Bøger af Taylor Hagood

"This biography brings author Theodore Pratt's life and career to Florida enthusiasts, educators, the young writers he targeted, and literary scholars who focus on southern literature, Florida literature, and middlebrow twentieth-century American film and literature. Written as a narrative in reader-friendly prose, this biography captures the nostalgia of vintage Florida, promising appeal to general readers."--

"A beloved member of the country music community, David "Stringbean" Akeman found nationwide fame as a cast member of Hee Haw. The 1973 murder of Stringbean and his wife forever changed Nashville's sense of itself. Millions of others mourned not only the slain couple but the passing of the way of life that country music had long represented. Taylor Hagood merges the story of Stringbean's life with an account of murder and courtroom drama. Mentored by Uncle Dave Macon and Bill Monroe, Stringbean was a bridge to country's early days. His instrumental savvy and old-time singing style drew upon a deep love for traditional country music that, along with his humor and humanity, won him the reverence of younger artists and made his violent death all the more shocking. Hagood delves into the unexpected questions and uneasy resolutions raised by the atmosphere of retribution surrounding the murder trial and recounts the redemption story that followed decades later"--

Using an interdisciplinary approach to examine economic, sociological, and political factors in william Faulkner's writing, Taylor Hagood applies postcolonial theory, cultural materialism, and the work of the New Southernists to analyse how these themes intersect to encode narratives of imperialism and anti-imperialism.

From the emerging field of disability studies, Taylor Hagood offers the first book-length consideration of impairment in William Faulkner's life and writing. Blending biography, textual analysis, and theory in an experimental style, Hagood explores in both form and content the constructs of normality and their power.

Secrecy, Magic, and the One-Act Plays of Harlem Renaissance Women Writers seeks to rescue the plays of eight black women, Marita Bonner, Mary P. Burrill, Thelma Duncan, Shirley Graham, Zora Neale Hurston, Georgia Douglas Johnson, May Miller, and Eulalie Spence, from obscurity. This volume is the first book-length treatment to address these plays and their authors exclusively rather than as part of a discussion of other African American playwrights from different eras. It is also one of the few to carry out an extensive discussion of secrecy's role in both literary representation and social interaction. Exploring secrecy from the standpoints of poststructuralist language theory and game theory as well as dramatic performance, Taylor Hagood argues that the secret--a thing visible for its very invisibility--is a fundamental cog in the machinery of society, employed as a tool for both oppression and subversion. The many facets of secrecy have been particularly salient in African American culture, informing everything from the Underground Railroad to the subtle coding of Signifying. Most devastatingly, people on both sides of the color line are caught within a web of secrecy that is the result of centuries of distrust, doubt, and fear, a fact that is powerfully manifest not only in these one-act plays but in the reader's/spectator's interactions with them.