Bøger udgivet af Common Notions

Ashon Crawley won the 2021 nonfiction Lammy Award for The Lonely LettersBook features interventions and artwork from incarcerated writers and artistsSpeaks to those interested in connecting spiritual practices and revolutionary politicsEmphasizes the importance of spirituality and faith in cultivating hope during the COVID-19 pandemic, ecological crisis, and the violence of capitalism Abolition Collective is comprised of leading scholars and activists in the world abolition. The project is unparalleled in both its contributing members and its audience, from academics to incarcerated prisoners, as well as from students to veteran activists.Builds on the work of Abolishing Carceral Society and Making Abolitionist Worlds to offer a primer on what visionary activists mean when they connect the interlocking systems of repression, exploitation, and racism.A powerful call to join abolitionist movements in this country to address the roots of injustice.The question of abolition has gained significant traction in recent debates about police, prisons, as well as border detention and deportation—from #BlackLivesMatter to #AbolishICE.

Work is a joke. Laughing at it is political.Humor, Groucho Marx asserted, is reason gone mad. For Walter Benjamin, laughter was the most revolutionary emotion. In a moment when great numbers of people are reevaluating their commitment to the hellscape we call work, what does it mean to take comedy seriouslyand to turn it against work?Both philosophically brilliant and deeply personal, Comedy Against Work demonstrates how laughing about work can puncture the pretensions of tyrannical bosses while uniting us around a commitment to radically new ways of making the world together. At the same time, Lane-McKinley exposes a war at the heart of contemporary comedy between those who see comedy as a weapon for punching down and those whose laughter points to social transformation. From stand-up to sitcoms, podcasts to late night, comedy reveals our longing to subvert power, escape the prison of work, and envision the joys of a liberated world.

The ocean today is a central protagonist in the ongoing battle for life on earth. It is the site of a violent clash between the right to live and the right to profit, as corporate interests enclose the ocean's vast common of living riches through tourism and industrial fishingdistorting landscapes, depleting fish stocks, and destroying barriers to protection against climate disaster.Our Mother Ocean tells the story of the Fisherman's Movement from its beginnings in Southern India to its central role in the struggle against neoliberal globalization. Since the 1970s, the Fisherman's Movement has been one of the ocean's closest and most impassioned protectors, raising key questions concerning the relationship between work and the safeguarding of common resources, the provision of community needs and environmental limits of the devastating industrialization of our oceans. While a remarkable political awareness has spread over the last 40 years around questions of food, agriculture and land, the issues of the sea have remained concealed, despite the protracted struggles between fish workers and those who oversee the sector and the exploitation of the ocean's resources.In this crucial intervention, Mariarosa Dalla Costa and Monica Chilese offer the ocean to the land-locked history of food sovereignty movements led primarily workers in the global South against dispossession.Dalla Costa and Chilese draw attention to the polyvalent functions of the ocean as a source of food, medicine, raw materials, biodiversity and cultureand as a site of human labour and livelihood threatened by vast enclosures through industrial fishing and tourism. This book is an urgent reminder that the ocean is today the site of a heroic struggle for the preservation of life on earth. It points crucially to impassioned sectors of the movement of movements that endure in the global South, and details the stakes of the struggles and its outcomes on land and at sea as central for the future of life on earth.

A profound story of social movements and art in Latin America, the Grupo de Arte Callejero creatively confronts the genocide and disappearances of Argentina's military junta, the economic collapse in 2001, and ongoing neoliberal austerity.

';Dalla Costa shows that with the New Deal, the state began to plan the ';social factory'that is, the home, the family, the school, and above all women's labor, on which the productivity and pacification of industrial relations was made to rest.'Silvia FedericiIn a groundbreaking study, Family, Welfare, and the State offers a comprehensive reading of the welfare system through the dynamics of women's resistance and class struggle. Mariarosa Dalla Costa, a key figure in the International Wages for Housework campaigns, highlights how the New Deal concretized the central role of women and the family in ensuring the capacity for economic growth and the reproduction of labor power necessary for the maintenance of capitalism. As social movements fight for and secure government relief for mass unemployment in a way not seen for decades, it is essential to understand how the dealsespecially governing race, class, and family relationsstruck by earlier generations of activists have shaped our world. A new foreword makes clear Dalla Costa's importance to understanding the functioning of social reproduction in a world ravaged by COVID-19.

