Bøger udgivet af Applause

In the year 2002, An Askew View: The Films of Kevin Smith was the first book to gaze at the cinema of one of New Jersey's favorite sons, the independent and controversial auteur of Clerks (1994), Mallrats (1995), Chasing Amy (1997), Dogma (1999) and Jay and Silent Bob Strike Back (2001). Now, a full decade after that successful original edition, award-winning author John Kenneth Muir returns to the View Askewniverse to consider Kevin Smith's second controversial decade as a film director, social gadfly, and beloved media "talker." From Jersey Girl (2004) to the controversial Zack and Miri Make a Porno (2008), from the critically derided Cop-Out (2010) to the incendiary and provocative horror film Red State (2011), An Askew View 2 studies the Kevin Smith movie equation as it exists today, almost two full decades after Smith maxed out his credit card, made Clerks with his friends, shopped it at Sundance, and commenced his Hollywood journey. In addition to Kevin Smith's films, An Askew View 2 remembers the short-lived Clerks cartoon (2000) and diagrams the colorful Smith Lexicon.

Performed in loft apartments, pop-up theatres, and other nontraditional spaces, the 2022 underground hit Dimes Square announced Matthew Gasda as a dramatist of lasting power and impressive range, the theatrical chronicler of a self-chronicling generation. At a time when large, institutional theatres were still finding their post-pandemic footing, this brutal, hilarious portrait of New York City scenesters drew in new and diverse audiences by distilling the zeitgeist of our strange new era-a bitter cocktail of dirtbag politics, casual depravity, and pitiless ambition.Bringing together four of Gasda's most penetrating works-Dimes Square, Quartet, Berlin Story, and Minotaur-this collection surveys a fractured and exhausted cultural-intellectual landscape. From squalid apartments to country estates to hipster bars, these plays give us characters grasping for meaning and human connection in an age of material abundance and moral dislocation. Unflinching, yet marked by exquisite moments of grace, they mark the arrival of a significant dramatic voice.

TUTOR

If there has ever been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be THE APPLAUSE FOLIO TEXTS. If there has ever been an accessible version of the Folio, it is this edition. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. Prepared and annotated by Neil Freeman, Head, Graduate Directing Program, University of British Columbia.

EVENINGS WITH CARY GRANT: RECOLLECTIONS IN HIS OWN WORDS AND BY THOSE WHO KNEW HIM BEST

SON OF HARPO SPEAKS!

MEMPHIS THE MUSICAL: THE COMPLETE BOOK AND LYRICS

AVENUE Q: THE LIBRETTO

SHE ALWAYS KNEW HOW: MAE WEST A PERSONAL BIOGRAPHY

Finally, an authorized libretto to this modern day classic! Rent won the 1996 Pulitzer Prize for Drama, as well as four Tony Awards, including Best Musical, Best Book, and Best Score for Jonathan Larson. The story of Mark, Roger, Maureen, Tom Collins, Angel, Mimi, JoAnne, and their friends on the Lower East Side of New York City will live on, along with the affirmation that there is "no day but today." Includes 16 color photographs of productions of Rent from around the world, plus an introduction ("Rent Is Real") by Victoria Leacock Hoffman.

"It's Only a Movie is the best book ever written about my father. It really is amazing." -Patricia HitchcockNorth by Northwest. Psycho. Rear Window. The Birds. Vertigo. When it comes to murder and mayhem, shock and suspense, the films of Alfred Hitchcock can not be surpassed. For this book, Charlotte Chandler interviewed Hitchcock, his wife, daughter, film crew members, and many of the stars who appeared in his films, including Kim Novak, Janet Leigh, Cary Grant, Tippi Hedren and James Stewart.Throughout the book, Chandler shares Hitchcock's wit and wisdom. When actors took themselves too seriously, he would remind them, "it's only a movie." Chandler introduces us to the real Hitchcock, a devoted family man and notorious practical joker, who made suspenseful thrillers mixed with subtle humor and tacit eroticism.

