Bøger udgivet af David R. Godine Publisher Inc

A work of scientific and philosophical inquiry, in which, the authors track world myths to a common origin in early man's descriptions of cosmological activity, arguing that these remnants of ancient astronomy, suppressed by the Greeks and Romans and then forgotten, were really a form of pre-literate science.

Reprint. Originally published Methuen Publications. [1976].

An illustrated history of the dictionary and the many obsessed compilers, charlatans, and geniuses, who made them.

"Perry T. Rathbone was one of the leading American art museum directors of the twentieth century. Over the course of his thirty two year career at the St. Louis Art Museum and the Museum of Fine Arts in Boston, he kept a journal. These are his unguarded and spontaneous expressions, not meant for publication-at least not in his lifetime. Alone in his study at the end of a day, Perry T. Rathbone wrote in a large, unlined sketchbook, unloading whatever was fresh on his mind. Whether a meeting at the museum, a business trip, or a party he had just returned from, he wrote about whom he met, what he thought of them, the ambiance, the conversation, the art, the wine, and the food. Rathbone's journals provide a window onto an era of seismic cultural change seen through the eyes of an art czar and a tastemaker. There are meetings with artists such as William de Kooning, Edward Hopper, Andrew Wyeth, Isamu Noguchi, and Alexander Calder, men of letters such as T.S. Eliot and Aldous Huxley. There are observations of the collectors he courted, entertained, and forbore, such as Peggy Guggenheim and Joseph Pulitzer, and of the eccentric Boston Brahmin families with historic ties to the MFA-the Lowells, Lambs, Warrens, Coolidges, and Codmans. And of course he writes of the thrill of assisting Jaqueline Kennedy in the early 1960s with loans from the MFA to adorn the private quarters in the White House. In the Company of Art includes journal entries from the end of Rathbone's time as director of the St. Louis Art Museum in the early 1950s, through is seventeen years at the MFA in Boston, and beyond into the 1970s. The greatest concentration of entries focuses on the 1960s, during the banner years of Rathbone's directorship of the Museum of Fine Arts in Boston, as he began to enjoy the rewards of his achievements at the museum with new acquisitions, renovated galleries, rising attendance and membership. Rathbone was celebrated for his ability to transform museums from quiet repositories of art into vibrant cultural centers. This is a unique record of what he thought along the way"--

First published in 1996 by Metropolitan Books.

"An intimate, autobiographical poetry collection from legendary artist and activist, Joan Baez. Joan Baez shares poems for or about her contemporaries (such as Bob Dylan, Judy Collins, and Jimi Hendrix), reflections from her childhood, personal thoughts, and cherished memories of her family, including pieces about her younger sister, singer-songwriter Mimi Fariäna. Speaking to the people, places, and moments that have had the greatest impact on her art, this collection is an inspiring personal diary in the form of poetry. While Baez has been writing poetry for decades, she's never shared it publicly. Poems about her life, her family, about her passions for nature and art, have piled up in notebooks and on scraps of paper. Now, for the first time ever, her life is shared revealing pivotal life experiences that shaped an icon, offering a never-before-seen look into the reminiscences and musings of a great artist. Like a late-night chat with someone you love, this collection connects fans to the real heart of who Joan Baez is as a person, as a daughter and sister, and as an artist who has inspired millions"--

"A gardener's pandemic journal that combines memoir with an exploration of the natural world both inside and outside the garden. In March 2020, Margot Anne Kelley was watching seeds germinate in her greenhouse. At high risk from illness, the planning, planting, and tending to seedlings took on extra significance. She set out to make her pandemic garden thrive but also to better understand the very nature of seeds and viruses. As seeds became seedlings, became plants, became food, Kelley looks back over the last few millennia as successions of pandemics altered human beings and global culture. Seeds and viruses serve as springboards for wide-ranging reflections, such as their shared need for someone to transport them, the centrality of movement to being alive, and the domestication of plants as an act of becoming co-dependent. Pandemic viruses only occurred through humankind's settling down, taking up agriculture, and giving up a nomadic life. And yet it's the garden that now provides a refuge and a source of life, inspiration, and hope. A Gardener at the End of the World explores questions of what we can preserve-of history, genetic biodiversity, culture, language-and what we cannot. It is for any reader curious about the overlap of nature, science, and history."--

