Bøger af William Morris

William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university, he trained as an architect, married Jane Burden, and developed close friendships with the Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with the Neo-Gothic architect Philip Webb. Webb and Morris designed a family home, Red House, then in Kent, where the latter lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others: the Morris, Marshall, Faulkner & Co. Becoming highly fashionable and much in demand, the firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, Morris assumed total control of the company, which was renamed Morris & Co. Although retaining a main home in London, from 1871 Morris rented the rural retreat of Kelmscott Manor, Oxfordshire. Greatly influenced by visits to Iceland, with Eiríkr Magnússon he produced a series of English-language translations of Icelandic Sagas. He also achieved success with the publication of his epic poems and novels, namely The Earthly Paradise (1868-1870), A Dream of John Ball (1888), the utopian News from Nowhere (1890), and the fantasy romance The Well at the World's End (1896). In 1877 he founded the Society for the Protection of Ancient Buildings to campaign against the damage caused by architectural restoration. Embracing Marxism and influenced by anarchism, in the 1880s Morris became a committed revolutionary socialist activist; after an involvement in the Social Democratic Federation (SDF), he founded the Socialist League in 1884, but broke with that organization in 1890. In 1891 he founded the Kelmscott Press to publish limited-edition, illuminated-style print books, a cause to which he devoted his final years. Morris is recognised as one of the most significant cultural figures of Victorian Britain; though best known in his lifetime as a poet, he posthumously became better known for his designs. Founded in 1955, the William Morris Society is devoted to his legacy, while multiple biographies and studies of his work have seen publication. Many of the buildings associated with his life are open to visitors, much of his work can be found in art galleries and museums, and his designs are still in production..............

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Hand And Brain: A Symposium Of Essays On Socialism William Morris, Grant Allen, Bernard Shaw, Henry Stephens Salt, Alfred Russel Wallace, Edward Carpenter Done into a book by the Roycrofters at the Roycroft Shop, 1898 Socialism

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The Sundering Flood is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. The Sundering Flood was Morris' last work of fiction, completed only in rough draft, with the ending dictated from his deathbed. It was edited posthumously by his daughter May into finished form for publication and published in 1897. Morris considered his fantasies a revival of the medieval tradition of chivalrous romances; consequently, they tend to have sprawling plots of strung-together adventures. His use of archaic language has been seen as difficult by some modern readers. Plot summary: Osberne Wulfgrimsson and Elfhild are lovers who live on opposite sides of the Sundering Flood, an immense river. When Elfhild disappears during an invasion by the Red Skinners, the heartbroken Osberne takes up his magical sword Boardcleaver and joins the army of Sir Godrick of Longshaw, in whose service he helps dethrone the tyrannical king and plutocracy of merchants ruling the city at the mouth of the river. Afterwards he locates Elfhild, who had fled with a relative, a wise woman skilled in the magical arts, and taken refuge in the Wood Masterless. Elfhild tells Osberne of their adventures en route to safety. Afterwards they return together to Wethrmel, Osberne's home, and all ends happily....... William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university, he trained as an architect, married Jane Burden, and developed close friendships with the Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with the Neo-Gothic architect Philip Webb. Webb and Morris designed a family home, Red House, then in Kent, where the latter lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others: the Morris, Marshall, Faulkner & Co. Becoming highly fashionable and much in demand, the firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, Morris assumed total control of the company, which was renamed Morris & Co...................

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Poetical Works: Earthly Paradise; Volume 5 Of Poetical Works; William Morris William Morris Longmans, Green, 1896

