Bøger udgivet af American School of Classical Studies at Athens

Publishes miscellaneous terracotta finds from the Sanctuary of Demeter and Kore, Corinth.

This volume presents the finds of a Greek-American team that investigated an impressive array of Early Roman to Early Byzantine buildings and burials on the Koutsongila Ridge at Kenchreai.

Among the collections of the Gennadius Library in Athens are over 300 Greek manuscripts, ranging in date from the 13th to the 19th century. This book presents a collection of studies of various aspects of the collection written by leading paleographers, Byzantine art historians, and theologians.

The authors have also given attention to vase-painters of the Protocorinthian and Corinthian periods who were previously known chiefly from works exported in antiquity, and have succeeded in establishing the importance of the Corinth Museum as a center for the study of the Corinthian Style.

This special issue of the Gennadius Library's periodical, The New Griffon , presents six essays about the Library's map collection and its place in a larger project to bring together, in a digital repository, maps and charts of the Mediterranean held in American overseas research centers. Each article is in both English and Modern Greek.

Greek bibliographic resources have generally been difficult to access in North America.

For what I say, my naughty way/All the boys must love me./Every ditty is so witty/Nobody stands above me. From papyrus rolls, copied and recycled through the centuries, hundreds of short extracts written by Greek poets in the 7th and 6th centuries B.C.

An exhibition celebrating the 2500th anniversary of the beginnings of democracy in Athens is now on at the National archives, Washington DC until January 1994. This informative catalogue includes colour illustrations of the objects displayed: sculptures, architectural models and small objects from Athens and from museums in America and Europe.

A chronicle of the second fifty years in the life of the American School (originally founded in 1881). Conceived as a companion volume to Louis Lord's 1947 history of the first half century, the text outlines the activities of the School both in Greece and in the United States, beginning with an absorbing account of the affairs of the School during World War II and continuing through the Centennial in 1981, with chapters on the Summer Session, the School's excavations, its publications, and the Gennadeion. The extensive appendices include lists of all the Trustees, Cooperating Institutions, members of the Managing Committee, staff, fellows, and members of the School since its inception in 1881, and add greatly to the usefulness of this volume. The author's first-hand knowledge of the people and events of the period discussed contributes materially to the depth and detail.

Small sculptured figures of humans and animals have been found all over the Agora, ranging in date from the earliest occupation of Athens to the end of the Late Roman period. This booklet presents a representative sample of these carvings, ranging from elegant ivory figures of Apollo to small toy horses recovered from children's graves.

Twenty one papers on various aspects of Athenian art and society by the students and friends of Homer A. Thompson, a noted classical archaeologist and excavator of the Athenian Agora for many years.

Over 100 clay molds found between 1931 and 1977 in the fills within the three great Hellenistic stoas that once lined the Agora (the Middle Stoa, the Stoa of Attalos, and the South Stoa) are published in this book.

This is the final publication of a small open-air sanctuary of Zeus on Mt. The finds reflect two periods of activity: from 950 to 575 B.C. The most significant find, however, was of 170 graffiti indicating a surprisingly high level of literacy in Attica in the 7th century B.C.

Situated on the slopes of Acrocorinth, which rises to the south of the main part of the ancient city, the Sanctuary of Demeter and Kore was the focus of excavations from 1961 through 1973. This is the first volume of final publication and presents pottery used in the Sanctuary from the Protocorinthian period through 146 B.C.

The artifacts and monuments of the Athenian Agora provide our best evidence for the workings of ancient democracy. As a concise introduction to these physical traces, this book has been a bestseller since it was first published almost 20 years ago.

This volume includes all of the Classical, Hellenistic, and Roman votive reliefs found to date in the excavations of the Athenian Agora. In addition to providing a catalogue of the reliefs arranged according to their subjects, the author treats the history of their discovery, their production and workmanship, iconography, and function. A large part of the study is devoted to discussion of the original contexts of the reliefs, in an attempt to determine their relationship to shrines in the vicinity and to investigate what they can tell us about the character of religious activity in the vicinity of the Agora. The work will be an important reference for historians of Greek art as well as of Greek religion.

To celebrate thirty years of excavation, the director of the University of Toronto excavations at Kommos presents a personal view of the site and the archaeological investigations that have transformed our understanding of what daily life for more humble members of the Bronze Age population may have been like.

This book presents 13 studies on different regions of Greece that combine documentary and archaeological evidence to investigate the development of landscapes and sites between 1500 and 1800 A.D.

A landmark in the study of ancient glass from Greece, this volume presents 404 vessels, mostly fragmentary, excavated in the Athenian Agora.

This volume discusses the important, mainly Roman, buildings at the east end of the Corinthian Agora--the Julian Basilica and the Southeast Building, the South Basilica (immediately behind the South Stoa), and the Mosaic House adjoining it.

After a discussion of the fragmentary evidence for several buildings of the Greek period which were swept to construct it, the South Stoa at Corinth is treated in detail.

The friezes (the Gigantomachy, the Amazonomachy, and the Labors of Herakles) are presented each in turn with a discussion of its position in Greek art and a stylistic analysis, followed by a catalogue of the pieces arranged as far as possible in the proposed sequence of relief slabs.

A useful guide to the archaeological remains viewable at the Athenian Agora, the civic and commercial center of ancient Athens.

This book traces the archaeological history of Pylos and surrounding regions in Messenia from the Palaeolithic to the present.

Kostas Varnalis (1884-1974) was a Bulgarian-born Greek writer and member of the demoticist movement in Greece. An important contemporary of Angelos Sikelianos and Nikos Kazantzakis, Varnalis flourished as a poet in the interwar years.

Like fragments of overheard conversations, the thousands of informal inscriptions scratched and painted on potsherds, tiles, and other objects give us a unique insight into the everyday life of the Athenian Agora.

Named after its donor, the King of Pergamon, the Stoa of Attalos was originally built around 150 B.C. Using original materials and techniques, the modern builders learned much about the construction and purpose of the stoa, a ubiquitous classical building type.

Finds and architecture from the private houses that covered over the remains of the classical city are discussed, and the book ends with a survey of the Church of the Holy Apostles, the 11th-century A.

In the spring, the ground of the Agora archaeological park is covered in poppies and daisies while poplars and oaks shade many of the pathways. This booklet presents evidence for ancient horticulture in the Agora (for example, structured antique gardens were uncovered around the Temple of Hephaistos).

At night, the darkness of the ancient Agora would have been pierced by the lights of oil lamps, and thousands of fragments of these distinctive objects have been found. She also provides illustrations of particularly fine examples, including ornate festival lamps with many nozzles and bizarre shapes.