Bøger udgivet af Broken Sleep Books

In Speculum, Hannah Copley considers the difficult history of the female body. Mirroring the title object used for centuries by gynaecologists, the poems uncover the hidden lives behind scientific progress. From the enslaved women exploited in the name of invention to the anonymous residents of mother and baby homes, Copley navigates personal, historical and forgotten legacies with equal exactitude and tenderness. Speculum is not only important as a feminist text, but its poetry is immaculate; a virtuosic first collection.

Leia Butler's Tear and Share is a poetic experience, tearing into themes of separation and distance in a covid landscape. In this poetically-interactive pamphlet readers are encouraged to rip out the pages as part of a therapeutic process to take back control over the difficult times we are currently living in. Readers have the authority to rip out and di whatever they want with the pages: burn them, tear them into pieces, share them/mail them to/with a friend. Regardless, however you decided to engage with Tear and Share, this pamphlet will ensure the loneliness we all feel in current times is shared and acknowledged in some way.

Aaron Kent's My Glorious Sundays is both an examination of the career of one of the UK's most dynamic bands, and the soundtrack to Kent's life as told through The Glorious Sunday's discography. A searing, emotional, and distinctly honest read sees Kent discuss his own history of abuse, violence, and suicidal tendencies alongside a deep dive into The Glorious Sundays., while also demonstrating the power of love and therapy.

Anthology of the best releases from Broken Sleep Books 2020. This includes work from every author published in 2020 by Broken Sleep Books, and forms a beautiful collection of poetry and non-fiction. Each year will see an anthology produced by Broken Sleep Books, to demonstrate the quality of work of those published by the press.

Cat Chong's Plain Air: An Apology in Transit is a pamphlet in flux, a diary like inner-monologue without a single full stop, charting the speaker's journeys from A to B yet evoking a bigger change, as the speaker leaves behind student life and wanders into the wider world. 'Plain Air...' contains meditations on disability, opioid use, carbon emissions, food waste and veganism backdropped by extinction rebellion protests and the songs of Oh Wonder. It's a pamphlet of quiet courage, resonant and resolutely rooted in the now.

Kat Payne Ware's THE LIVE ALBUM is a prime slab of poetry about pigs. The first side focuses on pork products, featuring ravishing cuts such as 'BACON', 'BELLY' and 'LOIN'. In the second side Payne Ware's poems grapple with the automation and mechanical production of the meat industry, highlighting its impersonality through playful use of form and intense language. THE LIVE ALBUM is an auspicious debut, one to sink your teeth into.

Roisin Dunnett's Animal, Vegetable is a subversive pamphlet of short stories, exploring metamorphosis, sexuality and the future of intimacy. Animal, Vegetable exists in a queered universe where these unusual and striking stories take place: glancing sideways at accepted social and physical realities. One character imagines an affair with an octopus, another falls in love with a meme while a third has a visceral confrontation with the inside of her own body. Dunnett adopts a vivid colour palette in her work, building contemporary fables in new forms.

In Jack Warren's debut pamphlet Rude Mechanical, the poems sing with the rhythm and cadences of working life. Warren's poetry moves from the factory to the pub 'searching for a moment's weary epiphany' or find him staring at the stars in 'the serenity of a cigarette break'. In Rude Mechanical, Warren looks to the role of art, literature and labour in our lives, the value of the natural world, and in an extended sequence on a long-distance relationship, he writes lyrically of falling and remaining in love.

Jessica Mookherjee's Play Lists is a collection of poetry dripping with nostalgia for a time when love was a name on a pencil case, rock and roll meant everything and the world seemed so much wider. Mookherjee's poems are bedazzled with glossy and alluring figures; Bowie, Bryan Ferry and Iggy Pop all feature as Mookherjee grows from school crushes, first dates and small town escapism to the excitement of being a young adult in London. Play Lists is an absorbing and tender stroll through the golden years.

Through the precession of simulacra, we have arrived at a landscape of e-girls and sad boys, the aesthetic values of our time transposed onto the ecstatic communications of the hyperreal. Through Baudrillardian analysis, Alex Mazey attempts to trace a genealogy of Sad Boy Aesthetics, charting its earliest occurrences to progenitors like Yung Lean and Bladee, before moving towards more connective and investigational readings of Lil Peep.

Day Mattar's Springing from the Pews is an explosive pamphlet which explores an episode of sexual violence through a verse play interwoven with confessions and journal entries. Mattar's poetry is eloquent, with a dark intensity underlying the sugary surface, with echoes of Frank O'Hara and Sharon Olds. A breathtaking read, Mattar's splenetic energy gushes out like water from a fire hydrant.

Video games and poetry are unlikely bedfellows, if video games are one of the most popular imaginative forms in contemporary culture, then poetry [real poetry as apposed to the kind you find by the sad flowers in service stations] could be one of the most neglected. Hit Point Red, edited by Aaron Kent and Matthew Haigh, shows where these two disparate worlds meet and how good they are for each other. Featuring a selection of the finest voices in contemporary poetry, Hit Point Red will have you gripped until game over.

