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The first monograph on Lewis' sculptural practice inspired by the material inventiveness of Afro-Atlantic diasporic traditionsThis is the first monograph dedicated to the sculptural practice of the Canadian artist Tau Lewis (born 1993). Lewis transforms found materials into intricate soft sculptures, quilts, masks and other assemblages through intensive processes such as hand sewing and carving. A self-taught artist, Lewis' practice is directed at healing personal, collective and historical traumas through the repetitive forms of creative labor she employs. She forages for materials charged with meaning--old clothing and photographs, as well as driftwood and seashells--which she often collects from her surroundings in Toronto, New York or outside her family's home in Negril, Jamaica. Lewis' upcycling relates to forms of material inventiveness practiced by diasporic communities, wherein working with objects close at hand is a reparative act to reclaim agency. Throughout, Lewis' interest lies in honoring and advancing these diasporic traditions and exploring, as she has said, "the transference of energy and emotion that occurs when an object is made by hand."

A new narrative series of digital paintings set against the backdrop of New York City in 2001Reflecting the innovative tools employed in their production, the iconic paintings of New York-based Avery Singer (born 1987) are complex interpretations of contemporary social realities and technologies. The large-scale paintings portray worlds that emerge from digital renderings and take shape through manual and digital airbrush techniques, liquid and solid masking, and complex layering processes.Unity Bachelor presents a striking series of narrative paintings featuring a trio of digital characters. Singer sets the story of the main characters Unity Bachelor and Priya Prasad in New York in 2001, a coming-of-age period and place for the artist. Their fictionalized love story is marked by the collective trauma of September 11, 2001, when Priya goes missing, while a third figure, an inebriated art student, who has doubled as a self-portrait of sorts throughout Singer's career, roams Lower Manhattan.

A richly illustrated, substantial documentation of the AIA Award-winning architectural firmThis is the definitive publication on New York design firm Architecture Research Office (ARO).When it was established, ARO represented a new breed of firm--one of the first to be defined by its purpose rather than by a last name or an eponymous acronym. Architecture. Research. Office. documents the firm's ethos and culture that has quietly shifted the architectural field's outlook on how to practice. For the first time, this book meticulously compiles ARO's diverse body of work, spanning cultural and educational institutions, public and commercial buildings, and residences.Over 30 of its most significant projects are presented alongside seven principles that guide its practice. Writer and curator Brooke Hodge's introduction describes ARO's philosophy and culture, while a conversation with partners Stephen Cassell, Kim Yao and Adam Yarinsky offers perspectives on the challenges and opportunities of leading a firm committed to continuous learning. Architecture. Research. Office. provides an extensive set of precedents to inspire others--including other designers and the next generation of architects--to address the social and environmental challenges of our time.Founded in 1993, ARO is one of the country's most sought-after architecture studios and the 2020 recipient of the prestigious American Institute of Architects (AIA) Firm Award--the highest honor given to any architecture practice--as well as the AIA New York State Firm of the Year Award and the Smithsonian Cooper-Hewitt National Design Award for Architecture. Notable projects include the renewed Rothko Chapel and Campus, the boathouse in Brooklyn Bridge Park and the world's largest LGBTQ+ synagogue, Congregation Beit Simchat Torah.

An interdisciplinary guide to the 20th-century Southern California-based artists who investigated phenomena from the realms of optical science, astronomy, aerospace engineering and mathThe synergy between art and science is an age-old tale; artists throughout time, from Leonardo da Vinci to Beeple, have incorporated newly discovered scientific theories and techniques into their practices. The PST ART project Particles and Waves: Southern California Abstraction and Science explores a particularly fecund yet underexplored period in the history of art and science's cross-fertilization. The development of postwar industry and research in Southern California inspired a host of artistic innovations; for decades, abstract artists from the region experimented with color, form and mediums, variously employing ideas or procedures gleaned from the latest developments in physics, astronomy and mathematics.Particles and Waves unites several generations of artists working in diverse materials and styles to visualize light, energy, motion and time. Boasting a gorgeous cover, the volume features a wide array of artists and topics, from Man Ray's paintings of mathematical models to Lee Mullican's computer-inspired abstractions, and from to the West Coast Minimalists and Light and Space artists' (including Mary Corse, Fred Eversley and James Turrell) rigorous studies of light to Bettina Brendel and Helen Lundeberg's investigations of scale through their paintings of subatomic and astronomical subjects.