WHO'S WHO IN ANIMATED CARTOONS: AN INTERNATIONAL GUIDE TO FILM AND TELEVISION'S...

MERCY IN HER EYES: THE FILMS OF MIRA NAIR

RIDICULOUS! THE THEATRICAL LIFE AND TIMES OF CHARLES LUDLAM

BEST IN SHOW: THE FILMS OF CHRISTOPHER GUEST AND COMPANY

Written by Barry Singerone of contemporary musical theaters most authoritative chroniclersEver After was originally published in 2003 as a history of the previous twenty-five years in musical theater, on and off Broadway. This new edition extends the narrative, taking readers from 2004 to the present. The book revisits every new musical that has opened since the last edition, with Barry Singer once again as guide. Before Ever After appeared in 2003, no book had addressed the recent past in musical theater historyan era Singer describes as ever after musical theaters many golden ages. Derived significantly from Singers writings about musical theater for the New York Times, New York Magazine, and The New Yorker, Ever After captured that era in its entirety, from the opening of The Act on Broadway in October 1977 to the opening of Avenue Q Off-Broadway in March 2003. This new edition brings Ever After up to date, from Wicked, through The Book of Mormon, to Hamilton and beyond. Once again, this the first book to cover this new, pre-pandemic age of the Broadway musical. And, once again, utilizing his recent writing about musical theater for HuffPost and Playbill, Barry Singers viewpoint is comprehensive and absolutely unique.

SCREENWORLD 2003 VOL. 54

The Great American Playwrights on the Screen is a complete, up-to-date record of movie and television productions of classic and contemporary works of the great playwrights. Rich in historical value and detail, this reference book not only tracks Tony Award and Pulitzer Prize winners, but also unearths unheralded treasures and forgotten performances by great actors and the great directors they served.To show the ongoing influences and legacies of the great plays, Roberts compares and contrasts the adapted versions, and includes colorful reviews by prominent critics of tv and film (beginning with those of the silent era). The profound expansion of television into American homes in the 1950s brought a flood of adapted plays to the small screen, and resulted in the rebirth of the careers, of many significant playwrights. The Great American Playwrights on the Screen provides fans with a video and DVD guide to the adapted works of the playwrights, and shows which versions are available for home viewing and in which media (VHS, Beta, Laser, DVD, Letterbox). Simultaneously, this book is a unique, one-stop source for academics, students of the theatre arts, actors, directors and producers.Organized in an easy-to-use A-Z format, the book features over 200 playwrights including Arthur Miller, Marsha Norman, Eugene O'Neill, Aaron Sorkin, Neil Simon, Wendy Wasserstein, and Tennessee Williams. In addition, The Great American Playwrights on the Screen resurrects the memories of television productions of plays at a critical time, when many of them - including Emmy Award winners and nominees - are deteriorating in vaults.

Have you ever noticed how clever you feel in the theatre? You get the joke when no one on the stage is laughing. You see the threat that no one on the stage seems to notice. You weep when leading characters do not shed a tear. Sometimes you feel an almost God-like understanding of people and events.Who put you in this privileged position? The Audience & The Playwright analyzes the tactics used by all playwrights, from Sophocles to David Mamet, to give the audience extraordinary powers and a unique role that it will play perfectly and without rehearsal.Structured as an evening in the theatre, the book is analytical but straightforward, serious but entertaining. A working playwright's view of what really happens between the stage and the audience, from the beginning of the play until the end, it is a book for the serious theatregoer, as well as a book for the college classroom."Mayo Simon would be a wonderful opening night date. He knows the theatre like the palm of his hand, loves it, and articulates it. Short of Mayo as a date, this book is your best companion."- Jon JoryProfessor of Acting & Directing, University of Washington School of Drama

CONVERSATIONS WITH MILLER (ARTHUR MILLER)

SOMEWHERE FOR ME: A BIOGRAPHY OF RICHARD RODGERS

BERNARD SHAW ,

OK! THE STORY OF OKLAHOMA! A CELEBRATION OF AMERICA'S MOST BELOVED MUSICAL.