Bøger af William Price

First published in 1828, 'Elements of the Sanscrit Language' is a beginner's guide to the Sanskrit language. William Price provides clear and concise instructions on the grammar and vocabulary of Sanskrit, making it an accessible introduction to this important language. This book is a must-read for anyone interested in linguistics, philosophy, religion, or history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This grammar book is designed to teach Hindoostanee, a language spoken in parts of India and Pakistan. In addition to grammar rules, A New Grammar of the Hindoostanee Language includes helpful phrases and dialogues for beginners.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A New Grammar Of The Hindostanee Language: To Which Are Added, Selections From The Best Authors, Familiar Phrases And Dialogues, In The Proper Character William Price Allen, 1828

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Le livre ""Choix De Contes De Daudet (1888)"" de Price, William est une collection de contes de l'�����crivain fran�����ais Alphonse Daudet. Cette �����dition publi�����e en 1888 comprend une s�����lection de ses histoires les plus c�����l�����bres, notamment ""La Ch�����vre de Monsieur Seguin"", ""Les Trois Messes Basses"" et ""La Mule du Pape"". Les contes de Daudet sont connus pour leur humour, leur �����motion et leur description vivante de la vie en Provence. Cette �����dition est id�����ale pour les lecteurs francophones qui cherchent ������ d�����couvrir ou red�����couvrir l'oeuvre de cet auteur classique.This Book Is In French.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm25043917Attributed to: William Price. Cf. NUC pre-56Baltimore: J.D. Toy, 1846. 73 p.; 22 cm.

Daniel Boorstin said, "e;We risk being the first people in history to have been able to make their illusions so vivid, so persuasive, so 'realistic' that they can live in them."e; All creation wears a veneer of our making. We have "e;paved paradise,"e; wall-papered nature with our designs and patterns, our wants and wishes. Walter Cronkite closed his news hour with the phrase, "e;And that's the way it is."e; But now, all men and women see not what is but what is built. The constructions of our culture hide the permanent things. Even worse, the virtual world (what does that mean anyway?) supplants the real-the only-world with the sad consequence that we reckon reality infinitely malleable in servitude to our desires. Today more than ever, we need to see the world not as we wish it were, not as our cultural narratives would have it, but as it is, unclad under the sun. We need a perspective that we cannot attain on our own, free from mythmaking, nostalgia, and the lying promises of the goddess Progress. How do we go around, behind, and under the claptrap of culture to see the bones of creation? How can we grasp our human condition apart from illusion and wishing-it-so?We could go back to a time before the internet, before Facebook, before television, before movies, even before novels and ask for wisdom. Let us go back to the Iron Age in the Middle East. Let us ask King Solomon, "e;What is this world all about? Hold no punches. Tell us the truth."e;His answer would be Ecclesiastes. Ecclesiastes paints a bleak and barren landscape. On its dusty plain generations come and generations go. They leave not memory, only dust. The sun rises and sets and counts out the days of man's short life. The wind blows on its circuit-and man chases it. He labors his life long but grasps little that endures. Ecclesiastes is a picture of creation under curse, subject to futility, painted with a broad brush. Solomon's book is an assault on our senses. It describes a world we would not choose, a dying world, fallen from paradise, a creation in the clutches of the curse. Were we to write Ecclesiastes, our description of this world would likely be more sanguine with fewer hard edges. But would it be real?Into this world of curse came the Man of Sorrows. He did not come to impart wisdom, though wisdom he is. He did not come to merely observe, though his knowledge of our state was complete. He came to experience in full the futility and death and dust of Solomon's world, to bear the curse in its fullness, and to do so for us. He came to make all things new.