Contemporary artists address connections between climate activism and social justice in their workThe lungs of our planet are under threat, invaded by carbon emissions, plastics and man-made pollutants. As part of the Getty Center's PST ART initiative, Breath(e) considers the connections between climate change, environmental justice and social justice through the lens of contemporary art. This book features approximately 45 works focused on climate change by a group of intergenerational contemporary artists, scientists and activists, addressing deforestation, ocean acidification, coral reef bleaching, water pollution, extraction and atmospheric politics. It features six major new commissions, including a living bee sculpture by Garnett Puett and a garden created by Ron Finley, that extend beyond the art world to make tangible contributions to the protection of our climate.Artists include: Mel Chin, Ryoji Ikeda, Mika Tajima, Cannupa Hasker Luger, Yoshitomo Nara, LaToya Ruby Frazier, Otobong Nkanga, Clarissa Tossin, Zheng Mahler.

Groundbreaking exploration of ancient techniques and cosmologies of color in MesoamericaAncient Mesoamerican artists held a cosmic responsibility. As they used color to adorn buildings, clay vessels, textiles, bark-paper pages, sculptures, textiles, wall murals, mosaics and other items, they quite literally made the world. The power of color emerged from the materiality of its pigments and the communities whose knowledge of the natural world imbued it with meaning. Histories of colonialism and industrialization in the "color-averse" West have minimized the profound significance of color in the Indigenous Americas. We Live in Painting provides an in-depth exploration of the science and art of color in Mesoamerica. This lavishly illustrated catalog, published as part of the PST ART series, follows two interconnected lines of inquiry--technical and material analyses, and Indigenous conceptions of art and image--to reach the full richness of color at the core of historical and contemporary Mesoamerican worldviews.

Portrayals of James Baldwin and others in his circle highlight the iconic writer's activismThe American writer and activist James Baldwin (1924-87) considered himself a "witness" as he challenged perspectives on America and its history through his work. He was often recognized for speaking out against injustice when other like-minded artists, collaborators and organizers were overshadowed or silenced. By bringing together artworks that feature James Baldwin alongside portraits of other key figures who had an impact on his life, This Morning, This Evening, So Soon situates Baldwin among a pantheon of culture bearers who were instrumental in shaping his life and legacy, particularly in relationship to his advocacy for gay rights. The book accompanies an exhibition at the National Portrait Gallery in Washington, DC, curated by the National Portrait Gallery's Director of Curatorial Affairs, Rhea L. Combs, in consultation with Pulitzer Prize-winning author Hilton Als. Well-known portraits by Beauford Delaney and Bernard Gotfryd are shown alongside paintings, photographs and films representing key figures in Baldwin's circle. By viewing Baldwin in this context of community, readers will come to understand how Baldwin's sexuality and faith, artistic curiosities and notions of masculinity--coupled with his involvement in the civil rights movement--helped shape his writing and long-lasting legacy.The book relies on portraiture to explore the interwoven lives of Baldwin, Lorraine Hansberry (writer and activist), Barbara Jordan (lawyer, educator and politician), Bayard Rustin (leader in social movements), Lyle Ashton Harris (artist), Essex Hemphill (poet and activist), Marlon Riggs (filmmaker, poet and activist) and Nina Simone (singer-songwriter, pianist and activist), among others.Artists include: Richard Avedon, Glenn Ligon, Donald Moffett, Beauford Delaney, Bernard Gotfryd, Faith Ringgold, Lorna Simpson, Jack Whitten.

Examining aesthetic connections between the works of more than 50 Black artists from throughout the global diasporaThis book was born out of frustration with art histories that emphasize Black artists' resilience over the aesthetic impact of their work. The experiences of oppression Black people endure are inconceivable, yet this focus on resilience often overwhelms critical attention to Black artists' ideas, innovations or use of materials. Imagining Black Diasporas defines "diaspora'' more broadly, understanding it as a dynamic term that evolves with Black experience. Through four themes, the book illuminates aesthetic connections among established and emerging US-based artists in dialogue with artists working in Africa, the Caribbean, South America and Europe.Artists include: Mark Bradford, Lorna Simpson, Calida Rawles, El Anatsui, Josué Azor, Isaac Julien, Frida Orupabo, Theaster Gates, Yinka Shonibare, Wangechi Mutu.

