Bøger af Wassily Kandinsky

This famous work by a pioneer in the movement to free art from the bonds of tradition explores the role of the line, point, and other key elements of non-objective painting. 127 illustrations.

A revelatory collection of the artist's sketches and preparatory drawings, featuring many that have never been published beforeThe great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art-or into the development of abstraction in the early twentieth century-than the pages of his sketchbooks. Featuring previously unpublished drawings, Wassily Kandinsky: The Sketchbooks is a comprehensive selection of hundreds of sketches from twelve notebooks Kandinsky kept between 1889 and 1935. Beginning with early figure studies, architectural sketches, and landscapes, the notebooks reveal a process of exploration that would lead Kandinsky from his first experiments in geometric abstraction to paintings that reshaped modernism. Demonstrating Kandinsky's mastery of color, line, shape, composition, and movement, the book includes notes and preparatory studies for major paintings, such as the "analytical drawing" for Composition VII (1913), the first study for Several Circles (1926), and Study for Composition IX, a preliminary working of his 1936 masterpiece. Visually stunning, the book offers a remarkable, intimate look at how Kandinsky sought to discover nothing less than a spiritually transcendent form of art.

An essential reference text from one of the most important abstract artists of all time. This slim but powerful text is required reading for anyone interested in the history of 20th century art. The book, which Kandinsky claimed had been gestating for nearly a decade, elucidates his artistic theories and his valuing of expression and spirituality over naturalistic representation. With reference to and analysis of earlier masters such as Picasso and Matisse, Kandinsky calls for a spiritual revolution in painting in which artists to express their lives in abstract terms. The treatise also delves deeper into the psychology of colours, the language of form and the responsibilities of the artist.

This Is A New Release Of The Original 1914 Edition.

The spiritual life of human-kind follows the shape of a pyramid, occasionally rising to an apex of spiritual perception when an artist of genius comes forward to lead the way, and sinking to the bottom of the pyramid when culture produces nothing but decadence. The colors a painter smears onto a canvas can delight the eye, but they can also cause the viewer to receive vibrations that resonate within the soul. Born in Russia in 1866, Kandinsky was a pioneer of the abstract, who used "Concerning the Spiritual in Art" to argue for the transcendental importance of his vocation.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

All art students are advised to read "Concerning the Spiritual in Art," a short masterpiece by Wassily Kandinsky. This classic best explains the concepts that lead to abstract painting in the modern era Kandinsky recognized the connection between music and painting. He also suggested that artists free themselves from the material world so that they can express their inner impulses. Thus the abstract painting requires contemplation to reveal its meaning. Furthermore, the meaning may be a projection of the inner life of the viewer as much as it is the inner life of the artists. This concept is not new to music but it certainly was new to painting in 1911. Once considered a radical idea, the spiritual aspect of abstract art is now a given in culture. Wassily Kandinsky offers some very insightful comments regarding his contemporaries, recognizing Matisse as the 20th century master of color and Picasso as the 20th century master of line. He faults them both, however, for not making the final step toward complete abandonment of the physical world. In "Concerning the Spiritual in Art," Kandinsky also asserts that imitative painting of other eras was a deadly trap for the artist, yet responding to the eternal call of the unconscious forces in an earlier period of art history was a valid area of exploration. Kandinsky believed that art progressed, that artistic concepts built on each other and that there was a triangle of artistic conception that moved forward to some end point, yet to be discovered. Kandinsky warns against pattern painting, which he thought would lead to monotony and away from spirituality. Every artist owes it to themselves to read "Concerning the Spiritual in Art." Though short, this book is the classic on which much art history, philosophy, and practice has been based.

This book is Wassily Kandinsky's groundbreaking work championing spirituality in modern art, leading to a revolution in abstract painting. it provides critical insight into the mind and soul of Kandinsky and other artists of his generation.

This book is Wassily Kandinsky's groundbreaking work championing spirituality in modern art, leading to a revolution in abstract painting. it provides critical insight into the mind and soul of Kandinsky and other artists of his generation.

First published in Munich in 1911, Wassily Kandinsky's "Concerning the Spiritual in Art" explores the artist's ideas on the different forms of art and what role art plays in the spiritual life of mankind. Considered to have painted the first truly abstract work of art, Kandinsky was a highly influential and important pioneer in the modern art movement. "Concerning the Spiritual in Art" is organized into two parts. In the first part titled "About General Aesthetic", Kandinsky makes the argument that art should transition from being an exact and realistic representation of the material world to becoming instead an abstract reflection of the inner mind of the artist. In the second part, titled "About Painting", the artist describes the different psychological and emotional meanings of colors and the social and spiritual responsibilities of the artist. Kandinsky believed that humanity was a pyramid and at the top are the greatest of artists and those artists had the ability and duty to lead society to its spiritual pinnacle. Over a hundred years later, Kandinsky's work continues to be a valuable and illuminating read into the artistic mind of Wassily Kandinsky. This edition follows the 1912 translation of Michael T. H. Sadler and is printed on premium acid-free paper.

Kandinsky in this book defines the three types of painting; impressions, improvisations and compositions. While impressions are based on an external reality that serves as a starting point, improvisations and compositions depict images emergent from the unconscious, though composition is developed from a more formal point of view. Kandinsky compares the spiritual life of humanity to a pyramid-the artist has a mission to lead others to the pinnacle with his work. The point of the pyramid is those few, great artists. It is a spiritual pyramid, advancing and ascending slowly even if it sometimes appears immobile. During decadent periods, the soul sinks to the bottom of the pyramid; humanity searches only for external success, ignoring spiritual forces.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A seminal text in the history of modern art, from one of the most famous artists of the twentieth century In Concerning the Spiritual in Art Wassily Kandinsky, one of the most famous abstract painters of all time, urges the reader to free themselves from art's traditional bonds to material reality. In this radical theoretical work, he calls for a spiritual revolution in painting, arguing that artists, much like musicians, should be allowed to express their own inner lives in abstract, non-material terms. Investigating form and colour, spirituality and tradition, Kandinsky explores art's resonance with the soul, its purpose and nature, and its power to inspire us, to stir our emotions and to help us see beyond the limits of our world. A significant contribution to the understanding of non-objectivism in art, this book serves as an important landmark in modern art history and is necessary reading for every artist and art-lover.

This is Kandinsky's masterpiece. According to the author, "Colour is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul."

Excerpt:...There is, however, in art another kind of external similarity which is founded on a fundamental truth. When there is a similarity of inner tendency in the whole moral and spiritual atmosphere, a similarity of ideals, at first closely pursued but later lost to sight, a similarity in the inner feeling of any one period to that of another, the logical result will be a revival of the external forms which served to express those inner feelings in an earlier age. An example of this today is our sympathy, our spiritual relationship, with the Primitives. Like ourselves, these artists sought to express in their work only internal truths, renouncing in consequence all consideration of external form.