BOSTON GLOBE BESTSELLER • LOS ANGELES TIMES BESTSELLER • BOSTON.COM BOOKCLUB SELECTIONA celebration and meditation on the season for drinking hot chocolate, spotting a wreath on a neighbor’s door, experiencing the change in light of shorter days. All aspects of Winter, from the meteorological to the mythological, are captured in this masterful essay, told in wise and luminous prose that pushes back the dark.Winter begins with the shortest day of the year before nightfall. As in her companion volume, Summer Solstice, the author meditates on both the dark and the light and what this season means in our lives.“Winter tells us,” Nina MacLaughlin says, “more than petaled spring, or hot-grassed summer, or fall with its yellow leaves, that we are mortal. In the frankness of its cold, in the mystery of its deep-blue dark, the place in us that knows of death is tickled, focused, stoked. The angels sing on the doorknobs and others sing from the abyss. The sun has been in retreat since June, and the heat inside glows brighter in proportion to its absence. We make up for the lost light in the spark that burns inside us.”If Winter is a time you love for its memories and traditions, if you love writing that takes your breath away with lyrical leaps across time and space, Winter Solstice is an unforgettable book you’ll cherish.

"Learn the art of argument from the masters. Here is a curated collection, with hundreds of examples, of reasoning and debate from the golden age of debate in England and America. Leave it to Farnsworth to illuminate principles of debate through examples by masters of the language. Thomas Paine, Abraham Lincoln, Jonathan Swift, Edmund Burke, Winston Churchill, and many others, each provide exemplars of reasoning, persuasion, and aggression. From "Insult and Invective" to "Reductio ad Absurdum," from "Ad Hominem Arguments," to "Deduction and Induction" (and the final chapter "Futility"), readers will see how to craft winning arguments of their own. A readable reference, the book is also meant for fun. "It shows masters of the language," as Farnsworth writes, "crossing analytical swords and exchanging abuse when those things were done with more talent and dignity than is common today. They made argument a spectator sport of lasting value and interest." Farnsworth's Classical English Argument is the fourth book in a series about wise use of words from an earlier age that we can learn from today. Previous titles in the series are Farnsworth's Classical English Rhetoric, Farnsworth's Classical English Metaphor, and Farnsworth's Classical English Style. Each one is for readers seeking a deeper understanding of communication by seeing how it is done at its best"--

"All roads begin somewhere, and today's U. S. highway system began with an exploratory, cross-country ride led by 28-year-old Army lieutenant colonel Dwight Eisenhower. This is the story of that coast-to-coast journey and how the dream of connecting America with roads began . . . The 1919 Transcontinental Motor Convoy of eighty-one trucks and other military vehicles traveled more than 3,000 precarious miles along the most famous road of the day, the Lincoln Highway, which ran between New York City and San Francisco. World War I had illustrated the importance of being able to move large amounts of troops and equipment quickly over long distances, and Eisenhower's mission was to evaluate whether the country's emerging network of paved roadways could handle such a task. It was an experience Eisenhower would never forget."--

"An anthology of original essays by fifty major American writers on one hundred essential short stories. 'A writer,' Nobel Prize winner Saul Bellow once said, 'is a reader who is moved to emulation.' That idea inspired New York Times bestselling novelist and memoirist Andre Dubus III to invite fifty acclaimed authors to write about the precise alchemy of emulation, about short stories that altered their view of life and their place in it-short stories that, ultimately, made them want to write something substantial themselves. Reaching Inside is the far-ranging end result of that invitation. For practitioners of the personal essay and other forms of creative nonfiction, this anthology is fifty examples of how to write about the "I" as well as the 'eye.' For teachers of creative writing, it is fifty inspiring songs of praise for the kind of writing that aspires to art. For professors of literature, it is fifty models for how to think and write critically. And for readers, Reaching Inside is simply a moving and inspiring anthology of masterful essays that reach inside us and, as Tolstoy wrote, 'transfer feeling from one person's heart to another person's heart.' Reaching Inside will remind you why you fell in love with reading"