Frimkess' sculptural ceramics draw from an eclectic repertoire of cartoons and masterworksThis book presents the work of Venezuelan artist Magdalena Suarez Frimkess (born 1929) and features a selection of her works from the '70s to the present, including utilitarian objects, decorative figures and tiles. Her pieces are imbued with an equal sense of humor and dread. Their fragility and precarity increase the expressive power of these funny, outrageous, grotesque objects, which often seem as though they might collapse before our eyes at any moment. In her studio, one is likely to encounter figurines inspired by Japanese horses or vintage American cartoons; vases ornamented with patterns from the ancient Americas; and tiles, plates and cups decorated with flowers or scenes from her life in Venice. A trio of characters recur throughout her oeuvre: a distressed Olive Oyl, an oblivious Minnie Mouse and the savvy Condorito--a Chilean cartoon from the '50s that is still very popular in Latin America. Frimkess affirms the wisdom of these cartoons; in her eyes, they are philosophers.

Lively large-scale abstract paintings reminiscent of geographical maps, inspired by Herrero's affinity for placeWith their vivid colors, the paintings by Costa Rica-born, New York-based Federico Herrero (born 1978) are connected to his profound perception of humanity within nature. His mediums stretch from canvas and paper to walls, streets and even public buildings. Their large swaths of color recall the ambiguous forms of territories on a map, and Herrero has often played with the idea of geography in his oeuvre. A Piece of Waterfall in the Sound of Crickets is taken from a piece by the Costa Rican poet Alfonso Chase, in which he reflects upon the mundane beauty of the sights and sounds of his home country, despite his frequent trips abroad. The recent paintings and monotypes included in this publication speak to Herrero's maturity as a painter after two decades of work that explores the interplay between color, form, intuition and place of origin.

Catalog of an exhibition held at the Contemporary Art Gallery, Vancouver, BC, September 23, 2022-January 8, 2023; the Remai Modern, Saskatoon, SK, September 23, 2022-January 8, 2023; the Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY, February 18-July 16, 2023; and the Gund at Kenyon College, Gambier, OH, August 19-December 10, 2023.

Medalla's first major retrospective draws from his archive of kinetic art designs and works on paper to outline his transformative impact on the 20th-century avant-gardeThis comprehensive survey of drawings and works on paper by the late Filipino artist David Medalla (1942-2020) explores his prolific career from the mid-1950s to the late 2010s. The book tracks and contextualizes Medalla's pioneering involvement in artistic movements--from kinetic art to performance and participatory art--while providing insight into more intimate forms of exchange between contemporaries and friends to underscore the interpersonal narratives that often tend to evade art history. In anticipation of a major retrospective exhibition of Medalla's art at the Hammer Museum, this volume charts the artist's persistent presence that has sometimes been omitted from the histories of art movements in which he played a significant role. This publication showcases Medalla as an influential figure in 20th-century international art by revealing a more intimate perspective that parallels the life he pursued through political action, public performances and exhibitions.

Surrealism and Us: Caribbean and African Diasporic Artists since 1940 shines new light on the history of Surrealism, bringing together more than 80 works from the 1940s to the present that convey how Caribbean and Black artists sparked and expanded on the avant-garde movement. Inspired by a historical moment of creative ferment in the Caribbean, when figures like Suzanne Câesaire and Wifredo Lam found common cause with refugee Surrealists around the political and aesthetic possibilities of the marvelous, this exhibition catalogue shows how these vital transatlantic exchanges have resonated through art history and shaped artists today--back cover.

To accompany the exhibition, the Buffalo AKG and DelMonico Books will publish the most comprehensive catalog yet dedicated to Stanley Whitney's pioneering fifty-year career. The book's essays contextualize Whitney's best-known gridded paintings from the past two decades alongside an historical assessment of his practice; the interconnected development of his works on paper; Whitney's relationship with the written word; and the influences on his practice from art history, poetry, music, quilting, and more.

