Bøger af Susan Bennett

Beside the unforgiving railway tracks, the discovery of a lifeless young girl shatters the tranquillity, propelling the unyielding Serious Crime Squad into action. Urgent briefings crackle with intensity, plans take shape, and leads are pursued in a race against time. As the body count rises, an enigmatic figure emerges - The Shepherd.With time slipping away, the imperative to capture this relentless murderer intensifies. As the squad races against the clock, the stakes soar higher, and justice becomes a fragile thread, threatening to unravel. Gripping and intense, this tale ensures that every heartbeat counts in the pursuit of an adversary who thrives in the shadows.This is no ordinary whodunit; it's a modern-day thriller that grips the reader from the first page. The detectives navigate a roller-coaster of triumphs and setbacks, thrust into a sinister game orchestrated by a psychopathic mind.

Social Evil, or prostitution, was rife in Victorian Britain despite the many attempts to contain it. The law courts were a battle ground as passionate speakers exhorted respectable Victorian gentlemen and their good ladies to support them. In their quest for suppression and repression, with prostitutes their satanic enemy they were up against Madams like Jane Gallagher who made the most of it, winning court case after court case, as well as living a remarkable life!'Why, there is not a place of public amusement in the whole of the city which is not utilised night after night by some class of women or other for assignations; even the newspapers as you know, are daily made the medium of some meeting or other; you will find a batch of them in some editions. You would be astonished if I told you the number and character of certain places. They include every kind I should think; business houses, private houses, hotels, restaurants etc - anything, in fact, with walls and a ceiling. 'But at the end of the day there was no stopping social evil. As Josephine Butler said: 'It is a fatuous belief that you can oblige human beings to be moral by force, and in so doing that you may in some way promote social purity.'

This book provides a flavour of a period of history known as the Enlightenment through the eyes of a young girl born in 1771. She was known to actors, actresses, artists, naval men, emigres and even a South Sea islander and visited England''s spa towns. She had her portrait painted by Angelica Kauffman RA and John Russell RA.

Bennett explores the relationship between theatre and museums, looking particularly at the collaborative processes that intertwine these two cultural practices. She argues that discourses of performance studies can open up new avenues of inquiry about the production and reception of the museum experience and its place in contemporary culture.

A trenchant and invigorating inquiry into how Shakespeare is reproduced today, examing how modern intercultural and cross-cultural productions reconfigure him for 'alternative' performances.

Explores the audience's role in traditional and avant-garde theatre, the impact of the spectator upon the performance itself and surveys past approaches to audience behaviour. A second revised edition with a new chapter on intercultural theatre, a revised introduction and a revised bibliography.