Bøger af Trinh T. Minh-Ha

... methodologically innovative... precise and perceptive and conscious... "e; -Text and Performance QuarterlyWoman, Native, Other is located at the juncture of a number of different fields and disciplines, and it genuinely succeeds in pushing the boundaries of these disciplines further. It is one of the very few theoretical attempts to grapple with the writings of women of color."e; -Chandra Talpade MohantyThe idea of Trinh T. Minh-ha is as powerful as her films... formidable... "e; -Village Voice... its very forms invite the reader to participate in the effort to understand how language structures lived possibilities."e; -ArtpaperHighly recommended for anyone struggling to understand voices and experiences of those 'we' label 'other'."e; -Religious Studies Review

A handsomely designed artist's book expanding on Minh-Ha's film What about China?The Vietnam-born, Berkeley-based multimedia artist and leading postcolonial theorist Trinh T. Minh-ha (born 1952) is celebrated internationally for her films such as Reassemblage (1982) and Surname Viet Given Name Nam (1985) and influential books such as Lovecidal (2016) and Elsewhere, Within Here (2010). Publications on her art are few, however. This beautifully designed artist's book was conceived from the script and visuals of Minh-Ha's film What about China? (2022), in which she films the Chinese countryside and a series of voices share personal experiences, poems and traditional songs, reflecting on China's past and present. Deftly uniting image and text, Traveling in the Dark expands upon the film's conceptual scaffolding with writings, poems and aphorisms as well as conversations with other filmmakers and theorists.

In this collection of provocative essays on Third World art and culture, filmmaker and theorist Trinh Minh-ha offers new challenges to Western regimes of knowledge.

Trinh Minh-ha explores the way technology transforms our perception of reality. With her signature amalgam of feminism, Eastern Philosophy, and practical understanding of filmmaking, she presents a much-needed advance in our concept of the real in a technological age.

Framer Framed brings together the scripts and visuals of three of Tinh Minh-ha's provocative films: Reassemblage, Naked Spaces-Living is Round and Surname Viet Given Name Nam and offers a large selection of related interviews.

Brings together Trinhs recent conversations on film and art, music and language, life and theory and is an essential work for readers in contemporary film art, cultural politics, feminist thought and postcolonial theories.