MacArthur Fellows including Jeffrey Gibson, Kara Walker and more collaborate with and create art in Chicago's urban spacesThis publication examines the development and reception of Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40 (TCC), a citywide project in Chicago that included the work of 29 artists installed at 19 venues throughout the city. The volume commemorates the widely discussed exhibition, which sought to underscore art's power to catalyze change and to unleash the imagination on pressing social challenges, including environmental justice, public health crises, economic inequality and others.Art in Pursuit of Common Cause seeks to document the ideas, roadblocks, rewards and questions that were raised during the planning, exhibitions and aftermath of the citywide exhibition. An attempt has been made to include content rarely seen in the traditional exhibition catalog, to analyze and amplify the voices of actual visitors and to place the project's learnings in the context of the shifting ground of museum practice.

"Her language for exploring [history] is at once serious and exuberant." -Siddhartha Mitter, New York TimesOver the last 15 years, Firelei Báez has created artwork that delves into the historical narratives of the Atlantic Basin. She draws on the disciplines of anthropology, geography, folklore, fantasy, science fiction and social history to unsettle categories of race, gender and nationality in her paintings, drawings and installations. Her exuberant paintings feature finely wrought, complex and layered uses of pattern, motifs and saturated hues. Primarily centering women of color, her works incorporate regal fashion styles and decorative elements as well as defiant gazes in order to assert their authority.In advance of her North American traveling solo exhibition, this lushly illustrated book offers audiences an opportunity to gain a holistic understanding of Báez's complex body of work, cementing her as one of today's most important artists. Partly inspired by artists' sketchbooks, the monograph includes full-spread reproductions of the artist's preparatory sketches alongside annotations, source images and close-up details of her artworks. Numerous scholars contribute thoughtful, reverent texts, weighing in on Báez's indelible mark on the contemporary art landscape.The Dominican Republic-born artist Firelei Báez (born 1981) reworks visual references drawn from diasporic histories in order to imagine new possibilities for the future, overlaying figuration, symbolic imagery and abstract gesture onto large-scale reproductions of found maps and documents. She then populates these representations with hybrid forms composed of folkloric and literary references, textile patterns and plant life.

A landmark publication featuring 60 career-spanning photographs by Ellsworth Kelly, one of the most revered artists of the past 100 yearsMarking the first museum exhibition devoted solely to the photographs of Ellsworth Kelly, this beautifully designed volume features each photograph in the Santa Barbara Museum of Art's illuminating presentation of this lesser-known aspect of Kelly's art. From the late 1940s on, Kelly created an era-defining body of abstract art based on many kinds of visual phenomena he perceived around him. Largely made for himself, Kelly's photographs record these discoveries in tightly-composed images of nature and architecture that often reverberate with striking sunlight and shadow.Similar as they may appear, Kelly did not base his paintings, sculpture and works on paper on his photographs. The camera for Kelly was yet one more artistic tool he used to brilliantly transcribe his lived surroundings into an art that, however abstract, always resonated with his subjective experiences of actual, everyday worlds.Kelly's rich sensory fascination with such worlds, from shadows on a beachside staircase to the curve of a snowy hillside, courses throughout this handsome book. To those familiar with or new to the artist, these photographs offer a vividly direct chance to see Ellsworth Kelly's eye and mind at work unlike any other genre in which this groundbreaking artist ever worked.Born in Newburgh, New York, Ellsworth Kelly (1923-2015) served in France in World War II's Ghost Army, graduated from the School of the Museum of Fine Arts Boston and returned to France from 1948-54. Over the next seven decades, back in New York City and then upstate, Kelly produced an uncompromising body of art that set new standards for the possibilities of abstract art in the 20th century. His work has been the subject of numerous retrospectives the world over and is represented in virtually every major national and international museum.

A much-needed reexamination of one of the earliest exponents of Abstract ExpressionismThis ambitious catalog spans the seven-decade career of the American Abstract Expressionist painter James Brooks (1906-92), providing an overdue reappraisal of this artist who boldly disrupted any tendency toward repeated formulas. After discarding the Social Realist style of his early career, Brooks pioneered the use of staining, dilution and accidental deterioration of canvases.Boasting an eight-page gatefold and a detailed chronology and bibliography, this fully illustrated catalog features a generous sampling of Brooks' ever-evolving oeuvre: murals for the procurement division of the Treasury Department in the 1930s; paintings created in the Middle East during his military service as a combat artist for the War Department's Art Advisory Committee in the 1940s; early lithographs and paintings influenced by the Southwestern regionalism of his formative Dallas years; abstract expressionist works of the 1950s; and his later colorful abstractions that presaged some of the art of today.

