Bøger af Wesley Stace

A beautiful hardcover anthology of short stories about music by a remarkable array of literary greats, selected by someone who is both a musician and a writerMusic may be a universal language that transcends words, but that hasn't stopped our most accomplished writers from trying to capture its essence on the page, paying homage to one art form through another. The dazzling examples collected here range from Virginia Woolf's "The String Quartet" to Langston Hughes's "The Blues I'm Playing" and Donald Barthelme's "The King of Jazz," and from Ivan Turgenev's "The Song of Triumphant Love" to Katherine Mansfield's "The Singing Lesson" and Ian McEwan's "A Duet." Here are melodious scenes from E. M. Forster's Howards End and Vikram Seth's An Equal Music, and stories by James Joyce, Gustave Flaubert, and Marcel Proust in harmony with pieces by Vladimir Nabokov, Maya Angelou, Kazuo Ishiguro, and Philip K. Dick. Together these twenty-four musical tales make up a gorgeous symphony of literary delights. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

One of The Wall Street Journal's Best fiction books of 2011England, 1923. A gentleman critic named Leslie Shepherd tells the macabre story of a gifted young composer, Charles Jessold. On the eve of his revolutionary new opera's premiere, Jessold murders his wife and her lover, and then commits suicide in a scenario that strangely echoes the plot of his opera---which Shepherd has helped to write. The opera will never be performed.Shepherd first shares his police testimony, then recalls his relationship with Jessold in his role as critic, biographer, and friend. And with each retelling of the story, significant new details cast light on the identity of the real victim in Jessold's tragedy.This ambitiously intricate novel is set against a turbulent moment in music history, when atonal sounds first reverberated through the concert halls of Europe, just as the continent readied itself for war. What if Jessold's opera was not only a betrayal of Shepherd, but of England as well? Wesley Stace has crafted a dazzling story of counter-melodies and counter-narratives that will keep you guessing to the end.

Lord Loveall, heretofore heirless lord of the sprawling Love Hall, is the richest man in England. He arrives home one morning with a most unusual package - a baby that he presents as the inheritor to the family name and fortune. In honor of his beloved sister, who died young, Loveall names the baby Rose.

The night before brilliant but erratic composer Charles Jessold's opera - about a betrayed husband who murders his wife and her lover - is due to open, Jessold is found dead, having apparently murdered his wife and her lover.