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Investigative Interviewing provides more accurate and reliable information than any other known interview technique. It is founded on interpersonal communication theories and informed by cognitive and social psychology. Equally important, it is designed for practitioners and delivered through a practical model. A Guide to the Professional Interview makes scientifically grounded interview techniques accessible for everyone who asks questions.

Western industrialism has achieved miracles, promoting unprecedented levels of prosperity and raising millions around the world out of poverty. Industrial capitalism is now diffusing throughout the East. Japan, the four Tigers (Korea, Taiwan, Singapore and Hong Kong) and China are all incorporating themselves into the global industrial world. India, Brazil and many others are expected to follow the same course. But as China, India and other industrializing giants grow, they confront an inconvenient truth: they cannot rely on the Western industrial development model of fossil-fueled energy systems (resource throughput rather than circularity and generic finance) because these methods cause extreme spoliation of the environment and raise energy security, resource security and global warming concerns.By necessity, a new approach to environmentally conscious development is already emerging in the East, with China leading the way in building a green industry at scale. As opposed to Western zero-growth advocates and free-market environmentalists, it can be argued that a more sustainable capitalism is being developed in China - to counter black developmental model based on coal. This new 'green growth' model of development, being perfected in China and now being emulated in India, Brazil, South Africa (and eventually by industrializing countries elsewhere), as well as by advanced industrial countries such as Germany, looks to become the new norm in the twenty-first century. Its core advantages are the energy security and resource security that are generated.The British scientist James Lovelock has done the world an enormous service by formulating the theory of a 'living earth' named Gaia, where life self-regulates itself and the planet by keeping the atmospheric environment more or less constant, and likewise the environment of the oceans. In China's Green Shift, Global Green Shift, Mathews proposes a way in which Gaia (a product of the processes of the earth) can be complemented by Ceres (our own creation of a renewable energy and circular economy system). Can these two concepts of how the earth works, represented by two powerful deities, be reconciled? While Lovelock is pessimistic, asserting that Gaia will look after herself and that if we survive at all it is likely to be as a greatly diminished industrial civilization, numbering no more than one billion people, Mathews argues in this book why he believes this prognosis to be mistaken. Mathews maintains that the changes that 'we' are driving, as a species, represent a viable way forward. They give us a chance of reconciling economy with ecology - or Ceres with Gaia.

This book deals with a new set of triangular orthogonal functions, which evolved from the set of well-known block pulse functions (BPF), a major member of the piecewise constant orthogonal function (PCOF) family. Unlike PCOF, providing staircase solutions, this new set of triangular functions provides piecewise linear solution with less mean integral squared error (MISE).After introducing the rich background of PCOF family, which includes Walsh, block pulse and other related functions, fundamentals of the newly proposed set - such as basic properties, function approximation, integral operational metrics, etc. - are presented. This set has been used for integration of functions, analysis and synthesis of dynamic systems and solution of integral equations. The study ends with microprocessor based simulation of SISO control systems using sample-and-hold functions and Dirac delta functions.

How did the rich countries really become rich? In this provocative study, Ha-Joon Chang examines the great pressure on developing countries from the developed world to adopt certain 'good policies' and 'good institutions', seen today as necessary for economic development. His conclusions are compelling and disturbing: that developed countries are attempting to 'kick away the ladder' with which they have climbed to the top, thereby preventing developing countries from adopting policies and institutions that they themselves have used.

This new edition retains the features of the first edition that made it a popular choice in universities and colleges throughout the US, Canada and around the world. Moss's accessible history includes full treatment of everyday life, the role of women, rural life, law, religion, literature and art. In addition, it provides many other features that have proven successful with both professors and students, including: a well-organized and clearly written text, references to varying historical perspectives, numerous illustrations and maps that supplement and amplify the text, fully updated bibliographies accompanying each chapter as well as a general bibliography of more comprehensive works, a glossary, and chronological and genealogical lists. Moss's 'A History of Russia' will appeal to academics, students and general readers alike.

