Bøger udgivet af COFFEE HOUSE PR

"Bereft after the death of his ailing wife, a retired professor has resumed his life's work -- a book that will stand as a towering cathedral to Michel de Montaigne, reframing the inventor of the essay for the modern age. The challenge is the litany of intrusions that bar his way -- from memories of his past to the nattering of smartphones to his son's relentless desire to make an electronic dance album. As he sifts through the contents of his desk, his thoughts pulsing and receding in a haze of caffeine and grief, ghosts and grievances spill out across the page. From the community college where he toiled in vain to an artists' colony in the Berkshires, from the endless pleasures of coffee to the finer points of Holocaust art, the professor's memories churn with sculptors, poets, painters, and inventors, all obsessed with escaping both mediocrity and themselves. Laced with humor as acrid as it is absurd, Lesser Ruins is a spiraling, raging meditation on ambition, grief, and humanity's ecstatic, agonizing search for meaning through art"--

""These are stories about attempting to outrun time; about trying to remember transfemme pasts; about magic touching everything except the possibility of lasting love." From the beaches of Cyprus to forbidden gardens of discovery to a small town in West Texas, Aurora Mattia weaves dreams of paradises shot through with rot. Her ecstatic, sensuous prose crystallizes into moments of longing and loss, magic and multiplicity-bringing together a cast of spiders, sibyls, angels, and goddesses in vain pursuit of their unnameable selves. Whether traveling ancient shores or struggling to leave her home, each protagonist within this collection is confronted by perils as dense with symbolism as they are laden with joy and despair. Compiled from almost a decade's worth of writing (and rewriting), Unsex Me Here is a dazzling showcase of other worlds near and distant, and the transfemmes who've found-and lost-their way through them"--

“We waited for Word to arrive/ like a messiah in a stagecoach/ or a sheriff riding a thundercloud.”From acclaimed poet Elaine Equi comes her latest provocatively playful collection. “Thoughtful, witty, curious” (The New York Times), Equi’s subversive voice delicately refracts human experiences from the colors of weather to the strange ways we make sense of our bodies, from the emptiness of family homes to the flow of time itself.

""Perhaps tomorrow I will wake up another person. Perhaps tomorrow I will wake up not a person at all." From the "master of literary horror" (GQ) comes a collection of new stories tracing the limits and consequences of artificial intelligence and "post-human" relationships. Populated by twins stepping into worlds of absence, bears who lick their cubs into creation, and artificial beings haunted by their less-than-human nature, each page sketches a world where our all-too-real feelings of isolation and ecological dread take on an otherworldly tinge. In Good Night, Sleep Tight, Brian Evenson deftly weaves ethical dilemmas, maternal warmth, and echoes of apocalypse into his most tender, disquieting book yet"--

"Eight authors' works of personal nonfiction join with ten new stories by Karen Tei Yamashita to illuminate the hidden histories of places large and small. Faced with a scant historical record in her urge to reconstruct the layered past of Santa Cruz, Karen Tei Yamashita turns to fiction set amidst its architecture. Ten stories explore the California city to animate what might have been, to build the fullness of lives forgotten, and to honor their living with story and possibility. Following this impulse into the realm of nonfiction, eight other writers chart their own counternarratives of place through the greater United States. Diverging and converging in their scale and scope, from an unnamed lot on the bank of the Ohio River to the territory of Guam, these works use language as an instrument of excavation, uncovering layers of hurt and desire concealed in the land"--

"In 2019, Justin Phillip Reed's romantic maiden voyage through the waters of American poetry and its communities ran aground in the barrens of Pittsburgh, Pennsylvania, when he found himself with two years of writing time on the horizon and no social context to keep him afloat. In anxiety and estrangement soon deepened by global pandemic, popular fascism, virtual being, intestinal distress, and the obscenity of his own privilege as a university pet, he retreated to the comforts of horror films with no intent but diversion. What happened instead was this reckless, unprecious, in-process reckoning. Backdropped by sprawling cemeteries, soundtracked by too much Type O Negative, and totally hung up on cameras, With Bloom Upon Them and Also with Blood is a chase and a trip where lyric essays, ekphrastic poetry, and lectures grapple with alienation, professional disillusionment, perversion, and internal contradiction under racial capitalism through playful and critical encounters with horror cinema and cultural iconography"--

