Bøger udgivet af Deep Vellum Publishing

"Kane's volume is the first to tackle the period in New York's downtown literary history most closely tied to the group of poets known as the 'Second Generation New York School' . . . (It) is a must-have for historians of American poetry in the 20th century." Publishers Weekly.

Trio marks the first time these three shorter Pinget works are collected in a single volume. From the sublime surrealism of Between Fantoine and Agapa, through the Faulknerian take on rural life in That Voice, to the musical rhythm and flow of Passacaglia, this collection charts the varied career of one of the French New Novel's true luminaries. The space between the fictional towns of Fantoine and Agapa is akin to Faulkner's Yoknapatawpha County: an area where provincialism is neither romanticized nor parodied; where intrigue--often violent intrigue--confronts the bucolic ideal held both by insiders and outsiders; and where reality is shaped not by events, but by talk and gossip, by insinuation and conjecture. Written over the course of his career, these three novels are by turns hilarious and dark, surreal and painstakingly accurate; together they demonstrate the consistent quality of Pinget's versatility.

The Poor Mouth relates the story of one Bonaparte O'Coonassa, born in a cabin in a fictitious village called Corkadoragha in western Ireland equally renowned for its beauty and the abject poverty of its residents. Potatoes constitute the basis of his family's daily fare, and they share both bed and board with the sheep and pigs. A scathing satire on the Irish, this work brought down on the author's head the full wrath of those who saw themselves as the custodians of Irish language and tradition when it was first published in Gaelic in 1941.

The spirit is tragic, and the tragedy is America's as capsulized in the slow warp of one of those richly mixed neighborhoods that once gave credence to the myth of the melting pot. And with that myth, the American dream of making it - the shiny property of hopeful new immigrants but corrosive and corroding so quickly that for their children it will amount to little more than desperate self-justification or an equally desperate wish to get away - unlikely, unless as a soldier. So goes the implicit theme, but the explicit is considerably livelier, a kind of kinetic scrapbook of sketches, portraits, ephemera from a section of Brooklyn during the years 1935 to 1951. The glancing, non-chronological arrangement and the fascination (in many cases the brilliance) of individual pieces mute the bitterness but also tend to obscure causal relationships so that what comes through most clearly is a general sense of souring as poverty and expectation fade together. Ethnic, economic and especially period distinctions are impressively subtle, with no romanticism but the original; and the brief, essential characterizations could scarcely have a more appropriate effect - raucous, tender boys whose faces are forgettable but whose growth into suffering and bigotry is not. (Kirkus Reviews)

Set in the Andaman Islands over the course of oppressive imperial regimes, The Miraculous True History of Nomi Ali is a complex, gripping homage to those omitted from the collective memory.Nomi and Zee are Local Bornstheir father a convict condemned by the British to the Andaman Islands, their mother shipped off with him. The islands are an inhospitable place, despite their surreal beauty. In this unreliable world, the children have their friend Aye, the pet hen Priya and the distracted love of their parents to shore them up from one day to the next. Meanwhile, within the walls of the prison, Prisoner 218 D wages a war on her jailers with only her body and her memory.When war descends upon this overlooked outpost of Empire, the British are forced out and the Japanese move in. Soon the first shot is fired and Zee is forced to flee, leaving Nomi and the other islanders to contend with a new malice. The islandsand the seas surrounding thembecome a battlefield, resulting in tragedy for some and a brittle kind of freedom for others, who find themselves increasingly entangled in a mesh of alliances and betrayals. Ambitiously imagined and hauntingly alive, The Miraculous True History of Nomi Ali writes into being the interwoven stories of people caught in the vortex of history, powerless yet with powers of their own: of bravery and wonder, empathy and endurance. Uzma Aslam Khan's extraordinary new novel is an unflinching and lyrical page-turner, an epic telling of a largely forgotten chapter in the history of the subcontinent.

In English at last, Leyla Erbil's earth-shattering, feminist debut: the first novel by a Turkish woman to ever be nominated for the Nobel.

Seventeen-year-old Halah Ibrahim has always known a privileged life and never had cause to question it until Cairo goes up in flames. Not only does she start to doubt her father and his role in the new military-backed government-but she ultimately decides to flee to America with a young soldier she hardly knows, an impulsive act that has far-reaching consequences on both sides of the ocean. A powerful and universal debut novel about family, identity, and independence, Country of Origin is as much about a nation's coming-of-age as it is about secrets and lies, love and truth.

