Bøger af William L. Andrews

The career of any black writer in nineteenth-century American was fraught with difficulties, and William Andrews undertakes to explain how and why Charles Waddell Chesnutt (1858-1932) became the first Negro novelist of importance: "Steering a difficult course between becoming co-opted by his white literary supporters and becoming alienated from then and their access to the publishing medium, Chesnutt became the first Afro-American writer to use the white-controlled mass media in the service of serious fiction on behalf of the black community." Awarded the Spingarn Medal in 1928 by the National Association for the Advancement of Colored People, Chesnutt admitted without apologies that because of his own experiences, most of his writings concentrated on issue about racial identity. Only one-eighth Negro and able to pass for Caucasian, Chesnutt dramatized the dilemma of others like him. The House Behind the Cedars (1900), Chesnutt's most autobiographical novel, evokes the world of "bright mulatto" caste in post-Civil War North Carolina and pictures the punitive consequences of being of mixed heritage. Chesnutt not only made a crucial break with many literary conventions regarding Afro-American life, crafting his authentic material with artistic distinction, he also broached the moral issue of the racial caste system and dared to suggest that a gradual blending of the races would alleviate a pernicious blight on the nation's moral progress. Andrews argues that "along with Cable in The Grandissimes and Mark Twain in Pudd'nhead Wilson, Chesnutt anticipated Faulkner in focusing on miscegenation, even more than slavery, as the repressed myth of the American past and a powerful metaphor of southern post-Civil War history." Although Chesnutt's career suffered setback and though he was faced with compromises he consistently saw America's race problem as intrinsically moral rather than social or political. In his fiction he pictures the strengths of Afro-Americans and affirms their human dignity and heroic will. William L. Andrews provides an account of essentially all that Chesnutt wrote, covering the unpublished manuscripts as well as the more successful efforts and viewing these materials in he context of the author's times and of his total career. Though the scope of this book extends beyond textual criticism, the thoughtful discussions of Chesnutt's works afford us a vivid and gratifying acquaintance with the fiction and also account for an important episode in American letters and history.

To Tell A Free Story traces in unprecedented detail the history of black America's most innovative literary tradition -- the autobiography -- from its beginnings to the end of the slavery era.

Life of William Grimes, the Runaway Slave is the first fugitive slave narrative in American history. When it appeared in New York in 1825, it was the longest African American autobiography published up to that time. Because Grimes wrote and published his narrative on his own, without deference to white editors, publishers, or sponsors, his Life has an immediacy, candor, and no-holds-barred realism unparalleled in antebellum slave narratives. The famousfugitives of the 1840s and 1850s, even Douglass, Brown, and Harriet Jacobs, all wrote in accordance with an antislavery script that circumscribed their freedom to speak out about what they had experienced as slaves in the South and as quasi-free men and women in the North. William Grimes, however, wrote beforethis formulaic script had been composed. Life appeared years before the advent of any organized national American antislavery movement, before David Walker's Appeal (1829), before the first African American newspaper, before William Lloyd Garrison had publicly acknowledged himself an abolitionist, before Frederick Douglass could read the word "abolitionist." Beholden to no one and unschooled in antislavery propaganda, Grimes's Life represents a truly unfiltered and personally authentic account of both southernslavery and the severely compromised "freedom" of the northern states in antebellum America. This edition of Life of William Grimes represents an historic partnership between a prominent scholar of the African American slave narrative and a genealogist who is also direct descendant of Grimes himself. Regina Mason, the great-great-great-granddaughter of William Grimes, combines her extensive historical research into her family and the text of her ancestor with William L. Andrews's scholarship on the origins and development of African American autobiography. The result is anauthoritative, copiously annotated text that features pages from an original Grimes family Bible, transcriptions of the 1824 correspondence that set the terms for the author's self-purchase in Connecticut (nine years after his escape from Savannah, Georgia), and many other striking images that invoke the lifeand times of William Grimes.

What shines through each of these stories is the black woman's ability to recover in past oppression the hope for a better day.