Bøger af Stella Benson

This Is the End (1917) is a novel by Stella Benson. Based on the author's experience in the movement for women's suffrage, This Is the End is a story of identity and social class set in the London neighborhood of Hackney. As Jay attempts to break from her restrictive past, her brother Kew returns from the First World War scarred by his experiences and disillusioned with life at home. Benson's meditative, diaristic prose guides the reader along the paths of change and confrontation faced by her protagonists, immersing them in the tumultuous decade in which the novel was written. "This is the end, for the moment, of all my thinking, this is my unfinal conclusion. There is no reason in tangible things, and no system in the ordinary ways of the world. Hands were made to grope, and feet to stumble, and the only things you may count on are the unaccountable things. System is a fairy and a dream, you never find system where or when you expect it. There are no reasons except reasons you and I don't know." Guided by a philosophical sense of the world, Jay-formerly Jane Elizabeth-longs to escape the confines of her life in the countryside. Without telling her family, she leaves for London and adopts a new identity, exposing herself for the first time in her life to the rhythms of working-class existence. When her brother Kew returns from the Great War and fails to find her at home, he comes to the city in search of his sister. Bonded by tragedy, the two orphans grow to respect one another as adults, both of them scarred in their own way by the expectations placed on young men and women in a decade of tremendous cultural change. With a beautifully designed cover and professionally typeset manuscript, this edition of Stella Benson's This Is the End is a classic work of British literature reimagined for modern readers.

Twenty (1918) is a poetry collection by Stella Benson. Largely recognized for her work as an activist in the women¿s suffrage movement and for her popular novels, Benson was also an accomplished poet. Twenty, her debut volume, is a collection indebted to symbolism in which Benson reflects on her experiences as a young woman in a rapidly changing world. In ¿The Secret Day,¿ Benson muses on the impossibility of peace in a time that refuses to slow: ¿My yesterday has gone, has gone and left me tired, / And now to-morrow comes and beats upon the door / [¿] / So I have built To-day, more precious than a dream; / And I have painted peace upon the sky above.¿ Responding to the horrors of a decade torn by war, Benson does what she can to maintain her own personal calm, to build a safe space apart from the world. In ¿Redneck¿s Song,¿ she laments the years of her life spent obeying ¿the laws of men / Who worshipped law,¿ declaring instead that ¿Those laws are dust / To-day¿¿ In these poems shaped by her experience as an activist and pioneering feminist, the personal is inseparable from the political. Benson¿s identity, her present and her future, depend on this revolutionary thrust¿no longer will she ¿shut [her] eyes¿ and ¿hold [her] tongue.¿ It may be ¿their path,¿ but she will make her own ¿groove,¿ her own way through life. With a beautifully designed cover and professionally typeset manuscript, this edition of Stella Benson¿s Twenty is a classic work of British literature reimagined for modern readers.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"I stole this bun," she explained frankly. "There is an uninterned German baker after me." "And why did you steal it?" asked Miss Ford, pronouncing the H in "why" with a haughty and terrifying sound of suction. The Stranger sighed. "Because I couldn't afford to buy it." "And why could you not afford to buy the bun?" asked Miss Ford. "A big strong girl like you." You will notice that she had had a good deal of experience in social work. The Stranger said: "Up till ten o'clock this morning I was of the leisured classes like yourselves. I had a hundred pounds.

Jory Berg Alexander is beautiful, talented, cultured, refined and well educated - a sophisticated young San Francisco socialite and a recent graduate of the oldest and most prestigious all-girls boarding school in the Maryland hunt country. She is also an accomplished equestrian who received national recognition at a young age. Her passion for riding consumes every aspect of her life, and nothing can derail her plans for success - until she meets Nat.He is unlike anyone she has ever known - undisciplined and arrogant, with a volatile temper and a southern accent nearly incomprehensible to her ear. He is handsome, charismatic, and charming when it suits him, but his charm hides a darker side of insecurity and ignorance. he is the product of a small rural town, rife with suspicion and steeped in a tradition of intolerance and prejudice. As their passion for each other grows, the differences between them intensifies; until betrayal and deceit finally creep in to poison and possibly destroy their relationship.Opposites may attract, but for how long, and to what end? In this novel, a San Francisco socialite unwittingly becomes involved with a rakish young man from the rural South while searching for ideal love.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Living Alone by Stella Benson. A Ladies' Committee meeting in war-torn London is a strange place to meet a witch, and Sarah Brown isn't the type that strange things happen to. But everything in her life begins to change when she moves into the House of Living Alone.

