Bøger udgivet af Autofocus Books

A fun and thoughtful collection of previously unpublished essays about skateboarding, riding horses, gardening, delivering mail, shooting baskets, cooking, record collecting, knitting, stitching, running, and many more things that aren't writing, except that, put in the context of this collection, maybe they are?

Kristine Langley Mahler is tracking the signs. The year she turns thirty-eight, she keeps finding snakes, bears, ghosts, and ancestors at her doorstep, pointing toward the person she needs to become. As an eclipse approaches, she begins to follow their demands and account for their presence. Clutching the milky quartz she finds in a New Mexican canyon and picking up the pebbles dropped by returning ghosts on her bedroom floor, Mahler excavates personal meaning from astrology, tarot, mothering, siblinging, and homesickness throughout the three connected essays of A Calendar is a Snakeskin, a noctuary of a year marked by the shedding of selves and fears.

Aaron Burch is both nostalgic and looking forward to what's to come, all while trying to enjoy the present as much as possible. A Kind of In-Between looks at the last few years of Aaron's life (getting divorced, teaching, being a writer, settling into life in the Midwest in his 40s) and also back to his childhood (being adopted, an almost obnoxiously happy and loving childhood, growing up on the West Coast), in curious, playful snapshots that become a whole greater than the sum of their parts. These short essays are about growing up and memory; who Aaron is and who he wants to be; road trips and home and collectibles and family and friendship; how he sees himself, how he wants others to see him, and all the overlaps and incongruencies therein; being a stepfather and son and child and adult and husband and ex and teacher and writer and friend; the things we keep and the things we let go; how to try to make sense of being a person in this world.

Sara Rauch is in a long-term, committed relationship with another woman when she begins a low-residency MFA in fiction. Though it goes against the promises she's made, she finds herself pulled into an intense affair with a married man, a well-known writer in the program. More than an essay about bisexual infidelity and the resulting heartbreaks, XO unfolds Rauch's story like a map of psychic terrain, allowing the author to explore her longstanding obsessions with romantic love, personal faith and belief systems, and the stories we tell ourselves to get through our ever changing lives.