"Twelve stories of immigrants who struggle against the ancestral past of India to remake their lives-and themselves-in North America. These are stories of fluid and broken identities, discarded languages and deities, the attempt to create bonds with a new community against the ever-present fear of failure and betrayal. 'The narrative of immigration,' Ms. Mukherjee once said, 'is the epic narrative of this millennium.' Her stories and novels brilliantly add to that ongoing saga. In the story, 'The Lady from Lucknow,' a woman is pushed to the limit while wanting nothing more than to fit in. In 'Hindus,' characters discover that breaking away from a culture has deep and unexpected costs. In 'Father,' the clash of cultures leads a man to an act of terrible violence. 'How could he tell these bright, mocking women,' Ms. Mukherjee writes, 'that in the darkness, he sensed invisible presences: gods and snakes frolicked in the master bedroom, little white sparks of cosmic static crackled up the legs of his pajamas. Something was out there in the dark, something that could invent accidents and coincidences to remind mortals that even in Detroit they were no more than mortal.' There is light in these stories as well. The collection's closing story, 'Courtly Vision,' brings to life the world within a Mughal miniature painting and describes a light charged with excitement to discover the immense intimacy of darkness. Readers will also discover that excitement, and the many gradations of darkness and light, throughout these pages from the mind of a master storyteller"

Please Wait by the Coat Room is for readers interested in the art and artists of color that many mainstream institutions and critics misrepresented or overlooked. It presents a view guided by the artists' desire for autonomy and freedom in a culture that has deemed them undesirable or invisible.

One True SentenceThe host and producer of the One True Podcast have gathered the best of their program (heard by thousands of listeners) and added entirely new material for this collection of conversations about Hemingway's greatest words.Each sentence was chosen and examined by authors such as Elizabeth Strout, Sherman Alexie, Paula McLain, and Russell Banks; filmmakers Ken Burns and Lynn Novick; Seán Hemingway, A. Scott Berg and many others in this celebration and conversation between Hemingway some of most perceptive and interesting readers.For readers of American literature, One True Sentence is full of remembrances-of words you read and the feelings they gave you. For writers, this is an inspiring view of the smallest element-a single sentence-that makes writing, a story, come alive.ARC mailing to retailer A-list

The reintroduction of a major nonfiction writer for Black History Month promotions.Anthony Walton, the collection's editor and introducer, will promote.One of four titles in the relaunch of Godine's Nonpareil imprint

Classic memoir by a New Yorker writerSet on Cape Cod, MassachusettsOne of four titles in the relaunch of Godine's Nonpareil imprint

The first nonfiction collection by beloved author, Ann BeattieExpect major media coverage.One of four titles in the relaunch of Godine's Nonpareil imprint

The first book by Joan Baex since And a Voice to Sing With (2008)Expect major media coverage for this collection by a beloved American icon.Joan Baez has a major following on social media and will promote.Joan will make personal author appearances in the Bay Area?other areas online.

First major collection of poems by Wesley McNair?spanning his career.Will receive major review support (particularly in New England).

Will receive major review support?Simon Van Booy is widely considered among the finest writers of his generationSimon's bestselling titles are the novels, Everything Beautiful Began After and The Illusion of Separateness, both from HarperCollins. His most recent novel is Night Came with Many Stars from Godine?new in paperback this season.The author is very active on social media with a strong fan base.Simon's latest is comparable to other novels with a philosophical foundation such as Schopenhauer Cure and Stranger In the Lifeboat.

Written during his time in a monastery, Prodigious Thrust is a work by William Everson that incorporates both prose and poetry with a monastic point of view that integrates the `disjunctive elements¿ of this collection and informs its character. According to Everson in his preface, ¿¿What was conceived as essentially a book of poetry supported by an autobiographical context, came, through the incorporation of so many digressions, to swell out of all proportion, until the poems survive only as a kind of archipelago awash in an ocean of prose.¿

An enchanting story about an adventurous girl and her day at sea with Bonefish Joe, one of the best-known bonefish guides in the Bahamas.Young and fearless, Flossie, lives on Harbour Island, a small outpost in the Bahamas known for its exquisite three-mile pink sand beach and for bonefishing, a catch-and-release enterprise that pits a determined angler against an inedible, surprisingly powerful, and elusive quarry.Flossie's dream is to go fishing with the legendary guide Bonefish Joe, a beloved island institution who picks up clients at the dock and returns with them hours later, still fishless but satisfied. One Sunday, after church, Flossie's wish is surprisingly granted, and she and her friend discover the allure, the challenge, and the delights of hooking (and releasing) one of angling¿s greatest prizes.Diana Wege's lush and vibrant illustrations of the island, its people, its customs, and its architecture, perfectly captures the character, culture, and charm of the Bahamas and Harbour Island.

An intimate portrait of an extended Jewish family in the Nazi-occupied Netherlands, who, when faced with imminent deportation and death, refused to comply.