Originally written as a series of viral Facebook posts, then released as a cult hit in St. Petersburg, Meshchaninova's serialized memoir-novel tackles gender politics and abuse with honest, cutting language. Stories of A Life depicts the life of Natasha, a young woman who suffers abuse first at the hands of her stepfather Sasha and then by young men in the village nearby. This powerful, postmodern novel witnesses the Dickensian struggles of provincial life and reckons with the complicity of fellow women. Starkly down-to-earth yet funny and informal, Stories of A Life demands that we bear witness to the bleakness of a young womanhood in post-Soviet Russia. Meshchaninova is held in high regard as part of a new wave of women filmmakers in Russia, and with this collection cements her position as a woman willing to stare down the viewer and demand complicity.

In 2016, Shane Anderson made a vow to live according to the four core values of the Golden State Warriors to escape a decade of defeatsincluding divorce, debilitating spinal surgery and a suicide attempt. The basketball teams values of joy, mindfulness, compassion, and competition became Andersons guiding principles, providing him a lens to investigate a myriad of social, personal, philosophical, and political issues, such as homelessness, the promises and failures of rave culture, and the limits of self-help. Part memoir, part essay, and part chronicle of the greatest five-year stretch of a team in NBA history, After the Oracle depicts the makes and misses of one expat trying to make a life worth living.

A debut picture book sharing the great and varied history of Black Americans, A through Z.

A book of testimonies in verse, Winter Phoenix is a collection of poems written loosely after the form of an international war crimes tribunal. The poet, a daughter of a Vietnamese refugee, navigates the epigenetics of trauma passed down, and across, the archives of war, dislocation, and witness, as she repeatedly asks, "e;Why did you just stand there and say nothing?"e; Here, the space of accusation becomes both lyric and machine, an "e;investigation"e; which takes place in the margins of martial law, the source material being soldiers' testimonies given during three internationally publicized events, in this order-The Incident on Hill 192 (1966, Phu My District, Vietnam); The Winter Soldier Investigation (1971, Detroit, USA); and The Russell Tribunal (1966, Stockholm, Sweden; 1967, Roskilde, Denmark). Ultimately, however, Winter Phoenix is a document of resilience. Language decays. A ceremony eclipses its trial, and the radical possibilities of a single scream rises from annihilation.

What really (might have) happened when Jack Ruby, nightclub owner, brass knuckle-slinger, and inveterate fan of Corbusier, decided to kill the killer of JFK? In this first-ever trade publication of Bob Trammell's work, Jack Ruby mythos loops between fact, fiction, and spectacle to satirize Dallas' place on the world stage. Jack Ruby & The Origins of the Avant-Garde in Dallas caricaturizes everyone from Bob Thornton to Joseph Beuys; fodder for JFK conspiracy theorists, innuendo-readers, ingenious speculators, and pursuers of The Truth About Dallas At Large.With an introduction by Ben Fountain and afterword by David Searcy, this volume also includes Trammell's "e;Quiet Man"e; story cycle from over the course of his long, countercultural writing career, lamenting a generation that lost much by embarking on a search for themselves in a city-and world-unwilling to support its brightest artists.

penny candy: a confection, which had its acclaimed premiere at the Dallas Theater Center in 2019, follows one family as they seek to balance their responsibilities to their community and to one another. Growing up in a candy house sounds like every kid's dream. But for 12-year-old Jon-Jon, helping his father run Paw Paw's Candy Tree out of their run-down one-bedroom apartment isn't quite a dream come true. As their neighborhood of Pleasant Grove, Dallas sees a surge of violence fueled by epidemic drug use and increasing racial tensions, the business begins to fail and danger looms immediately outside the family's front door.

Subversive, visual, and bold, Curacao-born Dutch Radna Fabias' explosive debut collection Habitus marks the entry of a genre-altering poet. Habitus is a collection full of thrilling sensory images, lines in turn grim and enchanting which move from the Caribbean island of Curacao to the immigrant experience of the Netherlands. Fabias' intrepid masterpiece explores issues of racism, neo-colonialism, poverty, and sexism with a heartbreaking rhythm and endless nuance.Broken into three parts ("e;View with coconut,"e; "e;Rib,"e; and "e;Demonstrable effort made"e;), Habitus explores the profound struggles of melancholic longing, womanhood, religion, and migration. This ambitious, powerful, and compassionate collection has emerged, cheering on ambiguity, fluidity, and a lyrical ego on a quest to find its home.