"e;Writing from the barren confines of his death row cell, Mumia Abu-Jamal provides a remarkable testament about the Black Panther Party. . . .an amazing book that illuminates the truth of what his membership in the Party was about, and reveals the extreme price extracted from him for having learned, and for now telling the truth."e;Kathleen Cleaver, from the IntroductionMumia Abu Jamal, America's most famous political prisoner, is internationally known for his radio broadcasts and books emerging ';Live from Death Row.' In his youth Mumia Abu-Jamal helped found the Philadelphia branch of the Black Panther Party, wrote for the national newspaper, and began his life-long work of exposing the violence of the state as it manifests in entrenched poverty, endemic racism, and unending police brutality. In We Want Freedom, Mumia combines his memories of day-to-day life in the Party with analysis of the history of Black liberation struggles. The result is a vivid and compelling picture of the Black Panther Party and its legacy.Applying his poetic voice and unsparing critical gaze, Mumia examines one of the most revolutionary and most misrepresented groups in the US. As the calls that Black Lives Matter continue to grow louder, Mumia connects the historic dots in this revised/updated edition, observing that the Panthers had legal observers to monitor the police and demanded the ';immediate end to police brutality and the murder of Black people.' By focusing on the men and women who were the Party, as much as on the leadership; by locating the Black Panthers in a struggle centuries oldand in the personal memories of a young manMumia Abu-Jamal helps us to understand freedom.

A love letter to over 750 record labels which produced political music as a medium for improving our communities and world.

Never before translated texts powerfully present Italian autonomist Marxist Mario Tronti's resonance with contemporary questions of revolutionary organization.

The present way of life is a war against our bodies. Nearly everywhere, we are caught in a crumbling health system that furthers our misery and subordination to the structural violence of capital and a state that only intensifies our general precarity. Can we build the capacity and necessary infrastructure to heal ourselves and transform the societal conditions that continue to mentally and physically harm us? Amidst the perpetual crises of capitalism is a careful resistance—organized by medical professionals and community members, students and workers, citizens and migrants. For Health Autonomy: Horizons of Care Beyond Austerity—Reflections from Greece explores the landscape of care spaces coordinated by autonomous collectives in Greece. These projects operate in fierce resistance to austerity, state violence and abandonment, and the neoliberal structure of the healthcare industry that are failing people.For Health Autonomy is a powerful collection of first-hand accounts of those who join together to build new possibilities of care and develop concrete alternatives based on the collective ability of communities and care workers to replace our dependency on police and prisons.

A pioneering study of the new forms of emancipatory urbanism emerging in these times of global crisis. An activist and architectural account of urban life that passionately reveals cities as the sites of manifest social conflict as well as spaces of emancipation.

The bold voices and inspiring visions of today's revolutionary abolitionist movement-a creative range of approaches to dismantling interlocking institutions of oppression and transforming the world.

What is the role of revolutionary art in times of distress? When Emory Douglas, former Minister of Culture of the Black Panther Party, accepted an invitation from the art collective EDELO and the Rigo 23 to meet with autonomous Indigenous and Zapatista communities in Chiapas, Mexico, they addressed just this question. Zapantera Negra is the result of their encounter. It unites the bold aesthetics, revolutionary dreams, and dignified declarations of two leading movements that redefine emancipatory politics in the twentieth and twenty-first century.The artists of the Black Panthers and the Zapatistas were born into a centuries-long struggle against racial capitalism and colonialism, state repression and international war and plunder. Not only did these two movements offer the world an enduring image of freedom and dignified rebellion, they did so with rebellious style, putting culture and aesthetics at the forefront of political life. A powerful elixir of hope and determination, Zapantera Negra provides a galvanizing presentation of interviews, militant artwork, and original documents from these two movements' struggle for dignity and liberation.

In the 1960s and '70s-when Toni Cade Bambara, Samuel Delany, David Henderson, June Jordan, Audre Lorde, Guillermo Morales, Adrienne Rich, and Assata Shakur all studied and taught at CUNY-New York City's classrooms and streets radiated as epicenters of Black, Puerto Rican, queer, and women's liberation.Conor Tomás Reed is part of the next generation of an insurgent CUNY movement nourished by these legacies. Highlighting the decolonial feminist metamorphosis that transformed our educational landscape, New York Liberation School explores how study and movement coalesced across classrooms and neighborhoods. Reed's immersive and wide-ranging narrative brings us into the archives and up close to the stories of its participants in order to reactivate these vibrant struggles. The result is a radiant reclamation of collective history that charts a vision for liberating education and society today.