"In a crime novel that upends all the genre's conventions, a biologist returns to Colombia after fifteen years abroad and quickly becomes entangled in the trappings of his past: a murdered brother, a dealer of beautiful thoughts, a private school where students disappear and girls give birth to strange creatures. A chance encounter with an old acquaintance leads to a job offer and launches an inner conflict full of holes and missteps. Ultimately, he may be destined to remain in the city he'd hoped never to see again"--

"Haunting essays from acclaimed author Laird Hunt balance intimate remembrance with an examination of the writing life. In this new collection of nonfiction from the celebrated author of Zorrie, Laird Hunt uses fiction as an inspiration, a tool, even an obsession, employing its methods to get to the heart of experience. The "sizzling" work of Jane Bowles colors his wanderings through Palermo, while a London museum trip provokes a consideration of taxidermy's storytelling potential, and fairytales blend with echoes of W. G. Sebald, Willa Cather, and Lâaszlâo Krasznahorkai. From intrigue at the United Nations to a broken-down car in Nebraska, from the history of denim to the dangerous games of childhood, This Wide Terraqueous World leads readers down the winding paths of memory as Hunt examines his subjects in razor-sharp prose both eerily spare and richly evocative"--

An elegant novel with a strong sense of storytelling and delightful eccentricities of form, such as the use of emails, poems, letters, diary entries, and descriptions of artworks embedded within the traditional prose. The writing throughout is fluid and engrossing, making it a very entertaining read.The Spanish edition of Bilbao–New York–Bilbao has sold over 100,000 copies and won Spain’s National Literature Award.Spiritual cousin to Noemi Lefebvre’s Blue Self-Portrait. Perfect for readers of autofiction like Ocean Vuong’s On Earth We’re Briefly Gorgeous, and for fans of Rachel Cusk and Olga Tokarczuk.Second volume in Coffee House’s Spatial Species series, with series branding and elegant french flaps. Includes introduction by series editor Youmna Chlala.

"It's the late 1980s, and Matthew Carnap is awake most nights, afflicted by a potent combination of insomnia and undiagnosed ADHD. Sometimes he gazes out his bedroom window into the dark; sometimes he wanders the streets of his small southern Minnesota town. But more often than not, he crosses the hall into his stepfather Russ's roller rink to spend the sleepless hours lost in music. Russ's record collection is as eclectic as it is extensive, and he and Matthew bond over discovering new tunes and spinning perfect skate mixes. Then Matthew's mother divorces Russ; they move; the roller rink closes; the twenty-first century arrives. Years later, an isolated, restless Matthew moves back to his hometown. From an unusual apartment in the pressbox of the high school football stadium, he searches his memories, looking for something that might reconnect him with Russ. With humor and empathy, Brad Zellar (House of Coates) returns with a discursive, lo-fi novel about rural Midwestern life, nostalgia, neurodiversity, masculinity, and family-with a built-in soundtrack"--

"Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiâerrez's debut essay collection ... gleans insight from the sediment of land and relationships. For Gutiâerrez, terrain is essential to understanding that no story, no matter how personal, is separate from the space where it unfolds. Whether contemplating the value of adobe as both vernacular architecture and commodified art object, highlighting areas of transphobia among lesbians and feminists, or recalling how one of their own romances unraveled, Gutiâerrez traverses complex questions of gender, class, identity, and citizenship with curiosity and nuance"--

Who is guest, and who is host? Adoption, Antigone, zombies, clones, and minotaurs—all building blocks, forming and reforming our ideas.

Music, war, and imperial ambition touch three lives in this intricately woven story.

As World War II began, not only were Japanese Americans herded into internment camps, the young men were then drafted. But at Heart Mountain, a group of resisters drew the line - they refused to comply, on constitutional grounds - and wound up in federal prison. As the author contemplates a simple line drawing of the Heart Mountain camp, he revisits this moment of history with pain, pride, and thoughtful historical perspective. In a section about Japanese American life, Inada pays tribute to his elders, and delights in the detail of the day-to-day. His love for the landscape of Oregon is realized in poems that smell of pine and sparkle like a mountain stream. This is a rich, varied collection of poems brimming with hope, nourished by the wisdom of the past, alive with the electricity of the moment.