Bøger udgivet af Daylight Books

A photographer becomes a mother and photographs her children for 30 years with a 1950's Kodak Brownie Hawkeye Camera and color film. Carole Glauber's dream-like photographs in "Personal History" deal with themes of love, of raising children, of travel, and of family.

"Evanescent Cities" explores obliquely the development of Northern Brooklyn and Long Island City, Queens and will be of interest to scholars, architects, urbanists, writers, photo book collectors and artists.

Remains to be Seen is an exploration of memory, loss, and survival physically etched on the landscape.

An inside view of the changing world of the traveling circus, carnival and sideshow.

Increasing the visability of under-represented girl skateboarders, these portraits are captured on location with the photographic historical process, wet plate collodion using a portable darkroom and 8x10 view camera.

By creating a snapshot of the Ghent community during its bicentennial year, this collection of portraits provides a record for the future.

Family Resemblance is a multi-year photo project that documents people young and old, who are genetically related, and bear a strong resemblance to one another.

A ski jumper himself, Dodds' color photographs highlight a Nordic tradition transplanted in middle America and sustained through extensive volunteer support and young athletes obsessed with the art of flying.

n Little Romances I photograph prints of my photographs and they become a physical object; my object. I surround them with elements from my garden or other personal items not to evoke nostalgia or sentimentality but to deepen my physical connection/claim to these images and distance them from the viewer. The object-image becomes obscured, repurposed, diverted, so that its original intent remains safe from viewing and at the same time it explores a new narrative.

China is poised to become the world's largest film market, fed by an expansive state-supported movie and television industry. These photographs document the many larger-than-life outdoor film sets and the tourist industry that has developed around them

Pine reflects on the scale of time and how old-growth remnants of a once-vast landscape are more about a place than a tree.

Fatherland shifts the celebrated perception of Peru's landscape and offers a counter narrative, exposing viewers to the scars born from decades of a relentless epidemic of hate on the LGBTQ community.

ROME 1970s provides a view of life during a time when Italy moved from an in- nocent "dolce vita" existence to a more hardened reality. Featuring portraits and urban views from Rome and its surrounds, this eye-opening collection of black and white photographs tells the story of how modern-day Italy came to be. ROME 1970s will be exhibited at Robert Klein Gallery, Boston in Spring 2019.

And Here We Are examines the current condition of our rapidly changing landscape, the sixth extinction and the fragile places where man and nature collide.

The composite, textured landscapes in the series A Sense of Place are a re-creation of places and scenes from an estranged homeland.

The American Boys project is an in-depth photographic book of young Americans across the country united through their expression of trans masculine gender identity.

Notebooks filled with overly expressive english phrases and slang are all compiled to create Hiro Tanaka's Dirty Birdie Bible.

Moon Shine features photographs from Appalachia's Cumberland Plateau. This work is inspired by the musical traditions native to this soil. From this point of inquiry, a lyrical portrait of place emerges.

We Were There documents ten years of Austin's music scene through photographs of ecstatic fans. Book includes a never-before-released vinyl record by The Black Angels!

Either Limits Or Contradictions is a photo book about the pace of life, death and time passing by Nick Meyer.

"Upstate" records the imprint of American industrial and agricultural history left on settings in and around Hudson, including the rural communities of Germantown and Livingston. Combining poetry with realism, the images express a quiet beauty and mystery in the vernacular architecture and artifacts reflecting the industrial era and rural settings in upstate New York and the shifting economic realities over time.

"As Is" pries into the world of the female collective conscious.

Sarah Tulloch: ObjectImage is a poignant approach to the physical material of a photograph and a re-imagination of it into new forms.

ARAMCO, documents life inside Dhahran, a compound originally built for the American workers of the wealthy Saudi Arabian Oil Company.

Recovered Memory: New York and Paris 1960-1980 is a meditation on time and place: before the internet and 24/7 news; when one could visit the Eiffel Tower without seeing police and automatic weapons, when a ride on the New York subway cost 15 cents, when the smell of fresh-baked baguettes wafted over nearly every Parisian neighborhood, and when the Coney Island parachute ride still thrilled thousands. Van Riper's striking black and white photographs spanning twenty years, coupled with his eloquent texts, capture the 20th-century romance and grit of New York more than a half century ago, and Paris, some forty years ago. It was a time when the pace of life was slower and somehow less threatening, people talked to each other instead of texting on their iPhones, and you literally had to stop and smell the coffee.

True portraits of transgender women.

An artful selection of photographs commissioned by the FSA but 'killed' by Roy Stryker with some fantastic accompanying text.