Bringing together the ideas of many philosophers, among others Hegel, Kierkegaard, Bergson, Nietzsche, Heidegger, Wittgenstein, Deleuze and Derrida, the book aims to give a coherent synthesis of ideas about change and aims to see how one can take a process view of various features of humanity, such as knowledge, relations between people, language and morality, and how, vice versa, that might contribute to process philosophy. Beginning with evolution and moving on to consider knowledge in its dynamic aspect of learning, the book takes a process view of the individual and society.Generalised Darwinism is discussed not only in terms of biology but also in economics, organisation, language and science in terms of interactors and replicators. The key processes of variety generation, selection and transmission are fundamentally different from those in biology. Therefore, a theory of knowledge and its change is presented that in some ways is similar to evolution but also different in important ways. This theory discusses neural Darwinism. It proposes how discovery might work, in a cycle of discovery, in an interchange of stability and change, and how differences in cognition work in the combination of different sources (cognitive distance). This theory is applied to knowledge, organisations and science. The discussion explains and applies the notions of entropy and organisational focus. Recognising that absolute, objective truth is problematic, it discusses the notion of warranted assertion. The notions of sense and reference are discussed in an explanation of meaning, and the notions of order and variety in terms of langue and parole, and the role of parole in poetry. The change of meaning is further developed in terms of the hermeneutic circle to deal with order and change of meaning. It uses the notion of a script and the hypothesis of an object bias.Ethics and morality are explored by how the individual constructs their identity and develops in their tension between authenticity and conformity in society. Aristotle's multiple causality of action is employed to discuss power and sources of dependence and ways to deal with them. Networks as a source of identity and the decentralisation of governance to communities are discussed along with the notion of restorative justice. The concluding chapter considers the historical development and the different forms of ethics and morality, in relation to institutions, and how in evolution an instinct for benevolence has developed and is related to the intrinsic next to extrinsic value of relationships.

The essays in Logos and Life, the earliest written in 2001 but mainly dating from 2014 and later, cover topics in philosophy of mind, philosophy of action, ethics and philosophy of language. There are discussions of the voluntary and the involuntary; reasons for action; the idea of an 'inner state'; pleasure; the nature of ethics; justice; necessity and possibility; and a number of other topics. Numerous strands connect these four areas, which Roger Teichmann highlights: in this sense the collection exhibits thematic unity as well as diversity.Several of the essays take as their starting points the ideas and philosophical methods of Wittgenstein and of Elizabeth Anscombe, and so will be of interest to anyone studying those philosophers. Anscombe was a friend and pupil of Wittgenstein, and Teichmann was fortunate enough to be a friend and pupil of Anscombe. He is now a leading authority on her philosophy.A newly written Introduction serves to indicate the main themes and arguments of the book, and provide an overall statement of Teichmann's philosophy.

The book presents the first integrated study of the relationship between official Islamic leadership (muftiship), non-official Islamic authorities, grassroots Muslim communities and the state in post-Communist Eurasia, encompassing Lithuania, Belarus, Ukraine, the Volga-Urals, Crimea, the North Caucasus, Azerbaijan and ex-Soviet Central Asia. Its analysis is positioned within the current secularism/de-secularisation debate. The book is based on a wide range of primary and secondary sources, including the author's interviews with Islamic official and popular leaders and authorities, which she conducted over two decades in various parts of Eurasia. The book employs a history-based perspective and compares the nature and role of official Islamic leadership and the state-Muslim relations across Eurasia with those in both the Middle East and Western Europe. It argues that in most of the post-Soviet lands, the official Islamic leadership and its relations with the state have largely retained their particular national and broader Eurasian character, which distinguishes them from what prevails in the Middle East and Western Europe. At the same time, the increasing political 'Europeanisation' of Lithuania and Ukraine since 2014 and, to some extent, Belarus, has accounted for their divergence towards the Western model of state-Muslim relations. In conclusion, it analyses the impact of globalisation and the advance of global Salafism, in particular, on Islamic leadership and state-Muslim relations across post-Soviet Eurasia.