"How do we move from defensive tactics that respond to the latest stages of capitalist urbanization, to transformative, strategic revolts, attacking the root causes and putting into practice alternative forms of urban life? One proposal for such a revolutionary alternative to capital's organization of our lived environment has been the commons, wherein inhabitants communally control the multi-faceted conditions that make up their daily reproduction. Emerging from a process of thinking together, The Commonist Horizon features five interventions by movement thinkers. Beginning in the post-Soviet city of Vilnius, the dialogical process stretches outward to two other formerly state-socialist countries, and then beyond. Speaking from their experiences in social movement formations, the authors take up the lived experience of building what might be called urban commons, offering insights on the conceptual and political potentials and limitations of this terminology and associated practices."--

In Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together.In doing so, Isaacson makes the case that this often-maligned genre is in fact a place where oppressed people can understand, navigate and confront an increasingly ugly and horrifying world.Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out, we see how poor women and women of color perform the invisible labor that holds up our society, experiencing domestic work as a kind of possession. In coming of rage films such as Assassination Nation and Teeth, we see the ways social reproduction leads to a futureless horizon. Robbed of their dreams but not their power to resist, these heroines emerge as the monsters and avengers we need.

Joining a long line of speculative writing that helps us to understand worlds not yet existing An Oral History of the New York Commune will appeal to readers of Octavia Butler, Ursula LeGuin, Kim Stanley Robinson, Ian M. Banks, Samuel Delaney, and China Mieville among others.

An encounter between Emory Douglas of the Black Panthers and autonomous Indigenous and Zapatista communities helps us understand the role of revolutionary art in times of distress.

Explores the possibilities and challenges of becoming a comrade in an interconnected world of violence and oppression, showing how an understanding of oneself and others is an essential act of solidarity with struggles for decolonization and justice everywhere.

Drawing on the conceptual anchors of the Black Radical Tradition, How We Stay Free produces a Philly-driven literary mixtape/anthology-in-action

Rooted in an understanding of how the fascist body is constructed, we can develop the collective power to dismember it.Fascist and reactionary populist forces have undeniably swelled in the US in recent years. To effectively counter fascist movements, we need to understand them beyond their most visible and public expressions. To do this, Jack Bratich asserts, we must dig deeper into the psyche and body that gives rise to fascist formations. There we will find microfascism, or the cultural ways in which a fascist understanding of the world is generated from the hatreds that suffuse everyday life.By highlighting the misogyny at fascisms core, we are able to observe a key process in the formation of a fascist body. Recognizing the microfascism behind appeals to recover the past glory of white male subjects created by earlier foundational wars, we see how histories of settler colonialism, genocide, and domination are animating the deadly mission of fascism today. By focusing on the variety of ways the resurgent fascist tendency courts its own destruction (and demands the destruction of others), we can trace how fascism refines and expands the death and annihilation that underpins capitalist, colonial, and patriarchal systems.On Microfascism are far-reaching and unsettling. Still, Bratich insists, the new fascism is not as powerful as its adherents wish us to believe. To defeat it, we must develop and defend a micro-antifascism grounded in the ethics of mutual aid and care in the everyday. Rooted in an understanding of how the fascist body is constructed, we can develop the collective power to dismember it.

In an uprising heard around the world, people in Argentina took to the streets on December 19th & 20th, 2001, shouting ';Que se vayan todos!' These words (All of them out!), and the thousands of people banging pots and pans, opened a period of intense social unrest and political creativity that led to the collapse of government after government. Neighborhoods organized themselves into hundreds of popular assemblies across the country, the unemployed workers movement acquired a new visibility, workers took over factories and businesses. Deeply involved in these movements were the activists who made up Colectivo Situaciones.With the embers of that December's aftermath still burning, Colectivo Situaciones militantly researched and wrote 19 and 20. Locating themselves among the ';horizontally organized subjectivities that insisted on not being represented by politicians but maintaining and developing their own powers of political expression' that Micheal Hardt notes in his introduction, Colectivo Situaciones gathers, interrogates, and offers forth the words of unemployed workers, factory occupiers, insurgent intellectuals, and children of the disappeared. From their investigations is revealed the birth of a new social protagonism and the de-institutional power (potencia) they wield.19 and 20 has been praised as this generation's 18th Brumaire and as Marx's analysis of that struggle helped set the stage for, twenty years later, the Paris Commune we find ourselves here. Revisiting and exploring the forms of counterpower that emerged from the shadow of neoliberal rule we find the book's potencia has only grown. In the intervening years the analysis of Colectivo Situaciones has been passed from hand to hand and multitudes of citizens from different countries have learned their own ways to chant Qu se vayan todos!, from Iceland to Tunisia, from Spain to Greece, from Tahrir Square to Black Lives Matter. Colectivo Situaciones' practice of militant research--of engaging with movements' own thought processes--resonates with everyone seeking to think current events and movements, and through that to gather the foundation of a commune for the 21st century.

