Bøger af Stephen Kearse

What if toxic pollutants traveled up the socioeconomic ladder rather than down it? A Black biochemist provides an answer in this wildly original novel of pollution, poison, and dark pleasure In Atlanta, Kenny Bomar is a biochemist-turned-coffee-shop-owner in denial about his divorce and grieving his stillborn daughter. Chemicals killed their child, leaching from a type of plant the government is hiding in Black neighborhoods. Kenny's coping mechanisms are likewise chemical and becoming more baroque--from daily injections of lethal snake venom to manufacturing designer drugs. As his grief turns corrosive, it taints every person he touches. Black epidemiologists Retta and Ebonee are called to the scene when a mysterious black substance is found to have killed a high school girl. Investigating these "blackouts" sends the women down separate paths of blame and retribution as two seemingly disparate narratives converge in a cinematic conclusion. Liquid Snakes is an immersive, white-knuckle ride with the spookiness of speculative fiction and the propulsion of binge-worthy shows like FX's Atlanta and HBO's Random Acts of Flyness. Transfiguring a whodunit plot into a labyrinthine reinterpretation of a crime procedural, Stephen Kearse offers an uncanny commentary on an alternative world, poisoned.

"In Atlanta, Kenny Bomar is a biochemist-turned-coffee-shop-owner in denial about his divorce and grieving his stillborn daughter. Chemicals killed their child, leaching from a type of plant the government is hiding in Black neighborhoods. Kenny's coping mechanisms are likewise chemical and becoming more baroque--from daily injections of lethal snake venom to manufacturing designer drugs. As his grief turns corrosive, it taints every person he touches. Meanwhile, Black epidemiologists Retta and Ebonee are called to the scene when a mysterious black substance is found to have killed a high school girl. Investigating these "blackouts" sends the women down separate paths of blame and retribution as two seemingly disparate narratives converge in a cinematic conclusion"--

"In Atlanta, Kenny Bomar is a biochemist-turned-coffee-shop-owner in denial about his divorce and grieving his stillborn daughter. Chemicals killed their child, leaching from a type of plant the government is hiding in Black neighborhoods. Kenny's coping mechanisms are likewise chemical and becoming more baroque--from daily injections of lethal snake venom to manufacturing designer drugs. As his grief turns corrosive, it taints every person he touches. Meanwhile, Black epidemiologists Retta and Ebonee are called to the scene when a mysterious black substance is found to have killed a high school girl. Investigating these "blackouts" sends the women down separate paths of blame and retribution as two seemingly disparate narratives converge in a cinematic conclusion"--

During a brutally hot Atlanta summer, a crew of Black teenagers deals with the aftermath of their biggest tag: an audacious defacement of the United States' largest bas-relief monument to the Confederacy. They never exactly planned to hit Stone Mountain-things just got out of hand. But as June gives way to July and the temperature keeps rising, the crew can't quite manage to get anything back under control. Instead, each struggles with conflicting allegiances and problems they're not quite ready to handle, and they hurtle toward the summer's end and a future that threatens to pull them apart for good. Meanwhile, two FBI agents attempt to untangle the knot of rage, alliances, and tensions that led to the tag, getting in deep and ultimately revealing their own dangerously different professional agendas.Set to a thumping soundtrack, rolling down suburban lanes and congested highways, In the Heat of the Light delivers a new twist on the old story of a crew of young friends drawn in different directions on the verge of adulthood-one that is rooted in Black experiences of gentrification, Black Lives Matter, music, and a mosaic of Atlanta neighborhoods made up of families, food, and overwhelming change.Stephen Kearse is a dynamic journalist and critic covering movies, music, and American history for media including New York Times Magazine, Uproxx, Pitchfork, and Paste.