Bøger udgivet af Book*hug

The experience of motherhood is monumental, yet rarely discussed in connection with literary or creative life. How do we navigate the twin devotions of love and art? How does motherhood disrupt the creative process? How does it enhance it?Good Mom on Paper is a collection of twenty essays that goes beyond the clichés to explore the fraught, beautiful, and complicated relationship between motherhood and creativity. These texts disclose the often-invisible challenges of a literary life with little ones: the manuscript written with a baby sleeping in a carrier, missing a book launch for a bedtime, crafting a promotional tour around child care. But they also celebrate the systems that nurture writers who are mothers; the successes; the intricate, interconnected joys of these roles.Honest and intimate, critical and hopeful, this collection offers solace and joy to creative mothers and asks how we can better support their work. Mothers have long been telling each other these vital stories in private. Good Mom on Paper makes them available to everyone who needs them.With contributions by Heather O'Neill, Lee Maracle, Jael Richardson, Carrie Snyder, Alison Pick, Meaghan Strimas, Sofia Mostaghimi, Rachel Giese, Lorri Neilsen Glenn, Erin Wunker, Jónína Kirton, Jennifer Whiteford, Teresa Wong, Nikkya Hargrove, S. Lesley Buxton, Amber Riaz, Adelle Purdham, Harriet Alida Lye, and Kellee Ngan.A portion of each sale will be donated to the Mothers Matter Centre: a not-for-profit organization dedicated to empowering isolated, at-risk mothers.

A story of identity, connection and forgiveness, A Convergence of Solitudes shares the lives of two families across Partition of India, Operation Babylift in Vietnam, and two referendums in Quebec.Sunil and Hima, teenage lovers, bravely defy taboos in pre-Partition India to come together as their country divides in two. They move across the world to Montreal and raise a family, but Sunil shows symptoms of schizophrenia, shattering their newfound peace. As a teenager, their daughter Rani becomes obsessed with Quebecois supergroup Sensibilité--and, in particular, the band's charismatic, nationalistic frontman, Serge Giglio--whose music connects Rani to the province's struggle for cultural freedom. A chance encounter leads Rani to babysit Mélanie, Serge's adopted daughter from Vietnam, bringing her fleetingly within his inner circle.Years later, Rani, now a college guidance counselor, discovers that Mélanie has booked an appointment to discuss her future at the school. Unmoved by her father's staunch patriotism and her British mother's bourgeois ways, Mélanie is struggling with deep uncertainty about her identity and belonging. As the two women's lives become more and more intertwined, Rani's fascination with Mélanie's father's music becomes a strange shadow amidst their friendship.

Expansive and enveloping, Webb-Campbell's collection asks, "Who am I in relation to the moon?" These poems explore the primordial connections between love, grief, and water, structured within the lunar calendar. The poetics follow rhythms of the body, the tides, the moon, and long, deep familial relationships that are both personal and ancestral. Originating from Webb-Campbell's deep grief of losing her mother, Lunar Tides charts the arc to finding her again in the waves. Written from a mixed Mi'kmaq/settler perspective, this work also explores the legacies of colonialism, kinship and Indigenous resurgence.Lunar Tides is the ocean floor and a moonlit night: full of possibility and fundamental connections.Praise for Lunar Tides"In Lunar Tides, Shannon Webb-Campbell exposes a heart that's broken but also carried across the gulf between the moon and the sea, a heart that knows how "grief takes up with the body." She shows us that grief is tidal, its ebb and flow pulsing like the moon and dog-earring our memories. This book reminds us that, grieving or not, we "need to be held by something other than a theory." --Douglas Walbourne-Gough, author of Crow Gulch"Lunar Tides is both expansive and exacting, inviting us to feel our own relationship to the ocean, belonging and mortality." --Shalan Joudry, author of Walking Ground

Imminent Domains: Reckoning with the Anthropocene invites readers to join a contemplation of survival--our own, and that of the elements that surround us. Using research, lyric prose, and first-hand experiences, Alessandra Naccarato addresses fundamental questions about our modern relationship to nature amidst depictions of landscapes undergoing dramatic transformation.We trace the veins of harm, memory and meaning amongst ecosystems and bioregions; through history and across continents, from the mines of Cerro Rico to the ruins of Pompeii. Arranged by five central elements of survival--earth, fire, water, air and spirit--these essays refute linearity, just as nature does.Naccarato offers not blanket answers about our future, but rather myriad ways to find our own, individual response to an imminent question. We are being called to work together; to dig a trench deep and wide enough that the fires around us might stay at bay. How do we turn towards the fire?

