Bøger udgivet af Dalkey Archive Press

The definitive reference guide to Mexican literature of the past half-century.

The Galley Slave is a tour de force of historical fiction centered on the misadventures of an Everyman of indeterminate origins named Johan Ot, who is part picaresque anti-hero, part Josef K.

Ranking with the best novels about World War II, Minuet for Guitar is also a masterpiece of Slovenian fiction.

Two minutes into the second act, there is a knock on Nicolas Boehlmer's dressing-room door, just as he's smoking his last cigarette before having to go back on stage . . . and, without thinking, he says, "e;Come in,"e; still in character. He quickly finds himself bound, gagged, and stripped by a man who appears to be his mirror image: costumed in the same wig, make-up, and clothes. Nicolas is powerless to prevent his usurper from going out and playing his role-with increasingly ridiculous consequences. Is this "e;upstaging"e; the act of a depraved amateur? Sabotage by a rival? A piece of guerrilla theater? A political statement? Whatever the cause, Nicolas and his fellow actors soon find their play-and their lives-making less and less sense, as the parts they play come under assault by this irrational intruder.

In Exiled from Almost Everywhere, Juan Goytisolo's perverse mutant protagonist-the Parisian "e;Monster of Le Sentier"e;-is blown up by an extremist bomber and finds himself in the cyberspace of the Thereafter with an infinite collection of computer monitors. His curiosity piqued, he uses the screens at hand to explore the multiple ways war and terrorism are hyped in the Hereafter of his old life where he once happily cruised bathrooms and accosted children. Ricocheting from life to death and back again, meeting various colorful demagogues along the way-the imam "e;Alice,"e; a pedophile Monsignor, and a Rastafarian rabbi-our "e;Monster"e; revisits seedy democracies that are a welter of shopping-cities and righteous violence voted in by an eternally duped citizenry and defended by the infamous erogenous bomb. At once fantastical and cruelly real, Exiled from Almost Everywhere hurtles the reader through our troubled times in a Swiftian series of grisly cartoon screenshots.

In the tradition of Joe Brainard's "I Remember" and Georges Perec's "Je me souviens," this delightful "novel" offers a thousand answers to the question, "What are you thinking?" (Or, as translator Ian Monk puts it: "Penny for them?") The answers are spontaneous, revealing, ominous, insignificant, grotesque, amusing, lecherous, tragic and trivial by turns, and lovable in their cheerful imperfection. This is a book about the basics: love, sexuality, death, and all the other things that lurk in our everyday thoughts.

A cornerstone of Swiss modernism, at last available in English translation from one of the great German translators of our time.

An apocalyptic noir from the author of Anonymous Celebrity and Zero.

A metaphysical thriller about the lengths to which men will go to escape the inevitable--be it love or death.

Set at a boardinghouse in rural New Jersey in the summer of 1939, this novel revolves around four people who experience the comedies, torments, and rare pleasures of family, romance, and sex while on vacation from Brooklyn and the Depression. As the novel's perspective shifts to each of the four primary characters, four discrete stories take form, stories that Sorrentino further enriches by using a variety of literary methods--fantasies, letters, a narrative question-and-answer, fragments of dialogue and memory. Combining humor and feeling, balancing the details and the rhythms of experience, Aberration of Starlight re-creates a time and a place as it captures the sadness and value of four lives.

This series has become a mainstay in the literary landscape, with each year featuring new voices from throughout Europe alongside more established names. Hemon introduces a new cross-section of European fiction, and there are a few editorial changes as well. 544 pp. 14,000 print.

The early fiction of one of the most daring and influential writers of postwar Germany, a man often called the German James Joyce due to the linguistic inventiveness of his fiction.

When her archeologist father died, Loya Kaplan left Israel seemingly for good, severing all ties to her past. Twenty-five years later, she's a flight attendant without friends or family, happiest in the temporary and artificial world of airports. Sleepwalking through life, Loya is summoned back to Israel following the death of David-her father's friend, or rival, or lover, or nemesis?-who has named Loya as his heir. Returning now to a country that has become alien to her, and the house where she was raised, filled with relics not only of her own past but of her family and even ancient history, Loya's story splits, deliriously, in two: the life she once led in an improvised neighborhood, filled with concentration- camp refugees and secrets, colliding with the antiseptic, well-fed present day.

In 2010, the Newseum in Washington D.C. finally obtained the suit O. J. Simpson wore in court the day he was acquitted, and it now stands as both an artifact in their "e;Trial of the Century"e; exhibit and a symbol of the American media's endless hunger for the criminal and the celebrity. This event serves as a launching point for Ishmael Reed's Juice!, a novelistic commentary on the post-Simpson American media frenzy from one of the most controversial figures in American literature today. Through Paul Blessings-a censored cartoonist suffering from diabetes-and his cohorts-serving as stand-ins for the various mediums of art-Ishmael Reed argues that since 1994, "e;O. J. has become a metaphor for things wrong with culture and politics."e; A lament for the death of print media, the growth of the corporation, and the process of growing old, Juice! serves as a comi-tragedy, chronicling the increased anxieties of "e;post-race"e; America.