The book has an introduction outlining the conceptual framework that gives meaning to the six collected texts that follow. This framework derives from the work of Pierre Bourdieu. He stated that 'everything is social,' which means that all discourses have to be understood in their own terms (as 'structured structures') and in relation to the social conditions in which they developed ('structuring structures'). As social individuals we are constrained by the structures defining our situation but we also have the capacity to alter those structures. With particular reference to the 'field' of politics, the Introduction considers theoretically the nature of the 'presentation of self' (Goffman) of citizens and the nature of parliamentary democracy as 'presentation' or 'representation' (as discussed in Habermas: The structural transformation of the public sphere).The six main chapters reproduce texts written or spoken about politics at intervals in the period from 1960 until 2020. Brief introductions to each chapter will contextualise these texts both in terms of their significance in my developing awareness of political discourse and also in terms of the historically changing nature of the field of politics itself in the United Kingdom. Having an a-political upbringing, the author suggests that he gradually acquired a political competence but, equally, developed the view that the domination of political discourse has become exclusive and that there is now a need to reassert social relations in society and to recognize the extent to which political activity sustains the social control of a privileged minority.The book has an Epilogue which considers some recent arguments about 'populism' and also reflects on the extent to which the 'new normal' heralded by some for a post-Covid future has the capacity to circumscribe the influence of politics. The author reflects on whether deployment of Bourdieu's concept of 'symbolic violence' - the process by which the attitudes of the few are imposed on the many - might lead to the possible resurgence of social movements which are sceptical about political power. The author suggests that there may be a need for a new 'quietism' as advanced by Fnelon in the court of Louis XIV at the end of the 17th century and as considered by Richard Rorty in "e;Naturalism and quietism"e; in Philosophy as Cultural Politics, 2007.

While there has been growing interest in artificial intelligence worldwide, reading material on the subject within an international context remains scarce. International Perspectives on Artificial Intelligence assembles thought leaders from around the world to advance thinking on the state of affairs of artificial intelligence in key locations around the world.

Hawthorne's Literary History picks up Hawthorne where The Province of Piety left him, extending the historical and theological reading there developed of the early Puritan and revolutionary tales Hawthorne wrote in birthplace Salem on to the contemporary tales, sketches, essays, and finally four published romances based on his stays in Brook Farm, Boston, Concord, Lenox, Salem, Liverpool, and Rome.A collection of essays rather than a single, continuously argued monograph, Hawthorne's Literary History collects together the essays Professor Colacurcio has written on Hawthorne since the publication of his ground-breaking Province of Piety, elaborating and refining his analyses of how Hawthorne's most memorable early tales "e;do history,"e; but proceeding then to explore the later productions of that author's distinguished career. The result, in Colacurcio's patient analysis, is something like Hawthorne's history of his own times.

To date, masculinity has tended to be presented in cinema studies as a monolithic category that serves the interests of a hegemonic, normative patriarchy. This book demonstrates how the art-house film, in the form of personal cinema and its exploitation of the melodramatic mode, tells a different story, presenting a vision of masculinity that is sexually fluid, fragmented, unstable, and often incapacitated to the point of paralysis, being undermined not only from within, but also by external circumstance. Hollywood, in the form of "e;male weepies,"e; offered preliminary insights into this failing masculinity, but it is with the flowering of Post-World War II art film and its subsequent movement into the "e;indie"e; waves of the late 20th century and the early 21st century that cinema more profoundly realizes its potential to serve as a vehicle for the exploration of men's interior lives, developing what might be termed the "e;male melodrama,"e; the correlative of the woman's film. The present volume offers a series of essays that reassess the role of melodrama in a number of touchstone films in the art-cinema tradition that explore the subjective experience of a male protagonist, announcing the emergence of a genre that has progressively proliferated in contemporary cinema. While these films, made by such notable auteurs as Vittorio De Sica, Satyajit Ray, Vincente Minnelli, Pier Paolo Pasolini, Ingmar Bergman, Franois Truffaut, Jacques Demy, Rainer Werner Fassbinder, and Luca Guadagnino have been frequently discussed as outstanding examples of art films, to date, with a few exceptions, they have not been examined in terms of their representation of gender and subjectivity, which has left a lacuna in accounts of screened masculinities.

