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Mathea Martinsen has never been good at dealing with other people. After a lifetime, her only real accomplishment is her longevity: everyone she reads about in the obituaries has died younger than she is now. Afraid that her life will be over before anyone knows that she lived, Mathea heads out into the world.

Tor Ulven is one of the most renowned Norwegian authors of the twentieth century, beginning his career writing poetry and ending it with unclassifiable explorations of the possibilities of prose, reminiscent of writers such as Ingeborg Bachmann and Peter Handke. Replacement, his only novel, published two years before Ulven's suicide, is a miniature symphony, wherein the perspectives of unrelated characters are united into what seems a single narrative voice: each personality, directing the book in turn; each replacing its predecessor and forming another link in a chain leading nowhere. These people reminisce, reflect, observe, and talk to themselves; each stuck in their respective traps, each dreaming of escape. A masterpiece of compression and confession, Replacement dramatizes the tension between the concrete realities we think we cannot alter, and our interior lives, where we feel anything might still be possible.

Tavares has no right to be writing so well at the age of 35. One feels like punching him! Jose Saramago

At several points in the haunting Dukla, Andrzej Stasiuk claims that what he is trying to do is "e;write a book about light."e; The result is a beautiful, lyrical series of evocations of a very specific locale at different times of the year, in different kinds of weather, and with different human landscapes. Dukla, in fact, is a real place: a small resort town not far from where Stasiuk now lives. Taking an usual form-a short essay, a novella, and then a series of brief portraits of local people or events-this book, though bordering on the metaphysical, the mystical, even the supernatural, never loses sight of the particular time, and above all place, in which it is rooted. Andrzej Stasiuk is one of the leading writers of Poland's younger generation, and is currently one of the most popular Polish novelists in English translation.

Moving through a variety of locales and adventures, The Truth about Marie revisits the unnamed narrator of Toussaint's acclaimed Running Away, reporting on his now disintegrated relationship with the titular Marie-the story switching deftly between first- and third-person as the narrator continues to drift through life, and Marie does her best to get on with hers. Like all of Toussaint's novels, The Truth about Marie's plot matters far less than its pace and tempo, its chain of images, its sequence of events. From pouring rain in Paris to blazing fires on the island of Elba, from moments of intense action to perfectly paced lulls, The Truth about Marie relies on a series of contrasts to tell a beguiling, and finally touching, story of intimacy forever being regained and lost.

From the author The New Yorker hails as one of the most skillful psychological portraitists writing anywhere.

Best known for his complex and beautiful novels-regularly compared to those of Thomas Pynchon, William Gaddis, and Don DeLillo-Joseph McElroy is equally at home in the short story, having written numerous pieces over the course of his career that now, collected at last, serve as an ideal introduction to one of the most important contemporary American authors. Combining elements of classic McElroy with tantalizing stories pointing the way ahead (the spare and dangerous "e;No Man's Land,"e; the lush and mischievous "e;The Campaign Trail"e;), Night Soul and Other Stories presents a wide range of work from a monumental artist.

"The Review of Contemporary Fiction" was founded in 1981 to promote a vision of literary culture that is not limited to the immediately popular, and to ensure that important world writers outside popular attention continue to be written about and discussed.

This 900-page survey of world literature, "e;From Confucius' Day to Our Own"e; (as the subtitle reads), was the last book written by Ford Madox Ford, one of the seminal figures of the modernist period. Written for general readers rather than scholars and first published in 1938, The March of Literature is a working novelist's view of what is valuable in literature, and why. Convinced that scholars and teachers give a false sense of literature, Ford brings alive the pleasures of reading by writing about books he is passionate about. Beginning at the beginning - with ancient Egyptian and Chinese literature and the Bible - Ford works his way through classical literature, the writings of the Middle Ages, the Renaissance, continuing up to the major writers of his own day like Ezra Pound, Henry James, and Joseph Conrad. With his encyclopedic reading and expertise in the techniques of writing, Ford is a reliable and entertaining guide. Ford also includes a chapter on publishers and booksellers, noting the key roles they play in literature's existence. Novelist Alexander Theroux (Darconville's Cat, An Adultery) has written an insightful introduction for this reissue, the first time this monumental book has been made available in paperback.

In A Philosophy of Evil, acclaimed philosopher Lars Svendsen argues that evil remains a concrete moral problem: that we're all its victims, and all guilty of committing evil acts. A Philosophy of Evil treats evil as an ordinary aspect of contemporary life, with implications that are moral, practical, and above all, political.

What happens when a writer throws herself into the service of one of the richest businessmen in the world? Will all the luxuries and corruption of the business world turn her into a complacent drone?

Considered by many to be Elkin's magnum opus, George Mills is, an ambitious, digressive and endlessly entertaining account of the 1,000 year history of the George Millses. From toiling as a stable boy during the crusades to working as a furniture mover, there has always been a George Mills whose lot in life is to serve important personages. But the latest in the line of true blue-collar workers may also be the last, as he obsesses about his family's history and decides to break the cycle of doomed George Millses. An inventive, unique family saga, George Mills is Elkin at his most manic, most comic and most poignant. First published by Random House (1982), most recent paperback by Avon (1996).

Hailed by Jose Saramago as the best writer of his generation and a likely future winner of the Nobel Prize, Dalkey Archive is proud to introduce Goncalo M. Tavares and his breakthrough novel.

