Bøger udgivet af Clemson University Press

The T. S. Eliot Studies Annual is the leading venue for the critical reassessment of Eliot's life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot's work as a poet, critic, playwright, or editor. This Waste Land centenary volume of the Annual appears at a crossroads in Eliot studies. In recent years, editions of his prose, annotated poems, and letters have vastly expanded what we know about Eliot, his life, oeuvre, composition practices, and circle of acquaintances. Further, in January 2020, over one thousand letters by the poet to his muse Emily Hale were opened at Princeton University Library, where they had been sealed when Hale donated them in 1956. Articles re-examine the Waste Land in light of these new insights, as well as looking at drama and performance, and Eliot and Europe. John D. Morgenstern, General Editor Editorial Advisory Board: Ronald Bush, University of OxfordDavid E. Chinitz, Loyola University ChicagoAnthony Cuda, University of North Carolina-GreensboroRobert Crawford, University of St AndrewsFrances Dickey, University of MissouriJohn Haffenden, University of SheffieldBenjamin G. Lockerd, Grand Valley State UniversityGail McDonald, Goldsmiths, University of LondonGabrielle McIntire, Queen's UniversityJahan Ramazani, University of VirginiaChristopher Ricks, Boston UniversityRonald Schuchard, Emory UniversityVincent Sherry, Washington University at St. Louis

From the opening poem of Lisa Hase-Jackson's impactful collection, Insomnia in Another Town, we learn that "There is no small grief...all are interconnected." These poems, cloaked in memory and the unmaking and re-making of family, travel us through the harvest of a poet's life. Like the farms she made grow, this book tills the soil of a human soul and all the many experiences that make it. In pantoums, free verse, and prose poems, Hase-Jackson demonstrates the way that every lived experience weaves into a root system that bears unique fruit, singular as our heartbeats, our winding fingerprints.-Ashley M. Jones, poet laureate of Alabama

Global Trespassers explores contemporary representations of minoritised migrants permitted to remain in the Global North. With reference to three domains where 'good immigrants' are readily sanctioned -- the adoptive family, the sporting arena, the world city -- McLeod critically assesses how imaginative acts of trespassing can traverse the boundaries of such sanctioning.

The alliterative poem St Erkenwald, long associated with the Gawain-Poet, is here presented in a new critical edition designed to offer maximum support for the general reader, as well as to provide fresh insights for the specialist. The text is accompanied by a close translation and an extensive commentary and glossary.

Diverse and distinctive voices in the wake of the murder of George Floyd and the toppling of the Colston statue in Bristol. Timely commentaries, insights and experiences in the memoryscape enriching and transforming an uncomfortable heritage through empathy and creativity. Multiple perspectives from academics, artists, activists and heritage professionals, contribute ideas and strategies towards re-telling obscured stories and getting unheard voices heard.

Taking inspiration from a police informer's comment that his workmates had gone "Spain mad?" in response to the Spanish Civil War, this book uses biographical studies to explore the nature of British engagement with the conflict.

A new edition of this famous work provides a Latin text and a new English translation of all of Cicero's De re publica, accompanied by a detailed introduction and commentary. This material enables a new appreciation of De re publica, an influential work in the history of political thought and important for understanding Cicero's development as a writer and politician.

How to escape this world, this body? How can one invent a world parallel to this one? How do language and literature strive for a heterotopia that empties out the world and replaces it with words? From the mass graves of the First World War to transhumanist utopias, from Louis-Ferdinand Céline to Michel Houellebecq, Out of This World focuses on the modern and postmodern vexed relation to the world, body, and Creation, a major theme in gnostic metaphysical rebellion.

The first annotated, critical edition and English translation of three key texts in the history of women's writing: Sor Juana's Crisis sobre un sermón (or Carta atenagórica, 1690), Respuesta (1691), and Fernández de Santa Cruz's Carta de sor Filotea (1690). Includes a comprehensive introduction, commented textual variants and extensive notes.

Animate(d) Architecture is an edited volume that examines animation from a spatial lens. It offers an interdisciplinary approach to survey the role of space animation, including in creating humorous moments in early cartoon shorts, generating action and suspense in Japanese anime, and even stimulating erotic pleasure in pornographic Hentai.

A lyrical biography of a bird and a fragmented study of a flawed and mutable creature bearing its name, Hannah Copley's Lapwing migrates across voices and blurs the divide between bird and human, self and other to explore restlessness, addiction, and ecological and personal grief.

This book plays with love and longing; showing us what fire can destroy, and what fire can illuminate, as love, like fire, is an energy that can never really be extinguished only transformed allowing our hearts to ignite on repeat with more chances to burn wherever we chose to land.

Feeling all the kills is a dazzling and ruthless series of poems where the physicality and rawness of the moment lives and breathes. Here is a collection of burning defiance - self-enquiring and brilliant, Calcutt reveals herself as a unique and critical voice on issues of sexual identity and womanhood.

This volume focuses on the migration and acculturation of images in Jewish culture and how that reflects intercultural exchange. Gender aspects of Jewish art are also highlighted, as is the role of images in interreligious encounters. Other topics covered include the history, codicology, and iconography of a Haggadah produced in the late fifteenth century.