A history of the many different British Empires - the Old Colonial System (1600-1776), the Empire of Free Trade (1776-1870), the New Imperialism (1870-1945), Decolonisation (1945-1990) and the era of humanitarian intervention (1990-2020). Britain's Empires aims to tell the story of the colonial past as one marked by change and reinvention.

This book questions the dominant narrative used in stereotyping Africa and the status of Al-Shabaab in Somalia's quest for peace. It trumps up local alternatives to solving conflicts on the continent and avers that it is possible to revert to these local mechanisms of governance and conflict resolution as has been done in Somaliland with positive results.

How are breasts and breastfeeding shown in literature? Why does the depiction of breastfeeding in literature matter? What messages do we get from literature about the feeding of infants and children and about women's bodies? Is this different in different cultures? What causes cultural and historical differences and what can we learn from them?This cross-cultural study analyses images and descriptions of breasts and breastfeeding in children's books and literature for adults, in both English and Swedish. It explores how breastfeeding is depicted in literature in the two languages and discusses why there are differences in the cultures. Literary, feminist, anthropological, sociological, historical, and cultural research is used to support this analysis and to suggest explanations for the differing depictions. For example, the book discusses the concepts of women being nude versus women being naked; nakedness, the book argues, is more acceptable in Swedish literature and society, whereas a naked female is immediately perceived as nude in English-speaking cultures, and nudity is always sexualised. It discusses the male gaze and challenges ways of seeing women's bodies in literature; a question here is whether women can see their bodies without being influenced by the pervasiveness of the male gaze. Another example of a difference between the two cultures is the rise of formula-feeding and supposedly scientific ways of understanding and managing bodies in many Western countries, including English-speaking ones, and this in turn influences decreasing familiarity and comfort with seeing breasts and breastfeeding in literature, whereas rates of breastfeeding are still high in Scandinavia, which suggests more understanding, acceptance and support of natural bodily functions. In addition, issues such as whether a more feminist political approach might affect how breastfeeding is depicted and how it is treated in society are considered.While this intercultural exploration of breasts and breastfeeding in literature is academic and relies on extensive research, the book also suggests that this reflects popular culture today. Given the rise of the #MeToo movement and our new awareness of people's rights to their own bodies and to consent, it is important that we explore depictions in the media of women's bodies and encourage positive representations. Avoiding naked females in literature or primarily showing them in sexualised contexts suggests a sense of shame and fear about female bodies, or emphasises the idea that women are to be objectified.In short, this book will focus on a topic not yet seen in any depth in academic research and will raise fresh awareness of the power of literature to influence how readers see their own and other people's bodies, and will also illuminate cultural and historical differences that affect what writers describe and illustrators depict in literature when it comes to breasts and breastfeeding. The book challenges the currently prevailing ways of depicting female bodies in literature and discusses the way societal norms influence the writing and illustrating of literature.

This book explores the role of virtual reality and augmented reality in China's rejuvenation, especially in relation to cultural displays, performances and art exhibitions. It examines how audiences, both in China and globally, respond to Digital China through digital immersive art.

This book describes the Pukhtun women's educational struggle in the traditionalist Pukhtun society to succeed against the odds. The sample women call for Pukhtun feminism for their emancipation and empowerment in Pukhtunkhwa, Pakistan.

Fromthe 'Troubles' to Trumpism: Ireland and America, 1960-2023 isa history inspired by contemporary Irish literature and also an op-ed thatidentifies parallels between the socio-economic causes of conflict in NorthernIreland and one possible outcome of Trumpism in contemporary America.