Poetry. Lisa Robertson's latest book of poetry is a work that will be both familiar and fresh to anyone who has read her acclaimed work. THE MEN explores a territory between the poet and a lyric lineage among men. Following a tradition that includes Petrarch's Sonnets, Dante's work on the vernacular, Montaigne, and even Kant, Robertson is compelled towards the construction of the textual subjectivity these authors convey-a subjectivity that honors all the ambivalence, doubt and tenderness of the human. Yet she remains angered by the structure of gender these works advance, and it is this troubled texture of identity that she examines in THE MEN. At once intimate and oblique, humorous and heartbreaking, composed and furious, THE MEN seeks to defamiliarize both who, and what, men are. "In THE MEN, as in much of her work, Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture"--Village Voice. "Robertson writes both from within and against the tradition-splitting, seeding, and suturing the cracks in each ideational edifice.... Her occupations with past forms lead not to a backward-looking poetry but forward to a fresh field of inquiry, an imaginatively created utopia"--Boston Review.

Set in the 90s, alternating between the storied quads of Oxford University and the dank recesses of London pubs given over to public displays of queer BDSM, Learned chronicles poet and Rhodes Scholar Carellin Brooks' extreme explorations of mind and body. In these poems, the speaker trembles on the verge of discovery, pushing her physical limits through practices of pain, permission, and pleasure. But her inability to negotiate the unspoken elite codes of Oxford begs the question: how to unlearn a legacy of family dissolution and abuse? Bold, nuanced, and ultimately triumphant Learned chronicles an intimate education in flesh, desire, and bodily memory.

Vox Humana (Latin for "human voice") is driven by a sense of political urgency to probe the ethics of agency in a world that actively resists the participation of some voices over others.In and through literary experiments with word and sound, utterance and song, Vox Humana considers the different ways a body can assert, recount, proclaim, thus underscoring the urgency of doing so against the de-voicing effects of racism and institutional violence.As the title also represents an organ reed that sounds like the human voice, so DeRango-Adem shares her reclaiming of the instrument traditionally accessed by the white establishment.These poems are born from the polyphonic phenomenon of the author's multilingual upbringing. They are autobiographical and alchemical, singular and plural, but, above all, a celebration of the (breath) work required for transformation of society and self.

Longlisted for the 2023 Carol Shields Prize for FictionA riveting exploration of the complexity within mother-daughter relationships and the dynamic vitality of Vancouver's former Hogan's Alley neighbourhood.1930s, Hogan's Alley--a thriving Black and immigrant community located in Vancouver's East End. Junie is a creative, observant child who moves to the alley with her mother, Maddie: a jazz singer with a growing alcohol dependency. Junie quickly makes meaningful relationships with two mentors and a girl her own age, Estelle, whose resilient and entrepreneurial mother is grappling with white scrutiny and the fact that she never really wanted a child.As Junie finds adulthood, exploring her artistic talents and burgeoning sexuality, her mother sinks further into the bottle while the thriving neighbourhood--once gushing with potential--begins to change. As her world opens, Junie intuits the opposite for the community she loves.Told through the fascinating lens of a bright woman in an oft-disquieting world, this book is intimate and urgent--not just an unflinching look at the destruction of a vibrant community, but a celebration of the Black lives within.

Part essay, part poem, part fever dream journal entry, Dream Rooms is a book about personal revolution, about unravelling a worldview to make space for different selves and realities. Set in the years that led up to author River Halen coming out as trans, this collection concerns itself with what sits on the surface of daily life, hidden in plain view, hungry for address--what it means to take a stranger's pet rabbit to the vet in a year of accelerating extinctions, to lose your clothes to a moth infestation then buy a duvet made of fossil fuels, to learn your bookshelf is full of work written by rapists and rape apologists, to consider a birth control device as a narrative about bodies and their possibilities, then pull the string. Deeply queer and trans not only in its content but in its thinking, Dream Rooms invites readers to that place in consciousness where fear and desire, hidden information and common knowledge brush up against each other and are mutually transformed.