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The Question Of Ages: Or Outlines Of Testimony In Relation To Life, Death, And Immortality is a book written by Morris William in 1862. This book is a philosophical and theological exploration of the nature of life, death, and immortality. It is an attempt to answer the fundamental questions that have puzzled humanity for centuries. The author delves into the mysteries of existence and the afterlife, examining the different beliefs and theories that have been put forth by various cultures and religions throughout history. Morris William presents a comprehensive analysis of the human condition, exploring the meaning and purpose of life, the nature of death, and the possibility of an afterlife. The book is divided into several chapters, each of which focuses on a different aspect of the question of ages. The author starts by examining the concept of life, exploring its meaning and significance. He then moves on to discuss the nature of death and the different ways in which people have tried to understand it. Morris William also explores the idea of immortality, examining the various beliefs and theories that have been put forth throughout history. He discusses the concept of the soul and its relationship to the body, as well as the different ways in which people have tried to achieve immortality. Throughout the book, Morris William draws on a wide range of sources, including philosophy, religion, and science, to provide a comprehensive and thought-provoking exploration of the question of ages. This book is a valuable resource for anyone interested in philosophy, theology, or the nature of existence.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In Dark Watch and other Mormon-American Stories, William Morris explores how Latter-day Saints navigate the challenges of living in the modern U.S. and participating in the modern Church. Spanning from the early 1980s to the present and into the next century, these 16 stories portray moments that are uniquely, thoroughly and sometimes bittersweetly Mormon-American.

Hark! the March wind again of a people is telling; Of the life that they live there, so haggard and grim, That if we and our love amidst them had been dwelling My fondness had faltered, thy beauty grown dim. This land we have loved in our love and our leisure For them hangs in heaven, high out of their reach; The wide hills o'er the sea-plain for them have no pleasure, The grey homes of their fathers no story to teach.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Story Of The Glittering Plain: Which Has Also Been Called The Land Of Living Men, Or The Acre Of The Undying William Morris Roberts, 1892

William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university he trained as an architect, married Jane Burden, and developed close friendships with the Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with the Neo-Gothic architect Philip Webb. Webb and Morris designed a family home, Red House, then in Kent, where the latter lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others: the Morris, Marshall, Faulkner & Co. Becoming highly fashionable and much in demand, the firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, Morris assumed total control of the company, which was renamed Morris & Co. Although retaining a main home in London, from 1871 Morris rented the rural retreat of Kelmscott Manor, Oxfordshire. Greatly influenced by visits to Iceland, with Eiríkr Magnússon he produced a series of English-language translations of Icelandic Sagas. He also achieved success with the publication of his epic poems and novels, namely The Earthly Paradise (1868-1870), A Dream of John Ball (1888), the utopian News from Nowhere (1890), and the fantasy romance The Well at the World's End (1896). In 1877 he founded the Society for the Protection of Ancient Buildings to campaign against the damage caused by architectural restoration. Embracing Marxism and influenced by anarchism, in the 1880s Morris became a committed revolutionary socialist activist; after an involvement in the Social Democratic Federation (SDF), he founded the Socialist League in 1884, but broke with that organization in 1890. In 1891 he founded the Kelmscott Press to publish limited-edition, illuminated-style print books, a cause to which he devoted his final years. Morris is recognised as one of the most significant cultural figures of Victorian Britain; though best known in his lifetime as a poet, he posthumously became better known for his designs. Founded in 1955, the William Morris Society is devoted to his legacy, while multiple biographies and studies of his work have seen publication. Many of the buildings associated with his life are open to visitors, much of his work can be found in art galleries and museums, and his designs are still in production.....

