Bøger af Steve McCaffery

Perhaps these poems were written for the brains of fleas, at least not the mind / brain opposition which lies at the basis of Cartesian theology. An insect world of insect works? Kafka would have relished this thought among the Hapsburg decomposition that gave birth to both himself and Freud. The lyric of rot might also work in places-a little too Bataille perhaps, and then again the deformation of signs is itself a master sign of Modernism. That said, domestic discourse networks emerge from pertinent, ambient technologies: ink and stylus, the first after petroglyphs, then that portable printing press the typewriter and the duplication machine, both ripe for creative misuse. The general title provides the French connection Revanches: revenge but in another related sense a recovery or retrieval, watkuweis in the Nez Perce language: a retrieval from being lost. The majority, if not all, texts in this book are previously unpublished and are retrieved from file folders in an archive.

History of the 18-year critical collaboration between the late bpNichol and Steve McCaffery and its resulting intellectual growth.

Conceived in 1976 and published in 1980, LEGEND exemplifies the political and linguistic commitments of then-nascent Language writing. The twenty-six poems of the volume bring together every possible permutation of collaborative authorship in one-, two-, three-, and five-author combinations.

Verse and Worse: Selected and New Poems of Steve McCaffery 19892009 presents texts from the last two decades of work by Steve McCaffery, one of the most influential and innovative of contemporary poets. The volume focuses on selections from McCafferys major texts, including The Black Debt , Theory of Sediment , The Cheat of Words , and Slightly Left of Thinking , but also features a substantial number of previously ungathered poems. As playful as they are cerebral, McCafferys poems stage an incessant departure from conventional lyrical and narrative methods of making meaning. For those encountering McCafferys work for the first time as well as for those who have followed the twists and turns of his astonishingly heterogeneous poetic trajectory over the past four decadesthis volume is essential reading.