Paradoxes of Peace continues the meditation of Mosley's Time at War, at the end of which he wrote that humans find themselves at home in war because they feel they know what they have to do, whereas in peace they have to discover this. But what should inform them--custom? need? duty? ambition? desire? Forces pull in different directions--fidelity versus adventurousness, probity versus fun. During the war, Mosley found himself having to combine fondness for his father, Oswald Mosley, with the need to speak out against his post-war politics. In times of peace, his love for his wife and children, too, seemed riddled with paradoxes. He sought answers in Christianity, but came to see organized religion as primarily a social institution. How does caring not become a trap?

Set in the aftermath of the ¿Carnation Revolution¿ of April 25, 1974, Antonio Lobo Antunes¿s Warning to the Crocodiles is a fragmented narrative of the violent tensions resulting from major political changes in Portugal. Told through the memories of four women who spend their days fashioning homemade explosives and participating in the kidnap and torture of communists, the novel details the clandestine activities of an extreme right-wing Salazarist faction resisting the country¿s new embrace of democracy.Warning to the Crocodiles (Exortação aos Crocodilos) has won:- Best Novel by the Portuguese Writers Association (Grande Prémio de Romance e Novela da Associação Portuguesa de Escritores) (1999)- The D. Dinis Prize of the Casa de Mateus Foundation (Prémio D. Dinis da Fundação Casa de Mateus) (1999)- The Austrian State Literature Prize (Prémio de Literatura Europeia do Estado Austríaco) (2000)

"I would consider it scandalous if Hoex's fiction is still unknown in the world literature canon ten years down the road." --Lee Yew Leong, Asymptote Journal

Jean Rolin's Savannah is an elegy of sorts to his close friend British fashion photographer, Kate Barry, retracing the trip they took together through the American South. Rolin's immense descriptive talent, his minute topographical detail, and his poetic, documentary writing come together in a work that looks as much to keep death at a distance as to confront it directly.

"Shklovsky's audacity gave him the freedom to take apart Cervantes and Sterne, Gogol and Tolstoy, with a brilliance that still dazzles ninety years later."-The Nation

The comforts of ritualized shopping, Greek mythology intersecting with 1980s Polish punk music, poetic string theory and time travel and psychedelic dumpster diving all rolled into one

The book is a moving reminder of a child's perspective; a child who is surrounded by unmagical things; things that are sad, ugly, serious or just ordinary. It is that lens of a child that breathes magic into them.

Anderson's debut novel introduces readers to a writer of lucid, hallucinatory prose worthy of comparison with Roberto Bolano, Cormac McCarthy, and Jose Saramago

It is said that this book reached an important milestone in the study of literature by crystalizing a movement that had been under way for two decades in this country. The movement being to focus literary criticism and literary study in general on literature itself, rather than on the historical backgrounds, the psychological mechanisms, the political and social currents that influence literary creation. It conceives of imaginative literature as a way of knowing, different from but as humanly useful as the method of natural science.It begins with a brilliantly stated set of definitions of the nature and function of literature; and it proceeds through an examination of what goes into the making of a work of literature, to an analysis of the elements of literary composition and a statement of the principles by which we can evaluate the literary work itself.The timeless virtue of this work is that the authors are thoroughly grounded in the traditional methods of literary scholarship, and also thoroughly aware of the impact of the social and psychological sciences on all modern thinking, then and now. Theory of Literature incorporates examples ranging from Aristotle to Coleridge and is written in clear, uncondescending prose, which, especially in its suspicion of simplistic explanations and its distrust of received wisdom, remains extremely relevant to the study of literature today. It was and still will be eagerly sought for by teachers, critics, students, and all other who seek objective standards for judging and further understanding the art of literature.

When Samuel Beckett and the Dutch painter Bram Van Velde met in Paris in the 1930s, both were living in abject poverty, and neither could have anticipated that on the other side of World War II and the brutal occupation of France by the Nazis they would each go on to be luminaries in their respective mediums: Beckett winning the Nobel Prize and becoming a bulwark of contemporary Western literature, and Van Velde holding exhibitions all over the world. Thirty years later, a younger author at the start of his career is introduced into the company of these two great pessimists neither of whom make cooperative interview subjects, and each of whom represents, in his own way, a radical rejection of the common languages of his art.Itself a mixture of idolatry, deft characterization, and critical insight, Conversations with Samuel Beckett and Bram Van Velde is both an entertaining and insightful contribution to our understanding of the lives and thoughts of two masters.

Rina is a defector from a country that might be North Korea, traversing an "empty and futile" landscape. Along the way, she is forced to work at a chemical plant, murders a few people, becomes a prostitute, runs a lucrative bar, and finds a solace in a motley family of wanderers all as disenfranchised as she.

Like many of the great Irish writers before him, Dermot Healy first announced himself as a writer of intricate and innovative short stories. Healy¿s stories are set in small-town Ireland and its rural environs, and in the equally suffocating confines of the Irish expat communities in London. Throughout these texts, Healy demonstrates a deep sense of compassion towards the marginalized and the dispossessed, without ever becoming sentimental or clichéd. The language is earthy and imagistic by turn, and he continually seeks to extend the formal boundaries of the genre.Gathering all of Healy¿s stories together for the first time, this collection includes the long prose-drama ¿Before the Off¿ and Healy¿s final short works, ¿Along the Lines¿ and ¿Images.¿