Visceral and playful, tend reflects the intimate awkwardness of modern life. Hargreaves' latest collection explores feelings of being distanced from loved ones, physically and emotionally; striving to be better (at chores, at intimacy); and tending to the things that fracture.These poems are anchored in the body, straining the edges of spaces that bodies and language inhabit: between sealing in and digging out; restlessness and isolation; memory and planning for the future; gaps in texts and reiterations. tend is an immersive work, as validating as it is illuminating.

In a quaint tourist village, Dorn makes miniature scale models displayed in the local shops. Yet life is far from idyllic; he suffers under the thumb of a rich, philandering younger brother and an unloving father, and cannot find the courage to admit his love to Ravenna, the ungainly schoolteacher.Life takes a strange turn when the government-sponsored "Wild Home Project" is introduced and wolves, rats, minks, otters, and bears move into villagers' homes. Soon, Dorn receives a mysterious commission, finds a body in a park, and has several run-ins with a former classmate-turned police officer. When fire breaks out, Dorn takes on the unlikely role of hero in the hope of changing the course of his life.A realist novel with the air of a fairy tale, The Animals is a surprising, funny, and thought-provoking story that explores the nature of relationships faunal and human, and reminds us of the challenges of finding one's place in society . . . and that living with a wolf is not a very good idea.

A non-binary faun wishes their body had a variety of sex organs, interchangeable daily. A prison abolitionist scrutinizes Rothko paintings on the carceral state's boardroom walls. The insurrectionary tactics of mass social movements spread, like a secret handshake, from Chile to Hong Kong to Toronto.Shaped by Daniel Sarah Karasik's experience of grassroots social and political advocacy, these poems are an offering to those engaged in struggles for a better world--and an acknowledgement of the sometimes contradictory meanings of those struggles. How do individual erotic desires relate to collective desires for deliverance from alienation and exploitation? How might we dream of a more humane future, and work towards building it, without minimizing the challenges that stand in our way?Plenitude cartwheels towards a world that might be: a world without cops or bosses, without prisons, without oppressive regulation of gender and desire. It is a song for the excluded and forgotten and those who struggle alongside them.

"From internationally celebrated writer and visual artist Shani Mootoo comes Cane / fire, an immersive and vivid collection that marks a long-awaited return to poetry. Akin to a poetic memoir, past and present are in conversation with each other throughout this evocative, sensual collection as the narrator moves from Ireland to San Fernando, and finally to Canada. The reinterpretations and translation of this journey and associated family history give the present meaning. Through these deeply personal poems, and Mootoo's own artwork, we begin to understand how a life can not only be shaped, but even reimagined."--

Poetry. A seminal text in the history of poetry and poetics, TENDER BUTTONS was originally published in 1914 and is considered one of the great Modern experiments in verse. At one time or another it has been thought of as a masterpiece of Cubism, a modernist triumph, a spectacular failure, a collection of confusing gibberish, and an intentional hoax. Despite the fact that it was written by an ex-pat American, the text of TENDER BUTTONS has had massive influence on Canadian poetry and poetics for nearly three quarters of a century. Therefore, BookThug is pleased to produce the first Canadian Edition of this important text in a publication that pays homage to the original 1914 edition.

Nilling is a sequence of 6 loosely linked prose essays about noise, pornography, the codex, melancholy, Lucretius, folds, cities and related aporias: in short, these are essays on reading. Lisa Robertson applies an acute eye to the subject of reading and writingtwo elemental forces that, she suggests, cannot be separated.For Robertson, a book is an intimacy, and with keen and insightful language, Nilling's essays builds into a lively yet close conversation with Robertson's "e;masters"e;: past writers, philosophers, and idealists who have guided her reading (and writing) practice to this point.If "e;a reader is a beginner,"e; then even regular readers of Robertson's kind of deep thinking will delight in the infinite folding together of conceptsthe codex, pornography, melancholy, citiesthat on their own may seem banal, but in their twisting intertextuality, make for a scintillating study of reading as a deep engagement.