A new collection of adult fairy tales from New York Times-bestselling Ludmilla Petrushevskaya, Russia's greatest living absurdist and surrealist writer.

The powerful, long-repressed classic of Dallas history that examines the violent and suppressed history of race and racism in the city. Written by longtime Dallas political journalist Jim Schutze, formerly of the Dallas Times Herald and Dallas Observer, and currently columnist at D Magazine, The Accommodation follows the story of Dallas from slavery through the Civil Rights Movement, and the city's desegregation efforts in the 1950s and ';60s.Known for being an uninhibited and honest account of the city's institutional and structural racism, Schutze's book argues that Dallas' desegregation period came at a great cost to Black leaders in the city. Now, after decades out of print and hand-circulated underground, Schutze's book serves as a reminder of what an American city will do to protect the white status quo.

Welcome to Midland is a queer coming-of-age narrative in verse set against the backdrop of conservative small-town Texas. These linked poems explore the cultural and natural history of West Texas (from the horned lizard to dirt storms to Laura Bush's car accident), connecting events and movements from across eras to create a tenuous yet strong sense of place. Giving voice to secrets and silence, Welcome to Midland considers identity, community, family, and legend.

In his debut collection of poetry in English, the widely acclaimed author of Tram 83 returns to the Deep Vellum catalog with a moving lyric meditation on the Democratic Republic of Congo and its namesake river.

When Mathilde's stepfather dies in Denmark, she is plagued by worries about the potential death of her American father on the other side of the Atlantic. In a desire to catalog her love for, and memories with, her father, Mathilde travels to America and writes a novel about their relationship that she has always known she should write.Lone Star is about distances: the miles between a father and daughter; the detachment between Mathilde's Danish upbringing and her American family; the separation of language; and the passage of time between Mathilde's adulthood and the summers she spent as a child in St. Louis. These irrevocable gaps swirl as Mathilde voyages to meet her father in Texas to explore a relationship that still has time to grow. At once a travelogue and family novel, Lone Star occupies the often-mythologized landscape of Texas to share a story of being alive and claiming the right to feel at home, even across the ocean.

After moving from Peru north of the Arctic circle to begin graduate school, Claudia Ulloa Donoso began blogging about insomnia. Not hers, necessarily - the blog was never defined as fact or fiction. Her blog posts became the bones of Little Bird, short stories with a nod to fervent self-declaration of diary entries and the hallucinatory haze of sleeplessness. Blending narration and personal experience, the stories in Little Bird stretch reality, a sharp-shooting combination of George Saunders and Samanta Schweblin. Characters real and unreal, seductive, shape-changing, and baffling come together in smooth prose that, ultimately, defies fact and fiction.

Daybook from Sheep Meadow finds Peter Dimock returning to the breakdown of America's imperialist history that he started exploring in his groundbreaking previous novel, George Anderson: Notes for a Love Song in Imperial Time. In Daybook, Dimock expands on what it means to refute the narrative of American greatness - and what happens once one starts on that path.Historian Tallis Martinson has grappled for years with the atrocities of the American condition through meditative notebook entries, wherein he has attempted to create a "e;historical method"e; that guide's an individual 's personal thought outside the language of empire. However, when words fail him completely, he commits himself to a psychiatric facility, mute and unable to write.Daybook presents Tallis' notebook entries, annotated by his brother and editor Christopher Rentho Martinson. Christopher initially follows the entries' complex guided meditations in hopes of being able to reach Tallis during his visits to the psychiatric facility. Instead, he finds himself immersed in his own family's implication in the normalized atrocities of his country's past and present. An experiment in the capacity of literature to re-lay the trajectory of America's future, Daybook stages a space wherein the reader can register - and, potentially, remedy - the criminal catastrophe of the American political arena.