The Water of the Wondrous Isles is a fantasy novel by William Morris, perhaps the first writer of modern fantasy to unite an imaginary world with the element of the supernatural, and thus a precursor of much of present-day fantasy literature.[1] It was first printed in 1897 by Morris' own Kelmscott Press on vellum and artisanal paper in a blackletter type of his own design. For the wider reading public, a hardcover trade edition was published later that year by Longmans, Green and Co. The novel was republished by Ballantine Books as the thirty-eighth volume of the Ballantine Adult Fantasy series in November, 1971. The Ballantine edition includes an introduction by Lin Carter. Morris considered his fantasies a revival of the medieval tradition of chivalrous romances; in consequence, they tend to have sprawling plots of strung-together adventures. These prose romances were written in a mock-Medieval style that modern readers may find arduous and fustian. Plot summary: Stolen as a child and raised in the wood of Evilshaw as servant to a witch, Birdalone ultimately escapes in her captress's magical boat, in which she travels to a succession of strange and wonderful islands. Among these is the Isle of Increase Unsought, an island cursed with boundless production, which Morris intended as a parable of contemporary Britain and a vehicle for his socialistic beliefs. Equally radical, during much of the first quarter of the novel, Birdalone is naked, a highly unusual detail in Victorian fiction. She is occasionally assisted out of jams by Habundia, her lookalike fairy godmother. She encounters three maidens who are held prisoner by another witch. They await deliverance by their lovers, the three paladins of the Castle of the Quest. Birdalone is clad by the maidens and seeks out their heroes, and the story goes into high gear as they set out to rescue the women. Ultimately, one lady is reunited with her knight, another finds a new love when her knight is killed, and the last is left to mourn as her champion throws her over for Birdalone............ William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university, he trained as an architect, married Jane Burden, and developed close friendships with the Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with the Neo-Gothic architect Philip Webb. Webb and Morris designed a family home, Red House, then in Kent, where the latter lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others: the Morris, Marshall, Faulkner & Co. Becoming highly fashionable and much in demand, the firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, Morris assumed total control of the company, which was renamed Morris & Co.............

The Well at the World's End is a high fantasy novel by the British artist, poet, and author William Morris. It was first published in 1896 and has been reprinted a number of times since, most notably in two parts as the 20th and 21st volumes of the Ballantine Adult Fantasy series, in August and September 1970. It is also available in one volume along with a similar Morris tale, The Wood Beyond the World (1894), in On the Lines of Morris' Romances: Two Books that Inspired J. R. R. Tolkien. Plot summary[edit] Using language with elements of the medieval tales which were his models, Morris tells the story of Peter, King of Upmeads, and his four sons, Blaise, Hugh, Gregory, and Ralph. These four sons decide one day that they would like to explore the world, so their father gives them permission. From that point on, the plot centers on the youngest son, Ralph. Ralph's explorations begin at Bourton Abbas, after which he goes through the Wood Perilous. He has various adventures there, including the slaying of two men who had entrapped a woman. That woman later turns out to be the Lady of Abundance, who later becomes his lover for a short time. In one episode Ralph is staying at a castle and inquires about the Lady of the castle (the so-called Lady of Abundance), whom he has not yet seen. Descriptions of her youth and beauty suggest to him that she has drunk from the well at the world's end. "And now in his heart waxed the desire of that Lady, once seen, as he deemed, in such strange wise; but he wondered within himself if the devil had not sown that longing within him...." A short time later, while still at the castle, Ralph contemplates images of the Lady and "was filled with the sweetness of desire when he looked on them." Then he reads a book containing information about her, and his desire to meet the Lady of Abundance flames higher. When he goes to bed, he sleeps "for the very weariness of his longing." He fears leaving the castle because she might come while he is gone. Eventually he leaves the castle and meets the Lady of Abundance, who turns out to be the same lady he had rescued some weeks earlier from two men.When he meets her this time, the lady is being fought over by two knights, one of whom slays the other. That knight nearly kills Ralph, but the lady intervenes and promises to become the knight's lover if he would spare Ralph. Eventually, she leads Ralph away during the night to save Ralph's life from this knight, since Ralph had once saved hers. She tells Ralph of her trip to the Well at the World's End, her drinking of the water, the tales of her long life, and a maiden she thinks is especially suited to Ralph. Eventually, the knight catches up to them and kills her with his sword while Ralph is out hunting. Upon Ralph's return, the knight charges Ralph, and Ralph puts an arrow through his head. After Ralph buries both of them, he begins a journey that will take him to the Well at the World's End.......

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

William Morris (1834 - 1896) was an English novelist, poet, and social activist. Morris was especially famous for his contributions to the modern fantasy genre.

