Bøger udgivet af Brain Mill Press

“As with the best writing, I found myself simultaneously devastated and soothed, satiated and hungry for more.”--Susanna Childress, author of Entering the House of Awe TANKA & ME is a visceral, pleading, and fierce collection of poems, underpinned with thudding vessels and satisfying wreckage. Kaethe Schwehn externalizes the overlooked power of women into a multidimensional character who hunts both the speaker and the reader. Our wild Tanka engages down deep with role-play, sex, prayer, and refusal until we can’t look away or stay quiet. These are love poems, but they love with claws and whiskey, bolt cutters and saws. You can love someone for a long time without knowing how, our speaker realizes, and Tanka prowls and preens and breaks us down until we know how to love ourselves, how to know ourselves, how to free ourselves. TANKA & ME is feminist poetry with muscle, bones, and heart. “Meet Tanka, the girlish/ghoulish spirit at the heart of Kaethe Schwehn’s marvelous TANKA & ME. She’s ‘all ears and a liver,’' knows extraordinary things, has a boyfriend named Briar and poignant adventures in grief, but her penchant for detail, at once hilarious and harrowing, is all Kaethe Schwehn.”--Leslie Adrienne Miller, author of Y

My Seaborgium sings songs of loss and growth, motherhood and viscera, elements and experience, with love and relatable grace. “I'll tell you the story,” the opening poem coos, “of how / I rolled around in a mail truck full of other / people's letters, I was that happy / to be your mother.” This speaker guides us into her expectant waiting, calling on insight from what she knows of her parents, what she thought she knew about her body, fables and gods. She asks all of these potential sources of wisdom to attend to her as forty weeks go by and she tries to detach because “it makes birth manageable,” even as she tests her nipples “to see if they lift / away from the breast” while “standing on a mountain / and trying to spot a suitcase on the ground below.” My Seaborgium travels toward motherhood from before, during, and after the experiences of pregnancy and birth, as the speaker imagines the thickening of her infant’s fur and readies “for the bloody show.” The only wisdom she gleans from her passage is the live and atomic feeling that arrives for a child whom she tells to “be your element’s namesake / and alive, know it. My Seaborgium.” This is a book fat with heavy and wild love. Named a 2015 Best New Poet, Alicia Rebecca Myers is multiply published in prominent journals and magazines and has been the recipient of a Kimmel Harding Nelson Center for the Arts residency. “The poems of My Seaborgium utilize metaphor in an attempt to account for the beauty that emerges from our moments of greatest grief. . . . Even through the pain, Myers’s speaker struggles to pay attention, to unfold that pain in ways that feel particular and personal.”--Kiki Petrosino, author of Hymn for the Black Terrific