Video games and poetry are unlikely bedfellows, if video games are one of the most popular imaginative forms in contemporary culture, then poetry [real poetry as apposed to the kind you find by the sad flowers in service stations] could be one of the most neglected. Hit Point Green, edited by Matthew Haigh and Aaron Kent, shows where these two disparate worlds meet and how good they are for each other. Featuring a selection of the finest voices in contemporary poetry, Hit Point Green will have you gripped until game over.

From dogs to curlews, sheep to people, the animals we live with tell us much about ourselves. In these stories, set in the bleak and eerie landscape of the Yorkshire Pennines, domestic struggles collide with the wild as humans fight for control - often making a bargain with the devil. These stories are well written, with an elegant style. The characters are believable and fully formed, as Hildyard inhabits the different voices throughout.

Alessandrelli's wry, intelligent poems are relentlessly grounded in the hyperreal of our fast-paced technological present and yet they are supremely successful in finding heartfelt lyricism where one might not expect to find it. Nothing of the Month Club packs a punch - and delivers.-- André Naffis-Sahely

Adrian Earle - We Are Always and Forever EndingRelease Date: July 31st 2021Page count: 99 pagesReleased by Broken Sleep Books

Jon Stone's Unravelanche is made up of 'snowstorm poems', swirling collages of fragmented text taken from a rich range of literary sources, from well-known rebellious figures such as D. H. Lawrence and Kurt Vonnegut to harder to find references, taking in comic books, films, and philosophical works. The poems are beautiful, like libraries trapped in ice, their words 'retain a powerful attraction to one another, forming sentences as they settle on the ground.'

Razielle Aigen's Dreamlands is a pamphlet with a deep interest in the subconscious, the natural world and the beauty of these spaces. Through her poetry Aigen explores the gap between the tangible and intangible, like the famous Taoist parable, Aigen could be a butterfly dreaming she is a poet or a poet dreaming she is a butterfly. Where do our dreams end and where does reality begin? We don't always need an answer, in Dreamlands, it is enough to have asked the question.

In Valour Emma Hammond explores how modern life obstructs who we are and the challenges we go through which separate or unite us, in the fight against conformity. Hammond keeps her kookiness close to her chest, constructing levels of invisible resistance. Valour is a poetry collection which silences labels in search of the peace that exists outside of regulated space.

Light Glyphs is a series of interviews with filmmakers on poetry, and poets on film. Featuring interviewees such as John Ashbery, Iain Sinclair, Lisa Samuels, and Guy Maddin, this intriguing set of interviews delves into the connections and shared interests of creatives behind the camera, and holding the pen. Light Glyphs seeks to explore 'ways of thinking, writing and seeing opened to new and changing possibilities [...] or in where the light escapes and how it obscures, in what is missing from the frame or smudging the lens.'

The poems in Annie Muir's New Year's Eve reverberate with rawness and truth, familiar themes of love, family relations and loneliness are reexamined by Muir, creating poems of a lived intensity and sparkling freshness. Muir is a poet who insists on never growing old, instead she 'just keeps starting again from scratch', so that each poem is a new dawn, a new year, a chance to be reborn.

To say that SJ Fowler's Come and See the Songs of Strange Days is a poetic encyclopaedia of film would be right but falls short of describing its true nature. From an authorship marked by poetic skill and genius insanity, this book covers a range of avantgarde methodology without parallel in the British literary tradition. At times aberrant, at times playful, it overlaps cinema and language, combining lyricism with abstract visual commentary, and thriving on that which defies description. The films include American blockbusters and European arthouse, obscure documentary and all-time classics. It is a book that offers much, whether or not you like film, and whether or not you like poetry

Collected Pamphlets collects together 10 published pamphlets, and 2 previously unpublished pamphlets by working-class writer Aaron Kent. The book demonstrates the range of his poetics through experimental, lyrical, and political pamphlets. Collected Pamphlets showcases why JH Prynne called Kent's poetry 'unicorn flavoured.'

Stravaig: A fiction for voices is a rewrite of Samuel Beckett's great radio play All That Fall, set in rural Aberdeenshire. Where Beckett's text is about two old people and the spectre of death, David Wheatley's text inverts the source material, centering it on two parents with young children. Stravaig, in remarkable style, presents certain obscurities to the reader, such as words or sentences in Scots, and discussion of matters Gaelic. This is a gem of a playscript and a truly sublime book.

Lucy Harvest Clarke's poems move subtly between the world at hand and her own secret world. Armed with a mix of delicate rhythms and arresting variations, each poem feels mysterious, like an unexplained magic trick, always keeping the audience guessing. A Light Worker is a compelling, enigmatic collection which rewards repeated reading.

Cathleen Allyn Conway's American Ingénue is a pamphlet of found poems cut from Bret Easton Ellis novels and Francine Pascal's Sweet Valley High series. Conway transforms her unlikely source material into giddy, irreverent and violent episodes which centre around a 'damaged party girl' wandering 'the wreckage of New York'. American Ingénue is a dazzling and delightful pamphlet which takes the found poem to new, vertiginous heights.