In the late '60s, Julian Rios began work on what would have been his very first novel, but fearing that it wouldn't pass the stringent Spanish censorship under Franco, decided not to submit the completed book to publishers. Soon distracted by what would be his magnum opus-the Larva series-the manuscript was set aside and forgotten, until the author found and dusted it off almost fifty years later. Quite unlike his later postmodernist work, the short and bitter Procession of Shadows is filled with stories of love, war, and vengeance, focusing on the tiny, remote village of Tamoga-a place where vendettas are passed down from generation to generation, and where violence has left its traces in every corner. A Winesburg, Ohio for the end times, Procession of Shadows shows us a very different side of the usually playful Rios: dark, direct, and pitiless.

A riotous tribute to James Joyce and a surprising tour of the house of fiction.

A thrilling mixture of the manipulative potential of TV and the routine of modern life. From one of Serbia's greatest contemporary writers, this work of fiction opens with the narrator finding a mysterious, blank envelope stuck in his apartment door inviting him to a private showing a movie.

Isolating these moments in his memory and attempting to analyze them much like a lens, he envisions "e;a haiku stripped of rhetoric that captures only what is in front of the camera."e; Yet, deprived of his sight, the photographer now must reconstruct his experiences as a series of affective snapshots, a diary of his emotions as they were frozen on this or that day. The result, then, is not the description of a remembered image, but of the emotional memory the image evokes. Joao Almino here gives us a trenchant portrait of an artist trying to close the gap between objective vision and sentimental memory, leafing through a catalog of his accomplishments and failures in a violent, artificial, universal city, and trying to reassemble the puzzle that was his life.

Fire the Bastards! is a scorching attack on the book-review media using the critical reception of William Gaddis's 1955 novel The Recognitions as a case study.

In Self-Portrait Abroad, our narrator-a Belgian author much like Toussaint himself-travels the globe, finding the mundane blended everywhere with the exotic: With his usual poker face, he keeps up on Corsican gossip in Tokyo and has a battle of nerves in a butcher shop in Berlin; he wins a boules tournament in Cap Corse, takes in a strip club in Japan's historic Nara, gets pulled through Hanoi on a cycle rickshaw, and has a chance encounter on the road from Tunis to Sfax. Tales of a cosmopolitan at home in a strangely familiar world, Self-Portrait Abroad casts the entire globe in a cool but playful light, reminding us that, wherever we go, we take our own eyes with us...

A novel begun by a man in his bathtub begins, little bylittle, to overflow into his life.

Ishmael Reed's career as one of our great playwrights has long been eclipsed by his other work. Here published for the first time, Reed's plays follow the ancient tradition of using the theater as a forum in which the official versions of our history can be critiqued. Dealing with subjects that mainstream theatergoers might find disturbing-homelessness, the arbitrary entrapment of a black politician, the excesses of the radical feminist movement, the use of black conservatives to promote right-wing agendas, the exploitation of blacks and Africans as unsuspecting guinea pigs by the pharmaceutical industry, and the hypocrisy of the Christian church-Reed's plays are a pungent antidote to the watered-down world of contemporary pop culture, where, Reed argues, minority voices remain as marginalized and stigmatized as they were a hundred years ago.

In this short, brilliant book, Viktor Shklovsky enunciates the function of the arts: what they are and, just as importantly, what they are not. In the course of defining what art is, by implication he also quietly lays to waste the theories and people who view art as a means of representing "the real world" and a method of communication. His views of the other arts then lead him into his speculations about the art of cinema photography, new at the time that Shklovsky composed his polemic in 1923.

Wildly comic and bitterly satiric, Imaginative Qualities of Actual Things is Gilbert Sorrentino's ruthless, and timeless, attack on the New York art world of the 1950s and '60s. Guaranteed permanent relevance by the never-ending presence of the marginally talented--and populated by artists who sold out, would-be artists with little ability, and hopeless hangers-on--this brilliant novel masterfully dissects the art world's culture of corruption and compromise, and in so doing examines the social and political malaise that continues to have a grip on modern America. One of Gilbert Sorrentino's most engaging novels, Imaginative Qualities of Actual Things is often named among the most important novels of the last several decades.

On vacation from school, Denis goes to stay at Crome, an English country house inhabitated by several of Huxley's most outlandish characters--from Mr. Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive HISTORY OF CROME. Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Lambasting the post-Victorian standards of morality, CROME YELLOW is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too irnonic to be called satire and too scornful to be called irony."

Masochism is out and feminism is in, Jews are out and Germans are in, race is out and gender is in, and everyone's fighting (and rewriting) for a piece of the pie. Jewish director Jim Minsk disappears during a trip to the South. Black playwright Ian Ball writes the all-female play Reckless Eyeballing in hopes of getting off the "e;sex-list."e; Preeminent playwright Jack Brashford, claiming the Jews stole all his black material, decides to write about Armenians. In the background, an unknown assailant dubbed the "e;Flower Phantom"e; runs loose through the city shaving heads of prominent black feminists (to the secret delight of black men).In this hilarious, devastating, but also deeply sympathetic novel, Ishmael Reed turns characters on the backs, sides, tops and bottoms to expose the multiple hypocrisies at the heart of American culture.

Following the success of 2005 s Europeana: A Brief History of the Twentieth Century, Patrik Our edni k again confounds expectations with what seems, on the surface, to be a detective novel...