How do our bodies speak for us when words don't suffice? How can we make ourselves understood when what we have to say is inarticulable?In Disquieting, Cynthia Cruz tarries with others who have provided examples of how to "e;turn away,"e; or reject the ideologies of contemporary Neoliberal culture. These essays inhabit connections between silence, refusal, anorexia, mental illness, and Neoliberalism. Cruz also explores the experience of being working-class and poor in contemporary culture, and how those who are silenced often turn to forms of disquietude that value open-endedness, complexity, and difficulty.Disquieting: Essays on Silence draws on philosophy, theory, art, film, and literature to offer alternative ways of being in this world and possibilities for building a new one.

In THOU, Aisha Sasha John knows the day biblically. What if time itself was an object of desire? And the book was a theatre for that? Aisha Sasha John has a crush on time. Which is why she discipled in it. For three years. Also for three months. Also for three months at 33. Ya. Aisha Sasha John has a crush on time and discipled in time, moving it across her body, watching it, um, course the day. She slowed it down and thought along it, she cut it up. She slowed it down and thunk along it and sped it up. She cut it up and spaced it out and rhythmed it down and laid it flat and looked at it hard. Aisha Sasha John has a crush on time. She did it. She did time. It was gross and funny and it was hard and it was good. The result is/was THOU.

In that moment, I felt closer to whiteness than not. I was completely complicit and didn't think twice about entering a space that could cover their walls with images of contemporary Indigenous perspectives, but exclude their physical bodies from entering and experiencing. In that moment, I felt like a real Canadian.Before I Was a Critic I Was a Human Being is the debut collection of nonfiction essays by Amy Fung. In it, Fung takes a closer examination at Canada's mythologies of multiculturalism, settler colonialism, and identity through the lens of a national art critic.Following the tangents of a foreign-born perspective and the complexities and complicities in participating in ongoing acts of colonial violence, the book as a whole takes the form of a very long land acknowledgement. Taken individually, each essay roots itself in the learning and unlearning process of a first generation settler immigrant as she unfurls each region's sense of place and identity

Now I've killed another person. I'm a serial killer. Sure, two people is hardly serial, but it's a good start. I'm still young. Who knows where opportunities might lead me? Opportunity makes the thief, or the murderer, or even the pastry chef. It's well documented.Mama's Boy Behind Bars is the second book in David Goudreault's wildly successful and darkly funny Mama's Boy trilogy. Once again written with gritty humour in the form of a confession, Mama's Boy Behind Bars picks up where the first book in the series left off.Mama's Boy finds himself in jail following a tender and violent search for his long lost mother. In an attempt to survive his incarceration, he sets out to make a name for himself in prison and is desperate to achieve his ambition of joining the ranks of the hardcore criminals. But things get wildly complicated when he falls in love with a prison guard. Can Mama's Boy juggle love and crime?

Consisting of 256 16-line quartets and 34 free-form interruptions, this slow-moving haunting work is a beautiful example of "thinking in language," a meditation that explores time and memory in both content and form. The 20th century is already more than 20 years past: The Absence of Zero is Kolewe''s elegy to that era, and the disparate fragments of its ideas that continue to affect and disrupt our present.

The urgency of the climate emergency is explored in this latest collection by award-winning poet Talya Rubin. It offers recognition of, and salve for, the vast mysteries of the natural world, our human interior, and the relationship between the two.In these poems, human and wild meet in everyday encounters: the melting of ice sheets and fathoming ecological disaster while listening to news reports on the radio; moments of childhood ice skating and unrequited love alongside geological formations and weather patterns. Underlying the collection is a mild sense of absurdity, one that mirrors our existential plight of continuing on in the face of what feels like impossibility.Iceland Is Melting and So Are You asks us to consider what we have kept frozen and unexamined within us and--in doing so--recognize the complex grief and wonder we face in considering the end of the human epoch.