Media Sociology and Journalism is a dialogue on the kind of society we find ourselves in as defined through news media and politics, and as seen in contemporary sociological theory. As we work through opposing visions of the global pandemic and an economic depression as well as solutions to racial reckoning, we need to remember we are navigating inside a political and media storm that has raged around the world since the unexpected results of the 2016 U.S election and Brexit Referendum. Deregulation, climate change, forced migrations, and inequality are only some of the topics on which opposing alt right, progressives, and moderates are divided. Journalism, politics and contemporary sociological theory are examined through their interplay and respective strengths and weaknesses in assessing the tenacity of the many deeply opposing claims where each side takes the other's "truth" to be an existential threat. The relation between truth and democracy as a regime of power and type of society has always been fragile, often tenuous, and even irrelevant at times. We are nonetheless in a moment where journalists, politicians and social scientists are continually perplexed as to what to do with the denial of basic facts they are expected to trust in order to help create democracy. Post-truth attitudes, the rise of authoritarianism, fake news, conspiracy theories, neoliberalism, nihilism, white nationalism are all threats to democracy but so are repetitive mainstream journalistic narrative strategies that exclude subaltern subjects they report on as the first audience they imagine in writing reports and opinions. Case studies of immigration, urban poverty, and regulating cultural and religious difference are selected to show patterns of hospitality, conditional tolerance or recognition that journalists frame for audiences in ways that help define the public dialogue on welcoming, acceptance, or rejection of others. A dialogical critique of the gaps between how social actors are represented in journalism, politics and sociology versus how they might see themselves is the first step toward an alternative way of creating democratic society.

Creativity and The Paris Review Interviews: A Discourse Analysis of Famous Writers' Composing Practices centers around a thematic discourse analysis of a 2000-page corpus of Paris Review interviews, focusing on the creative processes of some of the world's most famous fiction-writers and poets. The discourse analysis traces elements of the paradigmatic creative-process model--first insight, preparation, incubation, insight, verification--through the focal artists' descriptions of their composing practices as embedded in the interview transcripts. That analysis also reveals multiple and significantemergent themes germane to fiction and poetry writing. The ultimate goal of this analysis is to identify patterns relevant to the aforementioned creative-process elements and themes that are suggestive of specific strategies writers can employ to facilitate their own composing acts--whether fictional, poetic, or expository. Such findings will also benefit teachers seeking to facilitate student success in the composition classroom. Applications to expository writing are bolstered by a thorough treatment of scholarship on intersections between creativity theory and composition theory. This book is informed by four critical premises, each of which is explicitly addressed: All writers can learn valuable creative and composing practices from studying and experimenting with the creative and composing practices of other writers; The collection of Paris Review interviews is a respected and uniquely illuminating repository of specifically documented creative practices and experiences of the world's most accomplished writers; Systematic, empirical analysis of these interviews reveals distinct patterns in the creative practices and experiences that the authors credit as being relevant or crucial to their success; These patterns of practice and experience point to potentially fruitful strategies for facilitating successful composing acts in established and developing writers. In examining and supporting these premises, author Ronda Leathers Dively employs various scholarly lenses from a number of disciplines--most significantly rhetoric and composition, psychology, and education. The findings of the analysis are supported by raw quantitative data (in the form of total "hits" establishing the strength of given themes) and illustrative qualitative data (in the form of direct quotes and paraphrases exemplifying these themes). In addition to the sheer pleasure and fascination derived from reading about famous authors' reflections on the creation of their masterworks, this book provides a catalog of specific environmental conditions, behavioral routines, and cognitive practices that can productively expand the repertoires of writers and writing teachers alike. Individual writers might tap these techniques in the quest to invigorate their own writing production while writing teachers might tap them for fresh approaches to sparking their students' excitement about writing and confidence in their composing abilities.