We study revolutionary change not simply to understand it. We study revolution to make it.

The global struggles against racism, capitalism, and patriarchy revealed by the Black and Indigneous women and trans communities leading its resistance.

A powerful guide to Indigenous liberation and the fight to save the planet. The Red Deal is both a manifesto for Indigenous liberation and a plan for the future of our planet. Part movement document and part activist handbook, its ultimate goal is not to heal the existing structures, but to present a way forward following the abolition of them.

';This country needs many more books like this one.'Arundhati Roy, author of Walking with the Comrades and The God of Small Things A powerful eyewitness account of life in an Indian prison shows how abolition is necessary to achieve a democratic transformation of society. In May 2007, Arun Ferreira, a democratic rights activist, was picked up at a railway station in western India, detained by the court, and condemned to prison for an expanding list of crimes: criminal conspiracy, murder, possession of arms, and rioting, among others added during his detention. In one of the most notorious prisons in India, Arun Ferreira was constantly abused and tortured. Over the next several years, each of the ten cases slapped against him fell apart. At long last, Ferreira was acquitted of all charges. As he exited the prison, moments away from freedom, he was rearrested by plainclothes police. He never got to glimpse his family waiting for him just outside the prison gates. In stark and riveting detail, Ferreira recounts the horrors he faced in prisontorture, beatings, the general air of hopelessnessand the small consolations that kept hope alivestrikes and solidarity among inmates. His memoir is a timely reminder that across the globe policing and incarceration are institutions in desperate need of being dismantled.

';How can we get free? How can we free ourselves, our communities, our environments, our society? Our present is infused with incredible possibilities for realizing a free association of social individuals, sustainably regulating our relations within nature. Yet the material possibilities for the realization of this freedom remain trapped within a present that summons all available weapons of repression to contain and suppress it';The question of freedom is central to all revolutionary movements. It is at the root of everyday struggles to resist and overcome oppression. Often, the realities we face constrain how we understand this question, so we ask it in pieces. How do we provide for each other? How do we protect, nurture, care, love, create? These questions of survival and perseverance ask how we liberate ourselves from the hardships of enclosure, exploitation, and dependency that are imposed on our minds, bodies, communities, and environments.'By laying bare the mechanisms of capitalism, imperialism, settler colonialism, climate catastrophe, heteropatriarchy, white supremacy, exploitation and dispossesion, and a range of other oppressive structures and countering them with a historical account of revolutionary movements from around the world, Organizing for Autonomy offers a brazen and determined articulation of a world that centers community, love, and justice.With an unparalleled breadth and by synthesizing innumerable sources of revolutionary thought and history, CounterPower presents the result of years of inquiry, struggle, and resistance. Bold, fearless, and radically original, Organizing for Autonomy imagines a decolonized, communist, alternative world order that is free from oppressive structures, state violence, and racial capitalism and helps us to get there.

Take care of yourself. How many times a week do we hear or say these words? If we all took the time to care for ourselves, how much stronger will we be? More importantly how much stronger will our communities be? In Take Care of Your Self, Iraqi artist and curator Sundus Abdul Hadi turns a critical and inventive eye on the notion of self-care, rejecting the idea that self-care means buying stuff and recasting it as a collective practice rooted in the liberation struggles of the oppressed. Throughout, Abdul Hadi explores the role of art in fostering healing for those affected by racism, war, and displacement, weaving in the artwork of twenty-seven artists of color from diverse backgrounds to identify the points where these struggles intersect. In centering the voices of those often relegated to the margins of the art world and emphasizing the imperative to create safe spaces for artists of color to explore their complicated reactions to oppression, Abdul Hadi casts self-care as a political act rooted in the impulse toward self-determination, empowerment, and healing that animates the work of artists of color across the world.

What does an abolitionist world look like? Insights from today's international abolitionist movement reveal a world to win.