Bøger udgivet af Amsterdam University Press

This book critically reflects on the role and usefulness of big data, challenging overly optimistic expectations about what such information can reveal.

Determinedly forward-looking and optimistic, though never straying from hard facts, The Tesla Revolution paints a striking picture of our global energy future.

Presents and discusses a treasure trove of early color film images from the archives of EYE Film Institute Netherlands, bringing to life their rich hues and forgotten splendor.

In the south-east of Indonesia, on the Moluccas, theologians are developing contextual theologies for the Moluccan Protestant church. The Moluccas were colonized by the Dutch for more than three centuries. In order to counter colonial influences, Moluccan theologians aim to better connect Christianity with the cultural and religious realities of congregants. Christian Izaac Tamaela proposed and instigated the transposition of Moluccan traditional music to the Moluccan Protestant church. This book is about the contextualization of church music. The book asks how traditional music as framed within contextual Moluccan theology is interrelated with lived religion. Vivid descriptions of liturgical practices, music traditions and personal encounters map the entanglements between Moluccan culture, Moluccan Christianity and Moluccan music. The author traces the theological idea of traditional church music to lived religious practices and attitudes among ministers, musicians and congregants. The resonances and dissonances of this process transform Moluccan traditional music. For a selection of the audio-visual material, visit the website www.jiplensink.nl/tt

A prose work interspersed with poetry, Le Printemps d'Yver was highly popular in its day, seeing thirty editions between 1572 and 1635. Jacques Yver's stories and their premise - three gentlemen and two noble women who spin five tales in order to distract each other from the horrors of the recent third religious war and to rejoice in the brief 1570 truce of Saint-Germain - provide an intriguing and distinctive continuation of this genre evocative of Boccaccio and Marguerite de Navarre. It reveals an author with a profound humanist education whose text, inspired by Bandello, engages the social and political controversies of late sixteenth-century France. Henry Wotton translated Le Printemps into early modern English in 1578, removing all references to the original author and title while also mistranslating, deleting, and substituting passages. This modern English translation constitutes the first complete translation of the original French text.

How the Dutch military legal apparatus did or did not act against extreme violence committed by its own soldiers between 1945 and 1950.

A thorough analysis of the Dutch-Indonesian battle for intelligence.

Views the terrifying Bersiap period against the backdrop of the violent first phase of the Indonesian National Revolution.

In recent years, the archives of the Middelburgse Commercie Compagnie (MCC), the Dutch West India Company (WIC) and the notarial archives of Amsterdam (SAA) were included in large-scale digitization projects. As a result, stories that were hidden for hundreds of years about the ins and outs of the trans-Atlantic slave trade are coming to light, waiting to be told. This new data, combined with digital tools, has allowed a new generation of historians to conduct in-depth research and analysis on previously understudies aspects of the Dutch Transatlantic slave trade.

Monsters fascinate us. From ancient folklore to contemporary digital games, they are at the core of the stories we tell. They reflect our fears, deepest desires, and the monstrosity hidden within ourselves. Monsters hold a mirror to our contemporary society and reveal who we truly are. This edited collection examines monsters and monstrosity in games and play. Monsters are a key feature of most games: we fight, kill, and eat them-and sometimes, we become them. However, monsters in games and play are not only entertaining but also a reflection of the monstrosity of our world. In this book, twenty-two scholars explore how themes such as mental health, colonialism, individualism, disability, gender, sexuality, racism, and exclusion are reflected in the monsters we interact with in games, play, and our daily lives both online and offline. Monstrosity in Games and Play is recommended to readers interested in the monstrous in contemporary game cultures and their surrounding societies.

Reflecting Jerusalem in the Medieval Czech Lands maps the reception, reflection, and translation of Jerusalem in medieval Czech lands. The volume deals with Jerusalem as an idea and traces it not only in time but in various forms of art as well - such as architecture, book and wall-painting, and different literary genres - with the aim of covering the whole spectrum of Jerusalem images in medieval Czech lands. Special attention is paid to the interim period, when the Czech lands "lost" direct contact with the Holy Land and the idea of Jerusalem was mediated through Western European and Italian sources.

In the early modern period, members of the Society of Jesus working as missionaries in the so-called mission of Maynas explored vast areas of the upper Amazon. These missionaries belonged to the very small group of Europeans who lived in the forests of the Amazon Basin for longer periods, in close contact with local people. Their daily experiences in the mission, their high level of education, and their connection with the institutional structures of the Jesuit order made them key figures in the production of knowledge about the Amazon. Irina Saladin investigates the complex relationships between mission and knowledge in the context of seventeenth- and eighteenth-century Jesuit maps. She analyzes how Jesuit missionary practices shaped the cartographic representation of the Amazon in the early modern era.

Independence protests are on the rise across Europe, as Spain, the UK, and other states have faced severe secessionist challenges. The largest wave of these protests swept Catalonia and reached its peak in 2017 when the push for a binding referendum led to an unprecedented secessionist crisis. Organizing for Independence explores the question of how the referendum crisis as a threat and opportunity transformed secessionist protest and its organizational basis. Combining protest event data, qualitative interviews, and network analyses, Hans Jonas Gunzelmann shows how organizational change took place inside, outside, and between formal organizations, and was driven by activists' symbolic constructions of transformative events. The book goes beyond simplistic accounts of secessionist protest by providing a dynamic perspective on strategic interactions between protesters and their opponents and allies. These insights are particularly timely as independence movements all over the world look with great interest at what happened in Catalonia.

