Bøger udgivet af Art Gallery of Ontario

A visual feast of Kahlo and Rivera's finest works that will leave readers intellectually challenged and emotionally awakened.He painted for the people. She painted to survive.Frida Kahlo (1907-1954) and Diego Rivera's (1886-1957) legendary passion for each other and for Mexico's revolutionary culture during the 1920s and 1930s made them two of the twentieth century's most famous artists. During their life together as a married couple, Rivera achieved prominence as a muralist, while Kahlo's intimate paintings were embraced by the Surrealist movement and the Mexican art world. After their deaths in the 1950s, retrospectives of Kahlo's work enshrined her as one of the most significant women artists of the twentieth century, partially eclipsing Rivera's international fame as Mexico's greatest muralist painter.Frida & Diego: Passion, Politics and Painting offers a new perspective on their artistic significance for the twenty-first century, one that shows how their paintings reflect both the dramatic story of their lives together and their artistic commitment to the transformative political and cultural values of post-revolutionary Mexico. Frida & Diego features colour reproductions of 75 paintings and works on paper by both Kahlo and Rivera, rarely reproduced archival photographs, and new biographical information on the couple assembled by scholar Dot Tuer.

The field of photography has been described as one that exacerbates antagonisms, "a permanent hotbed of contradictions." This is also an apt description for the work of the artists who have participated in the Aimia AGO Photography Prize in its first decade.From the beginning, the Prize advocated a broad idea of photography, as broad as the range of possibilities that contemporary artists continue to see for the medium. The images have run the spectrum, with some directly observed, others highly staged, and yet others culled from the family record, YouTube, a library picture collection, press photographs, tourist brochures, and textbooks. Subjects have included family relations, sports, advertising conventions, imaging technologies, urban planning, colonialism, industry, and environmental degradation. This retrospective volume brings together the winners and shortlisted works from the Aimia-AGO Photography Prize, between 2008 to 2017, including essays by Alden Hadwen, Sean O'Neill, and Sophie Hackett and biographical notes on the nominees by Sam Cotter.

AGO: Highlights from the Collection of the Art Gallery of Ontario showcases more than 300 of the Gallery?s most significant pieces, from The Malmesbury Cha^sse to Arnaud Maggs?s After Nadar photographs. Featuring high-quality images and illuminating texts, this remarkable book reveals the depth and diversity of the AGO?s holdings. Each entry includes a stunning reproduction, an insightful account of the work, and detailed archival information. Double-page features spotlight significant collection areas such as Canadian painting and twentieth century portraits. Over the last decade, the Gallery?s world-renowned collection has grown immeasurably, with many individuals and families gifting pieces to celebrate the opening of the AGO?s new building in November 2008. Now readers have the chance to explore many of these acquisitions?including photographs, First Nations objects, African art and pieces from the Thomson Collection?in print form. The publication also celebrates the unique architecture and inviting gallery spaces of the new AGO.