A key no thief can steal, no time can rust; A faery door, adventurous and golden; A palace, perfect to our eyes-Ah must Our eyes be holden? Has the past died before this present sin? Has this most cruel age already stonèd To martyrdom that magic Day, within Those halls, enthronèd? No. Through the dancing of the young spring rain, Through the faint summer, and the autumn's burning, Our still immortal Day has heard again Our steps returning.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Ipsie Wilson has always been a striking individual - though she would say for all the wrong reasons. She has never felt quite real - like a looker-on in life, capturing little pieces of people's attention, sometimes exasperating them, sometimes entrancing them, but never adding up to a whole human being - her existence seems very smoke and mirrors. If she sometimes feels lost and bewildered, she can also be quite cussed and determined - the strange contrasts and difficult mixtures in her personality go on and on. She lost all three of her brothers in the war, which has caused further disorder in her messy life and mind. In the mid-1920s, having wandered for a while from England to San Francisco, she sets off for China to be married to Jacob Heming. He is a very stolid British customs official in Yunnan whom she met in the States; he scares and puzzles her in equal amounts, but at least the idea of him is something to hold onto. On the boat to China she meets Rodd Innes, an American who just happens to be heading to Yunnan to take over Jacob's position. His easy, cool manner and worldliness forms a stark contrast to her memories of Jacob's rigid stuffiness, and he is clearly taken with her. A contest begins in her responsive yet untidy mind. Then, while Ipsie uncertainly meets Jacob's domineering sister Pauline and old flame Sophie Hinds in Hongkong, Rodd heads to Yueh Lai Chou to take over the reins from Jacob. He is horrified by the boorish man he meets, and determines in her absence that Ipsie cannot marry him.But then Jacob is captured by brigands in the mountains close by. Ipsie, Pauline and Sophie come rushing to Yueh Lai Chou. What ransom will the brigands demand? What can any of them do to help? When Jacob is returned to them, will Ipsie's growing ambivalence let her care for him, or Rodd, or neither? In the end, fate intervenes with surprising finality.Pipers and a Dancer, first published in 1924, was Stella Benson's first novel set almost entirely in China. Universally lauded, it was acclaimed by the reviewer for the Spectator as having "more wit, more unruly intelligence than any English novel since the nineties."

Living Alone, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

In Pull Devil, Pull Baker, Stella Benson presents the memoirs of a vagabond former Russian nobleman she met in a Shanghai pauper's ward, but with an accompanying commentary that questions the truth of anyone's memories in a strikingly contemporary and post-modern way. This is the first reissue of the book since its publication over 90 years ago.

Stella Benson (6 January 1892 - 7 December 1933) was an English feminist, novelist, poet, and travel writer. She was a recipient of the Benson Medal. Benson spent the winter of 1913-14 in the West Indies, which provided material for her first novel, I Pose (1915). Living in London, she became involved in women's suffrage, as had her older female relatives. During World War I, she supported the troops by gardening and by helping poor women in London's East End at the Charity Organisation Society. These efforts inspired Benson to write the novels, This Is the End (1917) and Living Alone (1919). Living Alone is a fantasy novel about a woman whose life is transformed by a witch. She also published her first volume of poetry, Twenty, in 1918.

Stella Benson's debut was one of the most acclaimed of her generation:"e;One of the brightest, most original, and best written books that have come my way for a long time,"e; wrote Sir Henry Lucy. "e;As the mature work of an experienced author it would have been a remarkable achievement: being 'the first book of a new writer' it is an astonishing performance,' hailed the reviewer from The Daily Graphic. In this incredibly original satirical novel we are introduced to the two main characters as The Gardener and The Suffragette, and so they remain throughout. Inhabiting a huge first chapter of 302 pages and then only a tiny second one of 8 pages, these two are wildly comic and disturbingly real at one and the same time. Benson's cheekiness in commenting directly to the reader on the progress of the story, the saltiness of her slightly cynical view of the world and its ways, and the strange newness of the tale she was telling meant that, on first publication in 1915, the literary world's curiosity was most certainly piqued. Both of them are the beautifully mixed, endearingly crazy creations of Benson's unusual talent, which spins its fizzing wit on a sixpence, creating absurd comedy and wise satire out of thin air. Delivering, in its fools' progress, one of the significant debuts of its era and one of the funniest novels of the suffragette movement in one package, I Pose was hailed immediately as a classic of a new kind, establishing Stella Benson as a fresh genius of the human spirit, in all its poses.