Bøger af Sue Ann Prince

The Curatorial Department of the American Philosophical Society presents a catalogue of the exhibition held in Philosophical Hall from June 2003 through December 2004. The exhibit focuses on the blending of art and science in the study of natural history in North America. It explores the cultural assumptions that governed the practice of natural history on the North American continent in the 18th and early 19th centuries. Focusing on the study of living things -- plants, animals, and indigenous peoples -- it looks at how and why Euro-Americans of the Enlightenment and post-Enlightenment periods went about explaining the world the way they did. Exhibit items include historical specimens, manuscript materials, first-edition books, and art work.

In 1782, Princess Ekaterina Dashkova was appointed dir. of Russia's Imperial Acad. of Arts & Sci. by Catherine the Great. It was just two years after she had met with another personality of the Enlightenment -- Benjamin Franklin, founding pres. of Amer. first scientific acad., the Amer. Philosophical Soc. (APS). The essays in this vol., pub. as a companion to an exhib. of the same title & on the occasion of the Franklin Tercentenary of 2006, highlight Dashkova as an accomplished Enlightenment woman. They explore how she, like Franklin, took up the challenge of living according to the newest ideals of her age. Nominated by Franklin in 1789 to become the first female member of the APS, she in turn made him the first Amer. member of the Russian Acad.

This illustrated book explores the fascinating history of the natural sciences in the turbulent years of post-revolutionary and Restoration France, from Empress Josephine's black swans and rare Franklinia tree to a giraffe that walked 480 miles across France to greet the king. It is the catalogue for an international loan exhibition held in 2011 at the APS Museum in Philadelphia and the record of an associated interdisciplinary symposium held at the American Philosophical Society (APS) on December 1-3, 2011. The essays, commentaries, and discussions present new perspectives on French natural history, its influence on French culture, and its ties to the natural sciences in North America. Contributors include art historians, historians of science, and scholars of French literature, history, and culture. Illus.