New sculptures and installations that critically examine the formal, social and linguistic roles of live modelsOver the past three decades, Iranian-born, German-based artist Nairy Baghramian (born 1971) has created sculptures and installations that upend expected modes of presentation and challenge the architectural, social, political and historical contexts that inform them.The new works featured in this publication explore the provisional body as the site of trauma--drawing inspiration from the tradition of the "modèle vivant," the French term for a live model in an art class. In her "ambivalently abstract" works, the artist takes unconventional approaches to materials associated with sculptural traditions of casting, including aluminum, lead, steel and wax. In conversation with sculptures from the Nasher's permanent collection by Louise Bourgeois, Henri Matisse, Pablo Picasso and others, Baghramian's works offer new ways to think about representations of bodies and the unseen labor of models, as well as the linguistic play afforded by different meanings of the word "model" and its linguistic relatives, such as "modulate" and "modify."

L'ouvrage le plus complet publié à ce jour sur l'oeuvre et l'héritage de la « star oubliée du pop art », enrichi de documents et de travaux de recherche inédits.Au milieu des années 1960, Marisol est considérée comme la femme artiste de sa génération; elle est proclamée « la seule artiste féminine glamour » pour son sens de la mode et « la Garbo latine » pour son apparence exotique, sa beauté légendaire et son célèbre mutisme. Dès le début de sa carrière, des foules se massent pour admirer ses extraordinaires sculptures pop grandeur nature, et sa renommée éclipse presque ses remarquables réalisations. Cet intérêt faiblit toutefois à la fin des années 1960 lorsqu'elle se retire temporairement du monde de l'art, puis réoriente sa pratique artistique. En 2016, son avis de décès publié dans le Guardian la présente comme la « star oubliée du pop art ».Ce catalogue, l'ouvrage le plus exhaustif sur l'oeuvre de Marisol qui a été produit à ce jour, accompagne une importante rétrospective itinérante organisée par le Buffalo AKG Art Museum (auparavant l'Albright-Knox Art Gallery), qui couvre l'ensemble d'une carrière riche et avant-gardiste s'étalant sur près de 60 ans. Les sculptures et autoportraits satiriques - et en apparence politiques - qui ont marqué les années 1960 sont à l'honneur dans le catalogue, mais les textes se penchent aussi sur les oeuvres qui incarnent l'intelligence animale et font référence à la précarité de l'environnement, évoquent la violence interpersonnelle, traitent de réalités immigrantes, représentent la privation des droits à l'ère postcoloniale, et bouleversent les normes sexuelles et le binarisme de genre. Les sculptures publiques et les collaborations avec des chorégraphes y sont abordées pour la première fois. Les analyses d'éminents spécialistes confirment le legs fondamental de Marisol au XXIe siècle. À ces fascinantes réflexions s'ajoutent des reproductions couleur de ses oeuvres, une bibliographie fournie, une liste de ses expositions et une chronologie illustrée.Marisol (1930-2016) est née à Paris de parents vénézuéliens sous le nom de María Sol Escobar. Elle dessine sans cesse et adopte le surnom Marisol dès son jeune âge. À l'instar de nombre d'artistes qui ont percé au début des années 1950, elle est fortement influencée par l'expressionnisme abstrait, mais elle commence à sculpter en 1954 après avoir découvert l'art précolombien au Mexique et à New York, privilégiant rapidement les figures totémiques qui feront sa renommée.