"Lambda Literary and Stonewall Book Award-winner Hasan Namir shares a joyful collection about parenting, fatherhood and hope. These warm free-verse poems document the journey that he and his husband took to have a child. Between love letters to their young son, Namir shares insight into his love story with his husband, the complexities of the IVF surrogacy process and the first year as a family of three. Umbilical Cord is a heartfelt book for parents or would-be parents, with a universal message of hope."--

In this collection of deeply personal essays, twenty-six writers explore their connection with language, accents, and vocabularies, and contend with the ways these can be used as both bridge and weapon. Some explore the way power and privilege affect language learning, especially the shame and exclusion often felt by non-native English speakers in a white, settler, colonial nation. Some confront the pain of losing a mother tongue or an ancestral language along with the loss of community and highlight the empowerment that comes with reclamation. Others celebrate the joys of learning a new language and the power of connection. All underscore how language can offer both transformation and collective healing. Tongues: On Longing and Belonging through Language is a vital anthology that opens a compelling dialogue about language diversity and probes the importance of language in our identity and the ways in which it shapes us. With contributions by: Kamal Al-Solaylee, Jenny Heijun Wills, Karen McBride, Melissa Bull, Leonarda Carranza, Adam Pottle, Kai Cheng Thom, Sigal Samuel, Rebecca Fisseha, Hege Anita Jakobsen Lepri, Logan Broeckaert, Taslim Jaffer, Ashley Hynd, Jagtar Kaur Atwal, Téa Mutonji, Rowan McCandless, Sahar Golshan, Camila Justino, Amanda Leduc, Ayelet Tsabari, Carrianne Leung, Janet Hong, Danny Ramadan, Sadiqa de Meijer, Jónína Kirton, and Eufemia Fantetti.

"In a way, the language is the protagonist in this book. It is luminous and vibrant, full of associations, reflections and quotes. The words embrace the world with sensuality, humour, wonder and a confusion of feelings." --Fredrik WandrupIn a hotel, high up in a mountain village, two sisters aim to reconnect after distant years that contrast their close, almost twin-like upbringing. Martha has just been discharged from a sanatorium after a mental breakdown. Ella agrees to keep her company in the hope that the clean winter air will provide clarity--and a way back to their childhood connection.It's only when plans go awry, and Martha disappears in a rage, that Ella discovers a new sense of self outside her filial role. This identity is reinforced by various encounters: the hotel receptionist who takes her under her wing; the enigmatic love interest; the wistful, drunken Salvation Army soldier; the carpenter. And not least, Ella's encounter with the writings of Stefan Zweig, which have a profound impact.Winner of the Critics' Prize 2018 and shortlisted for the Booksellers' Prize 2018, Mona Høvring's work is as sharp as it sensitive; insightful as it is original when exploring the many distractions of the heart.

To make her films, Eva must take out her eyes and use them as batteries. To make her art, Finn must cut open her chest and remove her lungs and heart. To write her novels, Grace must use her blood to power the word processor. Suture shares three interweaving stories of artists tearing themselves open to make art. Each artist baffles their family, or harms their loved ones, with their necessary sacrifices. Eva''s wife worries about her mental health; Finn''s teenager follows in her footsteps, using forearms bones for drumsticks; Grace''s network constantly worries about the prolific writer''s penchant for self-harm, and the over-use of her vitals for art. The result is a hyper-real exploration of the cruelties we commit and forgive in ourselves and others. Brewer brings a unique perspective to mental illness while exploring how support systems in relationships—spousal, parental, familial—can be both helpful and damaging. This exciting debut novel is a highly original meditation on the fractures within us, and the importance of empathy as medicine and glue.

