Bøger udgivet af Bucknell University Press,U.S.

Offers readers a firsthand account of the life of Emma Alderson, an otherwise unexceptional English immigrant on the Ohio frontier in mid-nineteenth-century America, who documented the five years preceding her death with astonishing detail and insight.

The study and reception of Samuel Johnson's work has long been embedded in Japanese literary culture. The essays in this collection reflect that history and influence, underscoring the richness of Johnson scholarship in Japan, while exploring broader conditions in Japanese academia today.

The study and reception of Samuel Johnson's work has long been embedded in Japanese literary culture. The essays in this collection reflect that history and influence, underscoring the richness of Johnson scholarship in Japan, while exploring broader conditions in Japanese academia today.

The historical novels of Manuel Zapata Olivella and Ana Maria Goncalves map black journeys from Africa to the Americas in a way that challenges the Black Atlantic paradigm that has become synonymous with cosmopolitan African diaspora studies.

The first book-length work to explore how the modern discourse of play was first shaped during the period between 1770 and 1830. The eleven chapters illuminate critical developments in the philosophy, pedagogy, psychology, politics, and poetics of play as evident in the work of major authors of the period.

In post-Franco Spain the artist novel began to proliferate for the first time in a century, but these novels have received little critical attention. This book studies a selection of authors whose largely realist novels portray a clash between the myth of artistic freedom and artists' willing recruitment by market forces or political influence.

Illuminates the poetic interactions between Octavio Paz (1914-1998) and Haroldo de Campos (1929-2003) from three perspectives - comparative, theoretical, and performative. The book offers a discussion of the role of poetry and translation from a global perspective.

Unearths a performance history, on and off the stage, of Restoration libertine drama in Britain's eighteenth and early nineteenth centuries. Daniel Gustafson traces libertine drama's persistent appeal for writers and performers wrestling with the powers of the emergent liberal subject and the tensions of that subject with sovereign absolutism.

Explores how the modern discourse of play was first shaped during this pivotal period (approximately 1770-1830). The eleven chapters illuminate critical developments in the philosophy, pedagogy, psychology, politics, and poetics of play as evident in the work of major authors of the period including Lessing, Goethe, Kant, and Schiller.

Explores death and its relics as they appear within the confines of the eighteenth-century British novel. The book argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity's newfound soul found expression in fictional representations of the relic (object) or relict (person).

A deep dread of puppets and the machinery that propels them surfaced in Romantic literature in the late eighteenth and early nineteenth century. This book is a collection of essays examining the rise of cultural suspicion of all imitations of homo sapiens and similar machinery, as witnessed in the literature and arts of the time.

A deep dread of puppets and the machinery that propels them surfaced in Romantic literature in the late eighteenth and early nineteenth century. This book is a collection of essays examining the rise of cultural suspicion of all imitations of homo sapiens and similar machinery, as witnessed in the literature and arts of the time.

Argues that Scottish poetry in the age of Burns reclaims not a single past, dominated and overwritten by the unitary national language of an elite ruling class, but a past that conceptualizes the Scottish nation in terms of local self-identification, linguistic multiplicity, cultural and religious difference, and transnational affiliations.

Investigates the local textures that make up the whole cloth of the Enlightenment. Ranging from China to Cheltenham and from Spinoza to civil insurrection, volume 25 celebrates the emergence of long-eighteenth-century culture from particularities and prodigies.

Traces the migration of tragicomedy, the comedy of manners, and melodrama from the stage to the novel, offering a dramatic new approach to the history of the English novel that examines how the collaboration of genres contributed to the novel's narrative form and to the modern organization of literature.

A fascinating portrait of a unique book, its context, and its author. Joseph Forsyth, travelling through an Italy plundered by Napoleon, was unjustly imprisoned in 1803 by the French as an enemy alien. Out of his arduous eleven-year "detention" came his only book, Remarks on Antiquities, Arts, and Letters during an Excursion in Italy.

These essays reflect on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities.

These essays reflect on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities.

Robinson Crusoe, has been an international bestseller for three hundred years. This edition of the novel with its introduction, line notes, and full bibliographical notes provides a uniquely scholarly presentation of the novel.

Drawing on original contributions of four major voices in the Spanish lyric of today, Judith Nantell investigates the epistemic poetry of Luis Munoz, Abraham Gragera, Josep M. Rodriguez, and Ada Salas, arguing that, for them, the poem is the fundamental means of exploring the nature of both knowledge and poetry.

In The Memory Sessions, Suzanne Farrell Smith attempts to excavate lost childhood memories. The result is an experimental memoir that upends our understanding of the genre. Rather than recount a childhood, The Memory Sessions attempts to create one from research, archives, imagination, and the memories of others.

Using close readings of literary texts, diaries, letters, newspapers, political essays, and travel narratives produced by writers from Greater Mexico, this book brings to light the forgotten imaginings of how elite Mexicans and Mexican Americans defined themselves and their relationship with Spain, Mexico, and the US in the nineteenth century.

Offers an annotated selection of literature from authors who focus on the natural world and the beauty of Ireland. The anthology begins with the Irish monks and their largely anonymous nature poetry, moves on to the nature literature of the Irish Literary Revival, and concludes with a section on Irish naturalist writers.

Offers an annotated selection of literature from authors who focus on the natural world and the beauty of Ireland. The anthology begins with the Irish monks and their largely anonymous nature poetry, moves on to the nature literature of the Irish Literary Revival, and concludes with a section on Irish naturalist writers.

Emmanuel Levinas's voice is crucial to the resurging global attention to ethics because he grapples with the quintessential problem of alterity or "otherness", which he conceptualizes as the articulation of, and prior responsibility to, difference in relation to the competing movement toward sameness.

Anchoring her work in archival sources in film technology, economy, and education, Naida Garcia-Crespo argues that Puerto Rico's position as a stateless nation allows for a fresh understanding of national cinema based on perceptions of productive cultural contributions rather than on citizenship or state structures.

Examines the significant role that disability plays in shaping the British literary history of sexuality. Jason Farr shows that various eighteenth-century novelists represent disability and sexuality in flexible ways to reconfigure the political and social landscapes of eighteenth-century Britain.

Offers a new understanding of Islam in eighteenth-century Britain. Samara Cahill explores two overlapping strands of thinking about women and Islam, which produce the phenomenon of "feminist orientalism".

In bringing together Austen and comedy, which are both often dismissed as superfluous or irrelevant to a contemporary world, this collection of essays directs attention to the ways we laugh, the ways that Austen may make us do so, and the ways that our laughter is conditioned by the form in which Austen writes: comedy.

Goethe is the most famous German author, and the poetic drama Faust, Part I (1808) is his best-known work. Eugene Stelzig's new translation renders the text of the play in clear and crisp English for a contemporary audience and brings to light Faust's almost inexhaustible, mysterious, and enchanting poetic and cultural power.