Bøger af Steven Travers

Genuine fans take the best team moments with the less than great, and know that the games that are best forgotten make the good moments truly shine. This monumental book of the San Francisco 49ers documents all the best moments and personalities in the history of the team, but also unmasks the regrettably awful and the unflinchingly ugly. In entertaining--and unsparing--fashion, this book sparkles with 49ers highlights and lowlights, from wonderful and wacky memories to the famous and infamous. Such moments include "e;the Catch"e; and the magic of Super Bowl XXIX, as well as the joke Gale Sayers made of the 49ers defense one muddy day in 1965 and the 1972 playoff loss to Dallas. Whether providing fond memories, goose bumps, or laughs, this portrait of the team is sure to appeal to the fan who has been through it all.

In early 1969, New York City and all it represented was in disarray: politically, criminally, and athletically. But while Simon and Garfunkel lamented the absence of a sports icon like Joe DiMaggio, a modern Lancelot rode forth to lead the New York Mets to heights above and beyond all sports glory. This book tells the complete, unvarnished story of the great Tom Seaver, that rarest of all American heroes, the New York Sports Icon. In a city that produces not mere mortals but sports gods, Seaver represented the last of a breed. His deeds, his times, his town-it was part of a vanishing era, an era of innocence. In 1969, six years after John F. Kennedy's assassination, Seaver and the Mets were the last gasp of idealism before free agency, Watergate, and cynicism. Here is the story of "Tom Terrific" of the "Amazin' Mets," a man worthy of a place alongside DiMaggio, Ruth, Mantle, and Namath in the pantheon of New York idols.

In 1975, after his two Godfather epics, Francis Ford Coppola went to the Philippines to film Apocalypse Now. Coppola filmed for four years. The shoot threatened to be the biggest disaster in movie history. Providing a detailed snapshot of American cinema during the Vietnam War, this book tells the story of how Apocalypse Now became one of the great films of all time.

Described by famed baseball scribe Roger Angell as looking like ¿a festive prison yard¿ during the 1962 World Series, Candlestick was loved and hated by sports teams and fans alike for its 43 years of existence. Built on a landfill above a garbage dump in a city rocked by an 8.6 earthquake only 54 years earlier, it was notorious for the tornadic winds that came off the bay, probably costing Willie Mays at least 100 career home runs. The fogs that rolled in looked like something God sent to pass over His Chosen people. And of course, there was the famous 1989 World Series earthquake that postponed the opening game for 10 days. But it was also home to the greatest run of sustained excellence in pro football history: the 1981¿1994 49ers, as well as the exploits of baseball stars such as Mays and Juan Marichal.

Forget Ring Lardner, Grantland Rice, and the others. Jim Murray of the Los Angeles Times was not merely the best writer but the single greatest sports columnist who ever lived - fullstop. Known for his highly descriptive metaphors and phrasing - i.e "a strike zone the size of Hitler's heart" - Murray was a poet.

Nineteen sixty-two-it's been called "the end of innocence," as America witnessed the Cuban Missile Crisis and the following year saw the Kennedy assassination and the early stirrings of Vietnam. In baseball, 1962 was a thrilling season.