The Well at the World's End is a high fantasy novel by the British artist, poet, and author William Morris. It was first published in 1896 and has been reprinted a number of times since, most notably in two parts as the 20th and 21st volumes of the Ballantine Adult Fantasy series, in August and September 1970. It is also available in one volume along with a similar Morris tale, The Wood Beyond the World (1894), in On the Lines of Morris' Romances: Two Books that Inspired J. R. R. Tolkien. Plot summary[edit] Using language with elements of the medieval tales which were his models, Morris tells the story of Peter, King of Upmeads, and his four sons, Blaise, Hugh, Gregory, and Ralph. These four sons decide one day that they would like to explore the world, so their father gives them permission. From that point on, the plot centers on the youngest son, Ralph. Ralph's explorations begin at Bourton Abbas, after which he goes through the Wood Perilous. He has various adventures there, including the slaying of two men who had entrapped a woman. That woman later turns out to be the Lady of Abundance, who later becomes his lover for a short time. In one episode Ralph is staying at a castle and inquires about the Lady of the castle (the so-called Lady of Abundance), whom he has not yet seen. Descriptions of her youth and beauty suggest to him that she has drunk from the well at the world's end. "And now in his heart waxed the desire of that Lady, once seen, as he deemed, in such strange wise; but he wondered within himself if the devil had not sown that longing within him...." A short time later, while still at the castle, Ralph contemplates images of the Lady and "was filled with the sweetness of desire when he looked on them." Then he reads a book containing information about her, and his desire to meet the Lady of Abundance flames higher. When he goes to bed, he sleeps "for the very weariness of his longing." He fears leaving the castle because she might come while he is gone. Eventually he leaves the castle and meets the Lady of Abundance, who turns out to be the same lady he had rescued some weeks earlier from two men. When he meets her this time, the lady is being fought over by two knights, one of whom slays the other. That knight nearly kills Ralph, but the lady intervenes and promises to become the knight's lover if he would spare Ralph. Eventually, she leads Ralph away during the night to save Ralph's life from this knight, since Ralph had once saved hers. She tells Ralph of her trip to the Well at the World's End, her drinking of the water, the tales of her long life, and a maiden she thinks is especially suited to Ralph. Eventually, the knight catches up to them and kills her with his sword while Ralph is out hunting. Upon Ralph's return, the knight charges Ralph, and Ralph puts an arrow through his head. After Ralph buries both of them, he begins a journey that will take him to the Well at the World's End. As he comes near the village of Whitwall, Ralph meets a group of men, which includes his brother Blaise and Blaise's attendant, Richard. Ralph joins them, and Richard tells Ralph about having grown up in Swevenham, from which two men and one woman had once set out for the Well at the World's End. Richard had never learned what happened to those three. Richard promises to visit Swevenham and learn what he can about the Well at the World's End. Ralph falls in with some merchants, led by a man named Clement, who travel to the East. Ralph is in search of the Well at the World's End, and they are in search of trade. This journey takes him far to the east in the direction of the well, through the villages of Cheaping Knowe, Goldburg, and many other hamlets. Ralph learns that a maiden, whom the Lady of Abundance had mentioned to him, has been captured and sold as a slave. He inquires about her, calling her his sister, and he hears that...

News from Nowhere (1890) is a classic work combining utopian socialism and soft science fiction written by the artist, designer and socialist pioneer William Morris. In the book, the narrator falls asleep after returning from a meeting of the Socialist League and awakes to find himself in a future society based on common ownership and democratic control of the means of production. The remainder of the book explores a number of aspects of this society, including its organisation and the relationships which it engenders between people. The book offers Morris' answers to a number of frequent objections to socialism, and underlines his belief that socialism will entail not only the abolishment of private property but also of the divisions between art, life, and work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

O love, this morn when the sweet nightingale Had so long finished all he had to say, That thou hadst slept, and sleep had told his tale; And midst a peaceful dream had stolen away In fragrant dawning of the first of May, Didst thou see aught? didst thou hear voices sing Ere to the risen sun the bells 'gan ring? For then methought the Lord of Love went by To take possession of his flowery throne, Ringed round with maids, and youths, and minstrelsy; A little while I sighed to find him gone, A little while the dawning was alone, And the light gathered; then I held my breath, And shuddered at the sight of Eld and Death.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Architecture And History (a Lecture) And Westminster Abbey (a Paper). William Morris Chiswick press, 1900