In 2015, Benjamin Villegas traveled to Texas in an attempt to write the biography of a music group that could have changed the history of rock: ELPASO, a Chicano band from the U.S.-Mexico border with a punk sensibility, a long since-defunct crew, and little left to remember it by but a suitcase of fanzines and one-off recordings. This is the story of one of the many bands that will never appear in rock n' roll history books, but is at the core of the scene; a band that earned its stripes from sweaty fans and self-taught rock aficionados in basements, garages, and small venues across the country. This is the story of two kids who came together to embrace the punk ethos of the 80's and be a part of the rock n' roll revolution sweeping the US, a world of the Ramones, Black Flag, and, of course, ELPASO.

Garreta's first novel in a decade follows the mania that descends upon a family when the father finds himself in possession of a concrete mixer. As he seeks to modernize every aspect of their lives, disaster strikes when the younger sister is subsumed by concrete.Through puns, wordplay, and dizzying verbal effect, Garrta reinvents the novel form and blurs the line between spoken and written language in an attempt to confront the elasticity of communication.

With the loving eye of an amateur botanist, poet Julie Poole has distilled nature to its finest, tender points. Through poems spread delicately across the page, interspersed with images of the pressed flowers themselves, Poole's poetry gives voice to a meditative expression of flora. Each poem creates an individual cataloged world through which to explore the body, sexuality, strength, and a devout refusal to admit the separation between humans and nature. Inspired by the Billie L. Turner Plant Resources Center at The University of Texas at Austin, the largest herbaria in the Southwestern United States, Bright Specimen weaves together a written index through the harmony of botanical wonder.

A baby is born with gills. Foxes raise and then lose a human child. A man, in the final throes of his deathbed fever-dream, experiences a cross-Antarctic voyage. The stories in Furthest South, the second story collection from renowned writer Ethan Rutherford, find characters in the most unexpectedly menacing of circumstances, in which their sanity, happiness, and safety are put to the test. Formally ambitious, with an eye toward the strange, with a inimitable style all Rutherford's own, each story is nonetheless firmly grounded by a deep, human concern: the anxiety of family connection and humanity.

A native of the Bay Area, Ross J. Farrar is an internationally renowned singer, songwriter, and lyricist for the post-punk band, Ceremony. In his debut book of poetry, Farrar conjures a narrative voice that evokes Alan Vega of the band Suicide and other New York school artists as he contemplates life outside of music. Farrar's poems glide between hazy evocations of being young on the West Coast, working at an adult bookstore, and drinking with friends, alongside layers of darker experiences: visiting the graves of friends and loved ones, leaving Cheree, the 2016 election. He mulls over the lost landmarks of his youth in San Francisco and a relationship both heart-wrenching and ultimately failing.

This modern classic of global feminist literature, the only novel by one of Romania's most heralded poets, styled as a long letter addressed to the man who is about to leave her, a woman meanders through a cosmic retelling of her life from childhood to adulthood with visionary language and visceral, detail. Like a contemporary Scheherazade, she spins tales to hold him captivated, from the small incidents of their lives together to the intimate narrative of her relationship to womanhood. Through a dreamlike thread of strange images and passing characters, her stories invite the reader into a fantastical vision of love, loss, and femininity.

Out of the Cage opens in 1956, in Argentina, with the freakish death of Aurora Berro, and descends into a dark philosophical exploration of humanity and mortality. In the midst of her family's celebration of a national holiday, an LP, careening through the air like a "e;demented boomerang,"e; severs her jugular. Her family- an agglomeration of perversions, deformities, and obsessions-seems at first not to notice, singing on. Aurora is left behind in a voyeuristic limbo as an omniscient first-person narrator, to observe the depravity of her family and reflect on the farce of her life and human existence. Fernanda Garca Lao has been called "e;the strangest writer of Argentine literature,"e; and in Out of the Cage, she lives up to that distinction. The book is saturated in strangeness, a blend of formal experimentation, eroticism, grotesque theatricality, and dark humor that evokes the absurdist fictions of Witold Gombrowicz and the style of Silvina Ocampo. The result is a macabre and fantastic vaudeville, a tragicomedy, a kind of Dadaist opus against ideas of eternal beauty and fixed identity, against absolute concepts and universality.

In this satirical, phantasmagorical novel by a star of contemporary Russian literature, Lipskerov writes about an aging man trying to find his place in modern society despite significant damage to his ego... and his "tool."