Bøger udgivet af Counterpoint

Including nine new translations from the first thousand years of Zen, this collection of sacred Buddhist texts with refreshed commentary is made to be carried with you Dating from the middle of the second century B.C. to the middle of the ninth century A.D., Zen Roots includes the Heart, Diamond, and Platform sutras; selections from the Vimalakirti and Lankavatara sutras; Bodhidharma's Principles & Practice; Sengcan's Trusting the Mind; Yongjia’s Song of Enlightenment; and Huangbo's Transmission of the Mind.These translations are accompanied by introductions and enough notes to explain what needs explaining but not so many as to get in the way. Zen Roots is the perfect companion for travel, to accompany one to the higher elevations, or just to read in the backyard.

A darkly funny sports memoir about a mid-life crisis, exercise addiction, tennis, and how to grow up when you really, really don't want toAt forty-one, Scarlett Thomas was a successful novelist and a senior academic. She’d quit smoking, gotten healthier, settled down in a lovely house with a wonderful partner. She’d had all the therapy. Then her beloved dog died. Her parents started to get sick right around the time she realized she was never going to be a mother herself. For the first time in her life, maintaining her ideal weight had become nearly impossible. She was supposed to grow up, but she didn’t know how. So instead she decided to regress, to go back to the thing she’d loved best as a child but had inexplicably abandoned: tennis. Thomas knows she’s not the only person to have wondered whether throwing enough money and time and passion at something can make your dream come true. 41–Love is heartbreaking but frequently funny as Thomas finds she’ll do anything to win—almost anything.

A Black immortal in 1930's Los Angeles must recover the memory of her past in order to discover who she truly is in this extraordinarily affecting novel for readers of N. K. Jemisin and Octavia E. Butler.Lou, a young Black woman, wakes up in an alley in 1930s Los Angeles with no memory of how she got there or where she’s from. Taken in by a caring foster family, Lou dedicates herself to her education while trying to put her mysterious origins behind her. She’ll go on to become the first Black female journalist at the Los Angeles Times, but Lou’s extraordinary life is about to take an even more remarkable turn. When she befriends a firefighter at a downtown boxing gym, Lou is shocked to realize that though she has no memory of meeting him, she’s been drawing his face for years. Increasingly certain that their paths previously crossed—and beset by unexplainable flashes from different eras haunting her dreams—Lou begins to believe she may be an immortal sent here for a very important reason, one that only others like her can explain. Setting out to investigate the mystery of her existence, Lou must make sense of the jumble of lifetimes calling to her, just as new forces threaten the existence of those around her. Immersed in the rich historical tapestry of Los Angeles—Prohibition, the creation of Route 66, and the collapse of the St. Francis Dam—The Perishing is a stunning examination of love and justice through the eyes of one miraculous woman whose fate seems linked to the city she comes to call home.

An impassioned argument by a young Mexican American woman for the abolition of Immigration and Customs Enforcement (ICE)Abuses in detention centers. Detention of handicapped children. The silencing of activists. Each week, another attack on immigrant rights comes to light. It's going to be hard to say we didn't know. ICE has escalated a campaign that tears apart families and ruins lives. But this didn't begin, and won't end, with Donald Trump in the White House. The Obama administration deported record numbers of immigrants, wildly expanded the scope and capacities of ICE, and supported detention center quotas. Voting Democrat alone won't save these children. Immigration does not take place in a vacuum; each time the United States pushes through another exploitative trade deal or wreaks havoc on sovereign countries, we perpetuate migration flows fueled not by opportunity but by desperation. How long will we continue funding an agency premised upon the abuse and dehumanization of undocumented immigrants? We need to abolish ICE. This concise, accessible book sets out the reasons why and the way it can be brought about.

At 21, Belen left the U.S. and didn't look back. Alone, far off the beaten path in places like Syria and Tajikistan, she confronts violence, lechery, and places where it's hard to find a good glass of wine, and reflects on what it means to be an American in a largely American-made mess of a world. After growing up in Washington, D.C. and Texas, and then attending Columbia University in New York, Beln Fernndez ended up in a state of self-imposed exile from the United States. From trekking-through Europe, the Middle East, Morocco, and Latin America-to packing avocados in southern Spain, to marrying a Palestinian-Lebanese man, to witnessing the violent aftermath of the 2009 coup in Honduras, the international travel allowed her by an American passport has, ironically, given her a direct view of the devastating consequences of U.S. machinations worldwide. For some years Fernndez survived thanks to the generosity of strangers who picked her up hitchhiking, fed her, and offered accommodations; then she discovered people would pay her for her powerful, unfiltered journalism, enabling-as of the present moment-continued survival.In just a few short years of publishing her observations on world politics and writing from places as varied as Lebanon, Italy, Uzbekistan, Syria, Mexico, Turkey, Honduras, and Iran, Beln Fernndez has earned a place alongside Martha Gellhorn and Susan Sontag as one of the most trenchant observers of American actions abroad.