The story of the creation of an astonishing house that renews and reinvigorates the spirit of the avant-garde in the HamptonsArchitecture critic Paul Goldberger tells the story of an extraordinary house on the Atlantic Double Dunes in East Hampton--Blue Dream, the result of a remarkable collaboration between collectors Julie Reyes Taubman and Robert Taubman, architects Diller Scofidio + Renfro, builder Ed Bulgin, landscape architect Michael Boucher and designer Michael Lewis, who sought to renew the legacy of modernist architecture and art in the Hamptons.Goldberger offers insight into the complex process by which an architectural idea generated a work that stands as the most striking addition of our time to the roster of architecturally ambitious modernist houses on Long Island. As he notes, "There are relatively few books devoted to the architecture of a single house, but what is clear if you read any of them is that they are stories about clients as much as about architects." So it is with Blue Dream. The Taubmans were inspired by the avant-garde spirit of artists and architects who settled and worked in the Hamptons and set out to create a house like no other, a house whose complex curving forms could only be built using the composite material used to make fighter jets.Iwan Baan's photographic portfolio documents Blue Dream across four seasons. Goldberger's text is illustrated with images of earlier modernist houses that inspired the project, as well as documentation of the design process involved in the making of Blue Dream itself.Paul Goldberger (born 1950), whom the Huffington Post has called "the leading figure in architecture criticism," is a contributing editor at Vanity Fair magazine. Goldberger began his career at the New York Times in 1972 and was appointed architecture critic at the paper in 1973, working alongside Ada Louise Huxtable until 1982. In 1984, he was awarded the Pulitzer Prize for Distinguished Criticism, the highest award in journalism. As architecture critic for the New Yorker (1997-2011), he wrote the magazine's celebrated "Sky Line" column. After serving as dean of the Parsons School of Design from 2004 to 2006, Goldberger was named the Joseph Urban Professor of Design at the New School. He is the author of Why Architecture Matters (2023), Building Art: The Life and Work of Frank Gehry (2015), Building Up and Tearing Down: Reflections on the Age of Architecture (2009), Beyond the Dunes: A Portrait of the Hamptons, with photographer Jake Rajs (2018) and Houses of the Hamptons (1986), among other publications.

"This landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories"--

A lavishly illustrated tour of the methods, process and sources behind the iconic pop artworks of KAWSAmerican artist KAWS is one of the most famous living contemporary artists today. Renowned for his iconic visual language and larger-than-life sculptures, the artist draws on beloved pop culture icons to create a new and recognizable cast of characters of his own. The broad appeal of KAWS' style has made his artwork accessible to collectors, museum visitors and the general public alike, and has led to collaborations with coveted global brands and immense commercial success.KAWS: FAMILY, organized by the Art Gallery of Ontario, Toronto, marks the artist's Canadian institutional exhibition debut with an array of his drawings, paintings, sculptures and selected products. The catalog features over 60 works from the past two decades, including installation photography; essays by Julian Cox, AGO Deputy Director and Chief Curator; and an interview with KAWS by Jim Shedden, AGO Curator of Special Projects and Director of Publishing. Together, this material provides new insights into KAWS' influences and creative process as well as the impact his work has made across the spheres of fine art, pop culture, product design and fashion.A graffiti artist since adolescence, Brian Donnelly (born 1974), known professionally by his moniker KAWS, received his BFA in illustration from New York's School of Visual Arts in 1996. He has collaborated with brands such as Supreme, Nike and Comme des Garcons, and his work can be found in the collections of the High Museum of Art in Atlanta, the Modern Art Museum of Fort Worth, the Brooklyn Museum and the Museum of Contemporary Art in Los Angeles. KAWS lives and works in Brooklyn, New York.

The spirit of feasting in Islamic lands as seen in art and material cultureThis catalog represents the first occasion that the burgeoning knowledge of food culture in this period has been employed to inform our understanding of Islamic art. Dining with the Sultan offers a pan-Islamic reach, spanning the 8th through 19th centuries and including some 200 works of art representing a rich variety of mediums. Across its 400 pages, and through an abundance of color plates and new scholarship, the publication introduces audiences to Islamic art and culture with objects of undisputed quality and appeal. Viewed through the universal lens of fine dining, this transformative selection of materials emphasizes our shared humanity rather than our singular histories.

Evelyn Hofer was a highly innovative photographer whose prolific career spanned five decades. Despite her extraordinary output, she was underrecognized during her lifetime and was notably referred to by New York Times art critic Hilton Kramer as "the most famous unknown photographer in America." She made her greatest impact through a series of photobooks, published throughout the 1960s, devoted to European and American cities, including Florence, London, New York, Washington and Dublin, and a book focused on the country of Spain. Comprising more than 100 photographs in both black and white and color, Eyes on the City accompanies the artist's first major museum exhibition in the United States in over 50 years and is organized around her photobooks. The photographs feature landscapes and architectural views combined with portraiture, conveying the unique character and personality of these urban capitals during a period of intense structural, social and economic transformations after World War II. Exhibition: High Museum of Art, Atlanta, USA (03/24-08/13/2023)/ Nelson-Atkins Museum of Art, Kansas City, USA (09/16/2023-02/11/2024).

