Bøger udgivet af Deitch Projects

Evan Gruzis' deceptively photographic-seeming ink paintings feature palm trees, digital clocks, 1980s graphic-design tropes, ghosts and strange texts, channeling a certain Hollywood Hills malaise via Ed Ruscha. With the sardonic wit of Brett Easton Ellis and a unique ink manipulation technique that keeps viewers guessing, Gruzis' work continues to haunt, like a half-remembered name or an almost-tangible word: what you see is often only half-there, or sometimes mockingly not there at all. This first monograph is published in conjunction with the artist's first solo exhibition in New York-held at Deitch Projects in December 2008. In it, more than 60 of Gruzis' complex ink paintings are reproduced, prefaced by an introduction by former Museum of Modern Art, New York, curator Joachim Pissarro. Evan Gruzis was born in Milwaukee in 1979. Having lived in Los Angeles, he now lives and works in New York.

According to The New York Times, "It would be easy to read Kurt Kauper's nude portraits of the former hockey players Bobby Orr and Derek Sanderson as a rote comment on the fragile state of American (or Canadian) masculinity. They work better as an erotic and personal tribute, one that draws on the artist's childhood in a Bruins-worshiping Boston suburb; the neo-Classical figuration of Jacques-Louis David; and the overt sensuality of pre-Stonewall 'athletic' films." This slim, beautifully produced, bright yellow linen-bound exhibition catalogue with tipped-on cover image features some of the most strangely arresting male nudes on canvas today. Ranging from life-sized, full-frontal portraits of a nude Cary Grant at home in his suave, mid-century-movie-star manse (2001-2003) to the artist's most recent portraits of god-like, real-life Canadian hockey stars of the 1960s and 70s, this volume presents work that is perverse, liberated and rightly hilarious alongside essays by Wayne Koestenbaum and Pepe Karmel.

"Panic Room" collects works by 91 of the most exciting new and emerging artists on the international scene, all of whom work with drawing as their primary medium. Gathered into book form by the well-known Washington State designer, Rachel Carns, this big, bold compendium showcases an eclectic and unconventional group of artists who mix contemporary art with the culture of comics, graffiti, music, psychedelia and fantasy. Artists include assume vivid astro focus (whose work Carns modifies to create an especially hot cover), Tauba Auerbach, Devendra Banhart, Hernan Bas, Marc Bell, Hisham Bharoocha, John Bock, Brian Chippendale, Bjorn Copeland, Verne Dawson, Sam Durant, Robert Gutierrez, Daniel Guzman, Jo Jackson, Chris Johanson, Cameron Jamie, Margaret Kilgallen, M/M (Paris), Barry McGee, Ted Mineo, Dave Muller, Ben Peterson, Paper Rad, Matthew Ritchie, Clare Rojas, Jim Shaw, David Shrigley, Kelley Walker and others.

Text by Benjamin Weissman, Trinie Dalton.

Artwork by Yoshitaka Azuma, Enlightenment, Koichi Enomoto, Taro Izumi. Text by Kentaro Ichihara.

Live Through This brings together over 30 of the most exciting art, music, and fashion people who are changing art making in New York. New art practice is now intimately tied to the lived experience of the artists themselves, and this book, through more than three hundred color photographs of artists, artworks, studios, off-duty behaviors, zines, concerts, openings, and parties, illustrates and examines the nature of this relationship. Thoughtful criticism is provided by five essays: Larry Rinder writes about the groundbreaking nature of the Providence scene--specifically Fort Thunder, Jeffrey Deitch offers an historical and personal look at New York's underground, musician Philip Guichard describes the past five years of music in the city, digital artist Cory Arcangel talks about collectives and new media, while Kathy Grayson provides a behind-the-scenes thesis. Major attention is paid to artists working in New York City, but also in Providence and San Francisco.

Known for his expressive, skater-punk, urban landscape drawings that combine image and text in an irreverent, angst-ridden, deliberately pathetic sort of way, Chris Johanson takes over where Raymond Pettibon leaves off. Less angry and witty than his predecessor, Johanson scribbles colorful, dead-on portraits of street culture and the yuppies, hippies, hipsters, losers and drunkards who inhabit it.

Kurt Kauper's Diva Fictions are paintings of imaginary opera singers, invented characters who live somewhere between artificiality and realism, glamorous condescension and brilliant fashion, reinvention and tradition, excessive theatricality and overt emotionalism -- all of which stand as metaphors for a wide range of contemporary cultural realities.

Edited by Gabriel Perez-Barreiro, Ursula Davila-Villa, Gina McDaniel Tarver. Text by Beverly Adams, Sylvia Dolinko, Andrea Giunta, Michael Wellen.

"Meet the Artists" presents an extraordinary collaborative project between Jake and Dinos Chapman, George Condo and Paul McCarthy. It came about when the four artists were invited by the London arts agency, RS&A, to collaborate on the creation of eight paintings and a set of etchings over a period of one year. The project was commenced in March 2006, when one large canvas, one small canvas and one etching plate were delivered to each artist's studio. The collaborators were given a month to work before their paintings and etching plates were collected and rotated to the next artist in a prearranged sequence. Each canvas and etching plate rotated four times in total so that each participating artist had the chance to be first, second, third and fourth in the sequential makeup of a single painting and etching plate. An exquisite corpse for four of today's most interesting living artists.