Grace Porter is reeling from grief after her partner of seven years unexpectedly leaves. Amidst her heartache, the 30 year-old library tech is tasked with reading newly discovered letters that Amelia Earhart wrote to her lover, Gene Vidal. She becomes captivated by the famous pilot who disappeared in 1937. Letter by letter, she understands more about the aviation hero while piecing her own life back together.When Grace discovers she is pregnant, her life becomes more intertwined with the mysterious pilot and Grace begins to write her own letters to Amelia. While navigating her third trimester, amidst new conspiracy theories about Amelia's disappearance, the search for her remains, and the impending publication of her private letters, Grace goes on a pilgrimage of her own.Letters to Amelia is a stunning, contemporary epistolary novel from the creator of the internationally acclaimed Love Lettering Project. It underscores the power of reading and writing letters for both connection and self-discovery, and celebrates the unwritten, undocumented parts of our lives.Above all, Letters to Amelia is a story of the essential need for connection--and our universal ability to find hope in the face of fear.Praise for Letters to Amelia: "Brimming over with Lindsay Zier-Vogel's obvious love for the story of Amelia Earhart, Letters to Amelia is a wonderful novel about flight and passion, about love-letters and reaching out; a novel about how we never know quite what's coming next, but still keep launching ourselves into the blue tomorrow."--Jon McGregor, author of Reservoir 13"A tender portrait of heartbreak and a thoughtful ode to new motherhood. Letters to Amelia is an endorsement of finding our own ways to heal, and a celebration of that big, messy, wonderful journey of coming into one's own. Charming and beautifully rendered, this is a big-hearted hopeful novel, full of life and love." --Stacey May Fowles, author of Baseball Life Advice: Loving the Game that Saved Me"When we think of Amelia Earhart, we think enigmatic adventurer and feminist pioneer--and, of course, of her mysterious disappearance. But in Letters to Amelia, we meet a different Amelia Earhart, as seen through the eyes of Grace, the novel's protagonist, a young library tech tasked with reading her letters: an Amelia who is funny, charming, joyful, sad, and most of all, full of life. Zier-Vogel writes with uncanny empathy about heartbreak, friendship, motherhood, and the common threads that connect women across time, geography, and even between earth and sky. Letters to Amelia is a gorgeous, big-hearted debut that will make you feel like you are flying, and Zier-Vogel is a writer whose career is about to soar." --Amy Jones, author of Every Little Piece of Me"Letters to Amelia invites us to hold our heroines close and to take heart - it is gentle and joyous, full of tenderness, alive and sturdy with hope." --Anne Michaels, author of Fugitive Pieces and The Winter Vault

Poetry. African American Studies. In THE SHINING MATERIAL, Aisha Sasha John is a hostess; welcome to her house. Inside there is a party, a prayer, a painting that puts its fingers in your mouth--let it: in THE SHINING MATERIAL witness Aisha Sasha John braid self-portraiture, ekphrasis, and her own brand of psalm to create a collection of poems that is a tonic: dizzying in its open-mouthed, symphonic charge. These poems stage intimate encounters as they work against the language of the banal. Dancing across, between and at the interstices of the self, no poem is a single statement: they all recognize language as a perpetual subject of inquiry. THE SHINING MATERIAL is an opportunity to trace a fresh sensibility that will continue and make the work of this young innovative woman writer a powerful force in avant-garde writing around the world.

Finalist for the 2021 Grand Prix du livre de Montreal"A writer may do as she pleases with her epoch. Rage accumulates." From iconic feminist writer Gail Scott comes Permanent Revolution, a collection of new essays gathered alongside a recreation of her groundbreaking text, Spaces Like Stairs. In conversation with other writers working in queer/feminist avant-garde trajectories, including l'écriture-au-féminin in Québec and continental New Narrative, these essays provide an evolutionary snapshot of Scott's ongoing prose experiment that hinges the matter of writing to ongoing social upheaval. Scott herself points to the heart of this book, writing, "Where there is no emergency, there is likely no real experiment."With a Foreword by Zoe Whittall and an Afterword by Margaret Christakos.

Therese Estacion survived a rare infection that nearly killed her, but not without losing both her legs below the knees, several fingers, and reproductive organs. Phantompains is a visceral, imaginative collection exploring disability, grief and life by interweaving stark memories with dreamlike surrealism.Taking inspiration from Filipino horror and folk tales, Estacion incorporates some Visayan language into her work, telling stories of mermen, gnomes, and ogres that haunt childhood stories of the Philippines and, then, imaginings in her hospital room, where she spent months recovering after her operations.Estacion says she wrote these poems out of necessity: an essential task to deal with the trauma of hospitalization and what followed. Now, they are demonstrations of the power of our imaginations to provide catharsis, preserve memory, rebel and even to find self-love.