Bøger af Thomas Bailey Aldrich

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Writings Of Thomas Bailey Aldrich: In Eight Volumes, Volume 1; The Writings Of Thomas Bailey Aldrich: In Eight Volumes; Thomas Bailey Aldrich Thomas Bailey Aldrich Houghton Mifflin, 1897 History; General; History / General; Literary Criticism / Poetry

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is the story of a bad boy. Well, not such a very bad, but a pretty bad boy; and I ought to know, for I am, or rather I was, that boy myself. Lest the title should mislead the reader, I hasten to assure him here that I have no dark confessions to make. I call my story the story of a bad boy, partly to distinguish myself from those faultless young gentlemen who generally figure in narratives of this kind, and partly because I really was not a cherub.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

THIS 40 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: The Writings of Thomas Bailey Aldrich: The Queen of Sheba and My Cousin the Colonel, by Thomas Bailey Aldrich. To purchase the entire book, please order ISBN 0766194876.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The story, which is written entirely as a series of letters between two friends, concerns the invention of an imaginary young woman, Marjorie Daw, by one correspondent, intended as a harmless diversion. When the other correspondent becomes madly smitten with the imaginary Ms Daw, the first correspondent is forced to confess his ruse. The story ends thus: "For oh, dear Jack, there isn't any piazza, there isn't any hammock - there isn't any Majorie Daw!"

Aldrich travelled with his father in his early years. He returned to Portsmouth to study for college, but his father's death in 1852 required that he earn a living; first in a business office in New York, then, as a journalist. He contributed to numerous magazines and newspapers. Among them, the New York Illustrated News. In 1865, he moved to Boston where he was editor of Ticknor & Fields' Every Saturday magazine. In 1881, Aldrich was brought in as editor at the Atlantic Monthly, a position he held until 1890. He was a talented poet and published many volumes of verse.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

At five o'clock on the morning of the tenth of July, 1860, the front door of a certain house on Anchor Street, in the ancient seaport town of Rivermouth, might have been observed to open with great caution. This door, as the least imaginative reader may easily conjecture, did not open itself. It was opened by Miss Margaret Callaghan, who immediately closed it softly behind her, paused for a few seconds with an embarrassed air on the stone step, and then, throwing a furtive glance up at the second-story windows, passed hastily down the street towards the river, keeping close to the fences and garden walls on her left. There was a ghost-like stealthiness to Miss Margaret's movements, though there was nothing whatever of the ghost about Miss Margaret herself. She was a plump, short person, no longer young, with coal-black hair growing low on the forehead, and a round face that would have been nearly meaningless if the features had not been emphasized-italicized, so to speak-by the small-pox. Moreover, the brilliancy of her toilet would have rendered any ghostly hypothesis untenable. Mrs. Solomon (we refer to the dressiest Mrs. Solomon, whichever one that was) in all her glory was not arrayed like Miss Margaret on that eventful summer morning. She wore a light-green, shot-silk frock, a blazing red shawl, and a yellow crape bonnet profusely decorated with azure, orange, and magenta artificial flowers. In her hand she carried a white parasol. The newly risen sun, ricocheting from the bosom of the river and striking point blank on the top-knot of Miss Margaret's gorgeousness, made her an imposing spectacle in the quiet street of that Puritan village. But, in spite of the bravery of her apparel, she stole guiltily along by garden walls and fences until she reached a small, dingy frame-house near the wharves, in the darkened doorway of which she quenched her burning splendor, if so bold a figure is permissible.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This Is A New Release Of The Original 1873 Edition.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.