he slowly ages over thousands of years, turning the cautionary tale of tempting the gods into a spellbinding meditation on witnessing death from the outside, and ultimately, how carnal love evolves into something richer and more poignant with time. In "The Mother's Story," Haddon takes the myth of the minotaur in his labyrinth, in which the beast is the spawn of the monstrous lust of the king's wife Pasiphae, and turns it into a wrenching parable of maternal love for a damaged child, and the more real monstrosities of patriarchy. In "D.O.G.Z." the story of Actaeon, who was turned into a stag after glimpsing the naked goddess Diana and torn to pieces by his hunting dogs, becomes a visceral metaphor about the continuum of human and animal behavior. Other stories play with contemporary mythic tropes - genetic engineering, trying to escape the future, the viciousness of adolescent ostracism - to showcase how modern humans are subject to the same capriciousness that obsessed the Greeks. Haddon's tales cover a vast range, from the mythic to the domestic, from ancient Greece to the present day, from stories about love to stories about cruelty, from battlefields to bed and breakfasts, from dogs in space to doors between worlds, all of them bound together by a profound sympathy and an understanding of how human beings act and think and feel when pushed to the very edge. Throughout Haddon's supple prose showcases his astonishing powers of observation, of both the physical world and the workings of the psyche. His vision is clear-eyed, but always resolutely empathetic.

From New York Times bestselling historian and National Book Critics Circle Award finalist Charles King, the moving untold story of the eighteenth-century men and women behind the making of Handel's Messiah George Frideric Handel's Messiah is arguably the greatest piece of participatory art ever created. Adored by millions, it is performed each year by renowned choirs and orchestras, as well as by audiences singing along with the words on their cell phones. But this work of triumphant joy was born in a worried age. Britain in the early Enlightenment was a time of astonishing creativity but also of war, enslavement, and conflicts over everything from the legitimacy of government to the meaning of truth. Against this turbulent background, prize-winning author Charles King has crafted a cinematic drama of the troubled lives that shaped a masterpiece of hope. Every Valley presents a depressive dissenter stirred to action by an ancient prophecy; an actress plagued by an abusive husband and public scorn; an Atlantic sea captain and penniless philanthropist; and an African Muslim man held captive in the American colonies and hatching a dangerous plan for getting back home. At center stage is Handel himself, composer to kings but, at midlife, in ill health and straining to keep an audience's attention. Set amid royal intrigue, theater scandals, and political conspiracy, Every Valley is entertaining, inspiring, unforgettable.

An electrifying cultural biography of the greatest and last American rock band of the millennium, whose music such as "Losing My Religion," "Man on the Moon," "The One I Love" and "It's the End of the World as We Know It" ignited a generation -- and reasserted the power of rock and roll, from New York Times bestselling music writer Peter Ames Carlin (BRUCE and PAUL McCARTNEY: A Life). In the spring of 1980, an unexpected group of misfits came together to play their very first performance at a college party in Athens, Georgia. Within a few short years, they had taken over the world - with smash records like OUT OF TIME, AUTOMATIC FOR THE PEOPLE, MONSTER and GREEN. Raw, outrageous, and expressive, Michael Stipe and R.E.M.'s distinctive musical flair was unmatched, and a string of mega-successes solidified them as generational spokesmen. In the tumultuous transition between the wide-open 80s and the anxiety of the early 90s - from Reagan to Bush to Clinton, followed by the resurgence of spirit, youth and MTV-politics - pop/rock music, led by R.E.M., felt as if it had a message again. Flowing from every FM radio were culturally influential songs like "Shiny Happy People," "Everybody Hurts," "Losing My Religion," "Man on the Moon," "The One I Love" and "It's the End of the World as We Know It." R.E.M. provided a sound track to the 80s and 90s, challenging the corporate and social order. R.E.M. pursued music like true artists, chasing a vision and working tirelessly to cultivate a magnetic, transgressive sound. In this breathtaking biography (by the critically acclaimed author of BRUCE, PAUL McCARTNEY: A Life, and HOMEWARD BOUND: The Life of Paul Simon), Peter Ames Carlin not only documents R.E.M.'s success in the music industry, but also opens a fascinating window into the lives of four college friends - Michael Stipe, Peter Buck, Mike Mills and Bill Berry - who stuck together with a common goal. He paints a cultural history of the commercial peak and near-total collapse of rock 'n' roll, and the story of an era and the generation that came of age at the apotheosis of rock.

An elegant, deluxe edition of the #1 New York Times bestseller--marking the 2nd anniversary of its publication--that will make the perfect gift or treat for yourself. Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out there is no such thing. But it's the early 1960s and her all-male team at Hastings Research Institute take a very unscientific view of equality. When she finds herself unwed and pregnant, she's forced out, reluctantly taking a job as the host of the TV cooking show Supper at Six. But Elizabeth has no intention of sticking to the recipe. Instead, she teaches women what they're really made of - at the molecular level. And in doing so, dares them to change the status quo.

From the New York Times bestselling author of The History of White People and Old in Art School, a finalist for the NBCC Award, comes a comprehensive new collection of essays spanning art, politics, and the legacy of racism that shapes American history as we know it. Throughout her prolific writing career, Nell Painter has published works on such luminaries as Sojourner Truth, Ralph Waldo Emerson, and Malcolm X. Her unique vantage on American history pushes the boundaries of personal narrative and academic authorship. Led by an unbridled curiosity for her subjects, Painter asks readers to reconsider ideas of race, politics, and identity. I Just Keep Talking assembles her writing for the first time into a single volume, displaying the breadth and depth of Painter's decades-long historical inquiry and the evolution of Black political thought--and includes a dazzling introduction and coda being published for the first time in this collection. From her mining of figures like Carrie Buck and Martin Delaney for their resonance today, to a deep dive into the history of exclusion through the work of Toni Morrison, to a discussion of the American political landscape after the 2016 election, Painter nimbly portrays the trials of a country frequently at war with itself. Along with Painter's writing, this collection offers her original artwork, threaded throughout the book as counterpoint and emphasis. Her visual art shows a deft mind turning toward the tragedy and humor of her subjects; pulling from newspapers, personal records, and original sketches, Painter's artwork testifies to the dialectic of tremendous change and stasis that continues to shape American history. These essays resist easy answers in favor of complexity, the inescapable sense of our country's potential thwarted by its failures. This collection will surely solidify Painter's place among the finest critics and writers of the last half century.