Otherwise I Forget is is a delightful panoramic view of contemporary France. A selection of 'found' shopping lists spawns imagined insights into the lives and minds of their authors. The first of her works to be translated into English, this is a wonderful introduction to this highly original writer's work.

The Robert Frost Review is a peer-reviewed annual publication of the Robert Frost Society, which was founded in 1978 to promote scholarlydiscussion of the poet's life and work. The Review is committed to publishing high quality scholarship in all areas of study related to Frost,including pedagogical approaches for all educational settings. It is also interested in international perspectives on Frost and articles related totranslations of his work. In addition to scholarly articles, the Review also features short notes, book reviews, descriptions of encounterswith the poet, historical and biographical features, and commissioned work on special topics. Each issue includes a bibliography of recentFrost-related publications and dissertations.

Prompted by the occasion of a gala poetry reading atthe University of Salamanca, Spain, in July 2019, this anthology is the firstof its kind to comprise Anglophone and Spanish speaking poets breathing lifeinto the multifarious poetic legacy of the poet Ezra Pound. Although Pound'sinfluence on diverse Anglo-American poets is well-known, this collectionfurther reveals his lesser known, yet equally vital impact on the Spanishspeaking world, which has been immense. A bilingual anthology, it includes 29poets, 13 of whom write in Spanish and 16 of whom are Anglophone. In recentdecades, the Ezra Pound International Conferences taking place worldwide havefeatured poetry readings in what has become by a well-known tradition. InSalamanca, poets of older and younger generations from five continents paidtribute to Pound, with selections from their work now available in this volume.The anthology includes poems by the Spanish Novisimos poets (?The NewestOnes?), considered in Spain Pound's direct poetic heirs, such as AntonioColinas, Jaime Siles, Luis Alberto de Cuenca, and José María Álvarez, but also includedhere are poems by Jorge Guillén from the Generation of '27, as well as SpanishAmerican poets such as Ernesto Cardenal, Gonzalo Rojas Pizarro, Julián Herbert,and Jeannette Lozano Clariond; also represented are poets of a youngergeneration: Jordi Doce, Juan Antonio González-Iglesias, MªÁngeles PérezLópez, and Natalia Carbajosa.At the reading in Salamanca, the Anglophone poets, includingmany devoted Poundians among them, also offered a robust contribution. Still,in concert with their Spanish-speaking counterparts, these poets have alsorecreated the Spanish world in unusual ways, each reflecting a different,illuminating dimension of Pound's sensibility. Celebrated Anglophone poets presenthere include David Cappella, John Gery, Patrizia de Rachewiltz, Tony Lopez, RonSmith, Clive Wilmer, Paul Scott Derrick, Jeff Grieneisen and Silvia Falsaperla,together with distinguished scholars such as David Moody, Alec Marsh, and JohnBeall, as well as promising voices of a new generation: Rhett Forman, Justin Kishbaugh, Chengru He,and Sean Mark.______Esta antología, la primera que reúne a poetas anglófonose hispanohablantes, nació a raíz de un recital de poesía celebrado en laUniversidad de Salamanca en julio de 2019, con el propósito de infundir nuevavida al valioso legado poético del poeta Ezra Pound. Si bien su influencia enla tradición angloamericana es indiscutible, esta antología revela la inmensahuella, menos conocida, aunque igualmente vital de Pound en los poetas delmundo hispano. Se trata por tanto de una colección bilingüe que incluye29 poetas, de los cuales 13 escriben en español y 16 en inglés. En las últimasdécadas, los congresos internacionales dedicados a la obra de Ezra Pound,&am

An illustrated dictionary providing comprehensive biographical and artistic information about all the ship portraitists and marine artists who worked in and around the port of Liverpool from the late eighteenth century until the present day.

In Mozambique and Guinea, the Portuguese colonial administration had to deal with Muslimcommunities of significant population expression and whose internal cultural differentiationspresented a complexity to which the administrative power was often unprepared.

A unique intersection between periodical and literary scholarship, and class and gender history, this book showcases a brand-new approach to surveying a popular domestic magazine. Reading Woman's Weekly alongside titles including Good Housekeeping, My Weekly, Peg's Paper and Woman's Own, and works by authors including Dot Allan, E.M. Delafield, George Orwell and J.B. Priestley, it positions the publication within both the contemporary magazine market and the field of literature more broadly, redrawing the parameters of that field as it approaches the domestic magazine as a literary genre in its own right. Between 1918 and 1958, Woman's Weekly targeted a lower middle-class readership: broadly, housewives and unmarried clerical workers on low incomes, who viewed or aspired to view themselves as middle-class. Examining the magazine's distinctively lower middle-class treatment of issues including the First World War's impact on gender, the status of housewives and working women, women's contribution to the Second World War effort, and Britain's post-war economic and social recovery, this book supplies fresh and challenging insights into lower middle-class culture, during a period in which Britain's lower middle classes were gaining prominence, and middle-class lifestyles were undergoing rapid and radical change.