"Kauffman has done something remarkable with The Gunners . . . There's so much generosity and spirit and humor shared by whatever characters are on the page at any given time that I was always happy to accompany them." --The New York Times Book ReviewFollowing her wonderfully received first novel, Another Place You've Never Been, called "mesmerizing," "powerful," and "gorgeous," by critics all over the country, Rebecca Kauffman returns with Mikey Callahan, a thirty-year-old who is suffering from the clouded vision of macular degeneration. He struggles to establish human connections--even his emotional life is a blur.As the novel begins, he is reconnecting with "The Gunners," his group of childhood friends, after one of their members has committed suicide. Sally had distanced herself from all of them before ending her life, and she died harboring secrets about the group and its individuals. Mikey especially needs to confront dark secrets about his own past and his father. How much of this darkness accounts for the emotional stupor Mikey is suffering from as he reaches his maturity? And can The Gunners, prompted by Sally's death, find their way to a new day? The core of this adventure, made by Mikey, Alice, Lynn, Jimmy, and Sam, becomes a search for the core of truth, friendship, and forgiveness.A quietly startling, beautiful book, The Gunners engages us with vividly unforgettable characters, and advances Rebecca Kauffman's place as one of the most important young writers of her generation."A moving novel . . . Each character comes to terms with their dark past, and uncertain futures--like an intimate hangout session, dashed with suspense and few extra layers of emotional beauty. You'll find yourself thinking of Freaks and Geeks, The Big Chill, and maybe all those friends you've been meaning to text." --Entertainment Weekly, The Must List

Long-listed for the National Book Award Winner of the Crook's Corner PrizeWinner of the First Novelist Award from the Black Caucus of the American Library Association A New York Times Notable Book "Brilliantly juxtaposing World War II, the '80s and post-Katrina present, Sexton follows three generations of a black New Orleans family as they struggle to bloom amid the poison of racism.” —People Evelyn is a Creole woman who comes of age in New Orleans at the height of World War II. In 1982, Evelyn's daughter, Jackie, is a frazzled single mother grappling with her absent husband's drug addiction. Jackie's son, T.C., loves the creative process of growing marijuana more than the weed itself. He was a square before Hurricane Katrina, but the New Orleans he knew didn't survive the storm. For Evelyn, Jim Crow is an ongoing reality, and in its wake new threats spring up to haunt her descendants. Margaret Wilkerson Sexton's critically acclaimed debut is an urgent novel that explores the legacy of racial disparity in the South through a poignant and redemptive family history.

Conceived as a challenge to long–standing conventional wisdom, Creating the Future is a work of social history/cultural criticism that examines the premise that the progress of art in Los Angeles ceased during the 1970s—after the decline of the Ferus Gallery, the scattering of its stable of artists (Robert Irwin, Ed Kienholz, Ed Moses, Ed Rusha and others), and the economic struggles throughout the decade—and didn't resume until sometime around 1984 when Mark Tansey, Alison Saar, Judy Fiskin, Carrie Mae Weems, David Salle, Manuel Ocampo, among others became stars in an exploding art market. However, this is far from the reality of the L.A. art scene in the 1970s.The passing of those fashionable 1960s–era icons, in fact, allowed the development of a chaotic array of outlandish and independent voices, marginalized communities, and energetic, sometimes bizarre visions that thrived during the stagnant 1970s. Fallon's narrative describes and celebrates, through twelve thematically arranged chapters, the wide range of intriguing artists and the world—not just the objects—they created. He reveals the deeper, more culturally dynamic truth about a significant moment in American art history, presenting an alternative story of stubborn creativity in the face of widespread ignorance and misapprehension among the art cognoscenti, who dismissed the 1970s in Los Angeles as a time of dissipation and decline.Coming into being right before their eyes was an ardent local feminist art movement, which had lasting influence on the direction of art across the nation; an emerging Chicano Art movement, spreading Chicano murals across Los Angeles and to other major cities; a new and more modern vision for the role and look of public art; a slow consolidation of local street sensibilities, car fetishism, gang and punk aesthetics into the earliest version of what would later become the "Lowbrow" art movement; the subversive co–opting, in full view of Pop Art, of the values, aesthetics, and imagery of Tinseltown by a number of young and innovative local artists who would go on to greater national renown; and a number of independent voices who, lacking the support structures of an art movement or artist cohort, pursued their brilliant artistic visions in near–isolation.Despite the lack of attention, these artists would later reemerge as visionary signposts to many later trends in art. Their work would prove more interesting, more lastingly influential, and vastly more important than ever imagined or expected by those who saw it or even by those who created it in 1970's Los Angeles. Creating the Future is a visionary work that seeks to recapture this important decade and its influence on today's generation of artists.