Here are speeches, essays, and articles from them man who turned Boston University into a major educational institution. John Silber speaks as an educator, parent, philosophical leader, and political observer and participant (Ahead in the polls, he probably would have been elected Governor of Massachusetts had he not run afoul of a beloved media personality. The famous incident is recounted in high style in Tom Wolfe¿s foreword).He tackles issues including education at all levels, culture and the media, democracy and international affairs. Delivered from 1971 to 2012, the speeches offer his incisive reflections on the Vietnam War, Watergate, student activism of the seventies, the bombing of Hiroshima and Nagasaki, developments in science and technology, the increasing power of the media, global corporations, and many other issues. His style is lively, crisp, and pointed, spiked with his acerbic wit and guided by an ongoing search for wisdom.Mr. Silber was a model of probity and integrity in both his private and his public life, an intellectual pessimist and a congenital optimist. Even as he transformed Boston University from a sleepy and fast-declining ¿streetcar college,¿ he spoke out on topical issues and principles on which our human fulfillment and national identity depended. Inspiring many and infuriating some, his was a life that mattered and his voice was one worth listening to.

The ultimate collection of early American choral music, including folk hymns from the 19th century.A two volume work in a sturdy slipcase, American Harmony includes full musical scores and complete verses for 176 pieces of music, 100 illustrations, over 100 pages of biographical information about composers and musical arrangers, and a CD recording of 35 pieces.The first volume of this set covers New England compositions from 1770 to 1815, the second volume covers a wide range of locations from 1813 to the present. Selections are drawn from well-known sources (such as the shape-­note hymnal, The Sacred Harp) as less well known sources, all in their original harmonizations. The author, Nym Cooke, has made the study of shape-note music his life's work and is among the foremost authorities on the subject. Beginning his research in 1976, he has sung every one of the 5,000 pieces published in American tunebooks through 1810, researched the composers' biographies, and determined not only how the music should be presented in print, but also how it might best be performed in person.In addition to the music, the author's historical introduction and detailed critical commentary provide context. As The American Record Guide said, "American Harmony is a thing of beauty... not only to the eye but also the mind and the ear."

An aesthetically and socially significant book that celebrates the human spirit; it is this spirit that shines through the coal dust in the faces of miners, in mothers struggling to protect their children, and in ravaged but resilient communities. Builder Levy¿s photographs and accompanying captions capture the tension, the dignity, and the enduring humanity of the people who live, work, and endure in West Virginia, southwestern Virginia, Kentucky, and Pennsylvania.For four decades, Builder Levy has been witness to a dangerous industry where workers operate heavy machinery in close quarters underground, extracting ever-increasing tonnage of coal. Over the last two decades, at surface mines, Levy has seen powerful explosives tear apart mountain summits, followed by giant draglines that scoop out the exposed veins of coal in massive, destructive, quantities. He has also witnessed strikes and picket lines, desperation and rage, hope and dignity, and the inevitable natural and man-made disasters that are part of the territory. Intertwining the traditions of fine art, social documentary, and street photography, Builder Levy is part of a grand humanist tradition in photography that includes Lewis Hine, Paul Strand, and Walker Evans. This edition includes sixty-nine spot-varnished tritone photographs.

Twenty-five essays on great works of American art and design from the "Masterpiece" column in The Wall Street Journal. John Wilmerding's "Masterpiece" column is among the The Wall Street Journal's most popular features. This book gathers those essays by Wilmerding, the distinguished former curator of American art at the National Gallery. Each essay integrates a detailed visual analysis with insights not only into the art and its creator, but also into the historical context at the time of the artwork's execution.American Masterpieces features a full-sized reproduction of each sculpture, painting, piece of architecture, and photograph discussed. Some such as Mary Cassatt's "Little Girl in a Blue Armchair" (along with pieces by Thomas Eakins and Andrew Wyeth) are well known. Many others (such as Henry H. Richardson's Crane Memorial Library in Quincy, Massachusetts) are largely unregarded. No matter how well you know art, you are certain to make new discoveries. This broad, representative, and eclectic selection of the best this country has produced is for anyone looking for a smart, opinionated, and always engaging guide to American art and art history.

The Cape and islands of Massachusetts provide a bold canvas for any would-be tamers of this unique landscape. In these pages, C. L. Fornari offers expert advice with the warm and casual tone of a broadly knowledgeable and informed friend.