Bøger af William M Thackeray
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- The English Humorists, The Four Georges
375,95 - 508,95 kr. This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
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- 375,95 kr.
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- William M. Thackeray: William Makepeace Thackeray (18 July 1811 - 24 December 1863) was an English novelist of the 19th century.
108,95 kr. William Makepeace Thackeray (18 July 1811 - 24 December 1863) was an English novelist of the 19th century. He is known for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. BIOGRAPHY: Thackeray, an only child, was born in Calcutta, British India, where his father, Richmond Thackeray (1 September 1781 - 13 September 1815), was secretary to the Board of Revenue in the British East India Company. His mother, Anne Becher (1792-1864), was the second daughter of Harriet Becher and John Harman Becher, who was also a secretary (writer) for the East India Company. Richmond died in 1815, which caused Anne to send her son to England in 1816, while she remained in British India. The ship on which he travelled made a short stopover at St. Helena, where the imprisoned Napoleon was pointed out to him. Once in England he was educated at schools in Southampton and Chiswick, and then at Charterhouse School, where he became a close friend of John Leech. Thackeray disliked Charterhouse, and parodied it in his fiction as "Slaughterhouse". Nevertheless, Thackeray was honoured in the Charterhouse Chapel with a monument after his death. Illness in his last year there, during which he reportedly grew to his full height of six foot three, postponed his matriculation at Trinity College, Cambridge, until February 1829.[citation needed]Never too keen on academic studies, Thackeray left Cambridge in 1830, but some of his earliest published writing appeared in two university periodicals, The Snob and The Gownsman. Thackeray then travelled for some time on the continent, visiting Paris and Weimar, where he met Goethe. He returned to England and began to study law at the Middle Temple, but soon gave that up. On reaching the age of 21 he came into his inheritance from his father, but he squandered much of it on gambling and on funding two unsuccessful newspapers, The National Standard and The Constitutional, for which he had hoped to write. He also lost a good part of his fortune in the collapse of two Indian banks. Forced to consider a profession to support himself, he turned first to art, which he studied in Paris, but did not pursue it, except in later years as the illustrator of some of his own novels and other writings. Thackeray's years of semi-idleness ended after he married, on 20 August 1836, Isabella Gethin Shawe (1816-1893), second daughter of Isabella Creagh Shawe and Matthew Shawe, a colonel who had died after distinguished service, primarily in India. The Thackerays had three children, all girls: Anne Isabella (1837-1919), Jane (who died at eight months old) and Harriet Marian (1840-1875), who married Sir Leslie Stephen, editor, biographer and philosopher.....
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- 108,95 kr.
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173,95 kr. La feria de las vanidades es indiscutiblemente una de las novelas capitales del siglo XIX; admirable por su concepción general, por la maestría de la ejecución, por el estilo, y también por su relación con las otras grandes obras novelescas que la preceden y la siguen. La sátira es implacable en ocasiones. El propio autor ha explicado que su propósito era presentar en escena una especie de gentes que viven sin Dios, absolutamente satisfechas de sí propias y convencidas de su virtud superior.
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- 173,95 kr.
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163,95 kr. La feria de las vanidades es indiscutiblemente una de las novelas capitales del siglo XIX; admirable por su concepción general, por la maestría de la ejecución, por el estilo, y también por su relación con las otras grandes obras novelescas que la preceden y la siguen. La sátira es implacable en ocasiones. El propio autor ha explicado que su propósito era presentar en escena una especie de gentes que viven sin Dios, absolutamente satisfechas de sí propias y convencidas de su virtud superior.
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- 163,95 kr.
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263,95 kr. La feria de las vanidades es indiscutiblemente una de las novelas capitales del siglo XIX; admirable por su concepción general, por la maestría de la ejecución, por el estilo, y también por su relación con las otras grandes obras novelescas que la preceden y la siguen. La sátira es implacable en ocasiones. El propio autor ha explicado que su propósito era presentar en escena una especie de gentes que viven sin Dios, absolutamente satisfechas de sí propias y convencidas de su virtud superior.
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- 263,95 kr.
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- William M.(Makepeace) Thackeray: Novel (World's classic's)
93,95 kr. William Makepeace Thackeray ( 18 July 1811 - 24 December 1863) was an English novelist of the 19th century. He is famous for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. Thackeray, an only child, was born in Calcutta, British India, where his father, Richmond Thackeray (1 September 1781 - 13 September 1815), was secretary to the Board of Revenue in the British East India Company. His mother, Anne Becher (1792-1864), was the second daughter of Harriet Becher and John Harman Becher, who was also a secretary (writer) for the East India Company.Richmond died in 1815, which caused Anne to send her son to England in 1816, while she remained in British India. The ship on which he travelled made a short stopover at St. Helena, where the imprisoned Napoleon was pointed out to him. Once in England he was educated at schools in Southampton and Chiswick, and then at Charterhouse School, where he became a close friend of John Leech. Thackeray disliked Charterhouse, and parodied it in his fiction as "Slaughterhouse". Nevertheless, Thackeray was honoured in the Charterhouse Chapel with a monument after his death. Illness in his last year there, during which he reportedly grew to his full height of six foot three, postponed his matriculation at Trinity College, Cambridge, until February 1829.Never too keen on academic studies, Thackeray left Cambridge in 1830, but some of his earliest published writing appeared in two university periodicals, The Snob and The Gownsman. Thackeray then travelled for some time on the continent, visiting Paris and Weimar, where he met Goethe. He returned to England and began to study law at the Middle Temple, but soon gave that up. On reaching the age of 21 he came into his inheritance from his father, but he squandered much of it on gambling and on funding two unsuccessful newspapers, The National Standard and The Constitutional, for which he had hoped to write. He also lost a good part of his fortune in the collapse of two Indian banks. Forced to consider a profession to support himself, he turned first to art, which he studied in Paris, but did not pursue it, except in later years as the illustrator of some of his own novels and other writings.Thackeray's years of semi-idleness ended after he married, on 20 August 1836, Isabella Gethin Shawe (1816-1893), second daughter of Isabella Creagh Shawe and Matthew Shawe, a colonel who had died after distinguished service, primarily in India. The Thackerays had three children, all girls: Anne Isabella (1837-1919), Jane (who died at eight months old) and Harriet Marian (1840-1875), who married Sir Leslie Stephen, editor, biographer and philosopher. Thackeray now began "writing for his life", as he put it, turning to journalism in an effort to support his young family. He primarily worked for Fraser's Magazine, a sharp-witted and sharp-tongued conservative publication for which he produced art criticism, short fictional sketches, and two longer fictional works, Catherine and The Luck of Barry Lyndon. Between 1837 and 1840 he also reviewed books for The Times.[4] He was also a regular contributor to The Morning Chronicle and The Foreign Quarterly Review. Later, through his connection to the illustrator John Leech, he began writing for the newly created magazine Punch, in which he published The Snob Papers, later collected as The Book of Snobs. This work popularised the modern meaning of the word "snob".Thackeray was a regular contributor to Punch between 1843 and 1854.
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- 293,95 kr.
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266,95 kr. The Four Georges is an unchanged, high-quality reprint of the original edition of 1880.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
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- First Part, Thomas Carlyle - Second Part, William Makepeace Thackeray
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- A Fire-Side Pantomime for Great and Small Children
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437,95 kr. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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