How Picasso forged an expansive, experimental and personal approach to a traditional genrePablo Picasso (1881-1973) was committed to depicting landscapes throughout his entire life. From his earliest days in art school until the year before his death, landscape remained the prime genre through which he mediated his perception of the world and which shaped his own creative evolution. Yet within Picasso's vast oeuvre, landscapes have received the least scholarly attention. Landscape would serve as a catalyst for his formal experimentation, including early Cubism; as a field in which to investigate urban modernity; as an interface between humanity and nature; as a ground for direct sculptural intervention; as a space of personal withdrawal; as an inviting terrain for elegiac scenes; and as a territory of resistance and flight.Landscapes offer the clearest lens for understanding Picasso's attentiveness to his cultural milieu as well as to his ongoing engagement with art-historical traditions. Picasso Landscapes: Out of Bounds celebrates the depth of his exploration of landscape subjects along with his expansive approach to this traditional genre.

Everyday objects transformed into an extraordinary elephant sculptureOver the past two decades, British Columbia-based Indigenous artist Brian Jungen (born 1970) has become internationally recognized for his imaginative body of sculpture using repurposed material. This book takes a deep dive into his process and influences in the creation of a monumental elephant sculpture made out of couches--the first-ever public art commission at the Art Gallery of Ontario.Generously illustrated, the book offers a significant visual record from early sketches and ideas through to production, transportation and installation. It details Jungen's deep material explorations which highlight a long history of inequality, a concern for the environment and a profound commitment to Indigenous ways of knowing and making. A timeline from Henry Moore's public sculpture The Archer to Couch Monster sets Jungen's career in context, and an interview between AGO Chief Curator Julian Cox and Jungen looks at the development of the project.

"Denyse Thomasos forged a form of abstraction that depicted the unspeakable and unimaginable confinement in slave ships and prisons." -Adrienne Edwards, New York TimesThis is the first ever retrospective publication on Trinidadian Canadian painter Denyse Thomasos (1964-2012). Thomasos' often monumental canvases with overlapping gridded lines, fluid drips of paint and geometric architectural objects challenge the limits of minimalism and abstraction, while also embodying her dedication to social justice. Through pattern, scale and repetition, Thomasos conveyed the vastness of events such as the Transatlantic slave trade and mass incarceration, without exploiting the images of those affected by them. Thomasos writes: "like a carpenter, I rebuild the fragmented psychology of slave culture, revealing its fragile foundation."A series of essays addresses Thomasos' dissection of art historical traditions; her interest in global architectures and physical structures of power and resistance; her focus on the history of slavery; and her commitment to exposing narratives of systemic racism.

The first book on Picasso's cut papers, examining an intimate practice spanning his entire careerSpanning the full career of Picasso (1881-1973), from his first cut drawings made in 1899 at nine years of age through to the 1960s with works he made in his eighties, Picasso Cut Papers features some of the artist's most whimsical and intriguing works made on paper and in paper, alongside a select group of sculptures in metal, wood and ceramic. Although Picasso rarely sold or exhibited his cut papers (or papiers découpés) during his lifetime, he signed, dated and archived them just as he did all his works. They were simply part of a more private studio practice, often made for family or as models for his fabricators.The first publication to focus solely on Picasso's cut papers, this book features many works reproduced for the first time with newly commissioned photography, alongside new scholarship on a little-known aspect of one of the 20th century's most pivotal practices, which contribute to the ongoing discourse surrounding innovation and abstraction at the roots of modern art. Also featured is a photo section that surveys Picasso's engagement with cut paper and sculpture over the decades and documents his practice of cutting paper, both in and out of the studio.

This volume anthologizes the textual contributions from the Hammer exhibition titled Lifes. These texts formed the starting point from which choreographers and composers, theater directors and dramaturgs, and performance, video and installation artists contributed to the overall project. The publication documents the exhibition's fostering of interdisciplinary conversation toward a "total work of art." In addition to scholarly contextual essays by Shannon Jackson, Aram Moshayedi and Greg Tate, the book includes texts commissioned for the exhibition and publication by philosopher and ecologist Fahim Amir; writer and director Asher Hartman; artist and poet Rindon Johnson; and novelist and poet Adania Shibli. An oral history compiled and edited by Nicholas Barlow documents the many conversations among contributors; and illustrations by artist Olivia Mole are interspersed throughout.Exhibition: Hammer Museum, LA, USA (13.02-08.05.2022).