A new collection of intimate reflections (on art, punctuation, eyeglasses, color, dreams, celebrity, corpses, porn, and translation) and "assignments" that encourage pleasure, attentiveness, and acts of playful making, from the mischievous, munificent, extraordinary mind of legendary public intellectual Wayne Koestenbaum

The fight for a $15 minimum wage. Nationwide teacher strikes. Bernie Sanders’s political revolution and the rise of AOC. Black Lives Matter. #MeToo. Read how the Occupy movement helped reshape American politics, culture and the groundbreaking movements to follow.On the ten-year anniversary of the Occupy movement,Generation Occupysets the historical record straight about the movement’s lasting impacts. Far from a passing phenomenon, Occupy Wall Street marked a new era of social and political transformation, reigniting the labor movement, remaking the Democratic Party and reviving a culture of protest that has put the fight for social, economic, environmental and racial justice at the forefront of a generation. The movement changed the way Americans see themselves and their role in the economy through the language of the 99 versus the 1 percent. But beyond that, in its demands for fairness and equality, Occupy reinvigorated grassroots activism, inaugurating a decade of youth-led resistance movements that have altered the social fabric, from Black Lives Matter and Standing Rock to March for Our Lives, the Global Climate Strikes and #MeToo. Bookended by the 2008 financial crisis and the coronavirus pandemic,Generation Occupyattempts to help us understand how we got to where we are today and how to draw on lessons from Occupy in the future.

Part memoir, part cultural history, A Woven World celebrates the fading crafts, industries, and artisans that have defined communities for generations.The desire to create is the cornerstone of civilization. But as we move into a world where machine manufacturing has nearly usurped craft, Alison Hawthorne Deming resists the erasure of our shared history of handiwork with this appeal for embracing continuity and belonging in a time of destabilizing change.Sensing a need to preserve the crafts and stories of our founding communities, and inspired by an exhibit at the Metropolitan Museum of Art’s Costume Institute featuring Yves St. Laurent’s “sardine” dress, Deming turned to the industries of her ancestors, both the dressmakers and designers in Manhattan in the nineteenth century and the fishermen on Grand Manan Island, a community of 2,500 residents, where the dignity of work and the bounty of the sea ruled for hundreds of years. Reweaving the fabric of those lives, A Woven World gives presence on the page to the people, places, and practices, uncovering and preserving a record of the ingenuity and dignity that comes with such work. In this way the lament becomes a song of praise and a testament to the beauty and fragility of human making.

A formless soul is given a second chance. He must recall the biggest mistake of his past life while on ''homestay'' in the body of fourteen-year-old Makoto Kobayashi, who has just committed suicide. Makoto doesn''t have a single friend, and his family don''t seem to care about him. But as the soul begins to live Makoto''s life, he grows closer to the family and the people around him, and sees their true colours. Since its initial release over twenty years ago, Colorful has become a part of the literary canon, not only in Japan - where it has sold over a million copies - but around the world.

A companion to Still Lives--a Reese's Book Club x Hello Sunshine selection--this savvy thriller exposes dark questions about power and the art world and reveals the fatal mistakes that can befall those who threaten its status quo.Brenae Brasil is a rising star at Los Angeles Art College, the most prestigious art school in the country, and her path to art world celebrity is all but assured. Until she is found dead on campus, just after completing a provocative documentary about female bodies, coercion, and self-defense.Maggie Richter's return to L.A. and her job at the Rocque Museum was supposed to be about restarting her career and reconnecting with old friends. With mounting pressure to keep the museum open, the last thing she needs is to find herself at the center of another art world mystery. But when she uncovers a number of cryptic clues in Brasil's video art, Maggie is suddenly caught up in the shadowy art world of Los Angeles, playing a very dangerous game with some very influential people.

A brief meditation on the role of technology in his own life and how it has changed the landscape of the United States from "America's greatest philosopher on sustainable life and living" (Chicago Tribune)."A number of people, by now, have told me that I could greatly improve things by buying a computer. My answer is that I am not going to do it. I have several reasons, and they are good ones."Wendell Berry first challenged the idea that our advanced technological age is a good thing when he penned "Why I Am Not Going to Buy a Computer" in the late 1980s for Harper's Magazine, galvanizing a critical reaction eclipsing any the magazine had seen before. He followed by responding with "Feminism, the Body, and the Machine." Both essays are collected in one short volume for the first time.

Berry's remarkable new collection, produced over the past decade, offers poems of remembrance and regeneration, celebrating life's complexities from the domestic to the eternal.