The Story of Sigurd the Volsung and the Fall of the Niblungs (1876) is an epic poem of over 10,000 lines by William Morris that tells the tragic story, drawn from the Volsunga Saga and the Elder Edda, of the Norse hero Sigmund, his son Sigurd (the equivalent of Siegfried in the Nibelungenlied and Wagner's Ring of the Nibelung, and Sigurd's wife Gudrun. It sprang from a fascination with the Volsung legend that extended back twenty years to the author's youth, and had already resulted in several other literary and scholarly treatments of the story. Book I: Sigmund[edit] The poem opens with the marriage of king Volsung's daughter Signy to Siggeir, king of the Goths. The bridal feast is interrupted by the arrival of a stranger, the god Odin in disguise, who drives a sword into a tree-trunk. Though everyone tries to draw the sword, Volsung's son Sigmund is the only man who can do it. The disappointed Siggeir takes his new wife home, inviting Volsung to visit him. When Volsung does so he is killed by Siggeir, and his sons are taken prisoner. While in captivity they are all killed by a wolf, apart from Sigmund who escapes into the forest. Signy sends Sigmund her two sons to help him in avenging their family, but Sigmund only accepts Sinfjotli, the hardier of the two. Sigmund and Sinfjotli kill Siggeir and burn down his hall, then return to their ancestral home, the hall of the Volsungs. Sigmund marries Borghild, while Sinfjotli goes abroad with Borghild's brother, quarrels with him, and kills him. On his return Sinfjotli is poisoned by Borghild, and she is turned out by Sigmund, who instead marries Hiordis. Sigmund is killed in battle, and the pregnant Hiordis is taken to live in the hall of King Elf in Denmark. Book II: Regin[edit] There she gives birth to Sigurd. Sigurd is raised by Regin, a cunning old man, and when he grows to manhood he asks for a horse from King Elf. Elf bids him choose the one he likes best, and Sigurd takes the best horse, and names it Grani. Sigurd is now urged by Regin to attack Fafnir, a dragon who guards a hoard of gold. This treasure is a curse to all who possess it. Fafnir, Regin says, was originally a human being; indeed, the dragon was Regin's brother and thus the gold rightfully belongs to Regin. He tries and fails to forge an adequate sword for Sigurd, but Sigurd produces the shattered fragments of Odin's sword, which he has inherited from Sigmund, and from these fragments Regin forges a mighty sword, named "the Wrath" by Sigurd. Sigurd makes his way to Fafnir's lair, kills him, drinks his blood, and roasts and eats his heart. This gives him the power to understand the voices of birds and to read the hearts of men. He now understands that Regin intends to kill him, and so he kills Regin and takes Fafnir's treasure for himself. On his journey homeward Sigurd comes across an unearthly blaze on the slopes of Hindfell. He rides straight into it and comes unharmed to the heart of the fire, where he finds a beautiful sleeping woman clad in armour. He wakes her, and she tells him that she is Brynhild, a handmaiden of Odin whom he has left here as a punishment for disobedience. They pledge themselves to each other, Sigurd places a ring from Fafnir's hoard on her finger, and he leaves...book III AND BOOK IV. William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain.......

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A Tale of the House of the Wolfings and All the Kindreds of the Mark is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature.The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays them as simple and hardworking, galvanized into heroic action to defend their families and liberty by the attacks of imperial Rome. Morris's Goths inhabit an area called the Mark on a river in the forest of Mirkwood, divided into the Upper-mark, the Mid-mark and the Nether-mark. They worship their gods Odin and Tyr by sacrificing horses, and rely on seers who foretell the future and serve as psychic news-gatherers. The men of the Mark choose two War Dukes to lead them against their enemies, one each from the House of the Wolfings and the House of the Laxings. The Wolfing war leader is Thiodolf, a man of mysterious and perhaps divine antecedents, whose ability to lead is threatened by his possession of a magnificent dwarf-made mail-shirt which, unknown to him, is cursed. He is supported by his lover the Wood Sun and their daughter the Hall Sun, who are related to the gods.