Urban Nightlife and Contested Spaces: Cultural Encounters after Dusk captures the multifarious nature of the urban night and how it is lived, structured, and reflected upon in diverse cultural and artistic expressions. The volume acknowledges the urban night as an often-overlooked key dimension necessary to understand the complexities of today's urban spaces, including the often-polarizing question of migration. After dusk, urban social challenges are often magnified, as questions of who can be where and when - along ethnic, racial or gender lines, for example - gain an additional dimension. The volume underscores, indeed, the multi-dimensionality of night spaces, where bottom-up, grassroot initiatives provide opportunities for self-expression by traditionally marginalized and silenced groups. Chapters span disciplines of urbanism and urban history, literary, film and cultural studies, music, sociology of labour, anthropology of migration, alongside autoethnographic contributions and practice-based photo essays by artists for whom the night is their habitual setting and canvas.

This book considers for the first time the relationship between the river environment and the economic and political structures of northern Italy in the post-Roman period. Through the study of the relationship between river and society over time, it shows how the Carolingian conquest and other major political events in northern Italy did not seem to introduce radical changes in the daily life or broad economic systems. In fact, ecological circuits, local networks, family strategies and monastic policies seem to have been equal factors that shaped the relationship between river and society. This monograph offers an innovative approach to the study of the early Middle Ages, integrating social sciences, historical records, archaeological and geoenvironmental data analyses to overcome the lack of written and material sources. These new integrated perspectives on the post-Roman world shed light on the relationship between humans and their environment and on the social complexity of the riverscape, topics not yet fully investigated in the historiographical debate.

The Art of Anna Dorothea Therbusch (1721-1782) is the first English-language monograph on this exceptional German artist that critically examines Therbusch's artworks and career as a history and mythological painter, portraitist, and maker of synthetic pigments within the German and international milieu that both condemned and celebrated her accomplishments. Adding to the excellent scholarship on French, British, Italian, and Swiss eighteenth-century women painters, this book showcases the social and cultural practices of court cultures beyond France, with a focus on German-speaking Europe and how a provocative woman painter navigated within them. Meticulous archival and literary research sheds new light on the importance of the family atelier as a place of networking, collaboration, and experimentation in the eighteenth century and provides a fresh perspective on the growing Prussian intellectual and mercantilist cultures and their impact on Therbusch's artistic production and the unavoidable fluency between painting, the minor or luxury arts, and the laboratory. Therbusch's life and art enriches our understanding of female artistic agency and the complexities of pursuing a career in the male- and academy-dominated art world of the eighteenth century.

The sixteenth-century pictorial manuscript known as the Codex Borbonicus contains a remarkable record of the eighteen Mexica (or "Aztec") festival periods of twenty days, known as veintenas, celebrated during the 365-day solar year. Because its indigenous artists framed the Borbonicus veintenas with historical year dates, this volume situates the annually recurring rituals within the march of linear, reckoned time, in the singular year "2 Reed" (1507), during the reign of Moteuczoma II. DiCesare attends to the historical dimensions of several unusual scenes, proposing that the veintenas probably varied significantly from year to year in response to historical concerns. She considers particularly whether the Borbonicus veintenas document the confluence of solar year ceremonies with a second set of ritual feast days, governed by the 260-day cycle known as the tonalpohualli, or "count of days." In this way, DiCesare analyzes how linear and cyclical conceptions of time intersected in Mexica ritual performance.

Part manifesto, part manual, this book offers historians of all levels both subject and approach. The subject is work. In every place-time people made and sold objects - and struggled with annoying customers or government regulation. They healed clients - and wanted to bolster their prestige and keep out interlopers. Studying work allows historians to delve into the experiences of non-elite groups using texts, images, or objects. The wide-ranging approach is based on the Chicago-school sociology of occupations, which starts from the premise that work isn't just a job: it's a drama created by people making decisions that shape and are shaped by their place-time. Packed with examples from Ming Chinese apothecaries to twentieth-century New York City doormen, this book is a must for those who want to enliven their study of the past by examining how people spent most of their days and lives: at work.

This book tells the story of the negotiations between China, Japan, Taiwan, the Philippines, Vietnam and other Southeast Asian countries about the East and South China Sea disputes. Tapping into formerly classified and newly available primary sources, the book meticulously tracks these negotiations and their sudden U-turns. It is a story about the promises and perils of cooperation - as much about pragmatic, gradual and surprisingly resilient approaches to conflict resolution and ocean governance as it is about the expansion of states' bargaining power through institutions. The book hinges on the question of when and why disputing parties reach agreement on joint oil and gas development, fisheries and codes of conduct, and when and why negotiations end in impasse. It is the first comprehensive and theoretically informed study of decades-long dispute settlement efforts in a central region of the Indo-Pacific where the expansion of China challenges the law of the sea and regional security.