Bøger af Stanley Cavell

Stanley Cavell was one of the most distinguished and wide-ranging philosophers of his time. This posthumous volume assembles an array of writings that Cavell left behind, synthesizing into a cohesive intellectual vision unpublished works on modernity, music, skepticism, psychoanalysis, anthropology, tragedy, and the human voice.

This work is Stanley Cavell's definitive expression on Emerson. The sustained effort of 30 years of labour is drawn together here for the first time into a single volume, which also contains two previously unpublished essays and an introduction by Cavell that reflects on this book and its history.

A fascinating work, at once philosophical and autobiographical, by one of the most original thinkers in the United States today.

Offers a way of thinking about animal rights, our obligation to animals, and the nature of philosophy itself. This book explores how the animal question is bound up with the general problem of philosophical skepticism. It considers the failure of language to capture the vulnerability of humans and animals.

In this classic collection of wide-ranging and interdisciplinary essays, Stanley Cavell explores a remarkably broad range of philosophical issues from politics and ethics to the arts and philosophy. The essays explore issues as diverse as the opposing approaches of 'analytic' and 'Continental' philosophy, modernism, Wittgenstein, abstract expressionism and Schoenberg, Shakespeare on human needs, the difficulties of authorship, Kierkegaard and post-Enlightenment religion. Presented in a fresh twenty-first century series livery, and including a specially commissioned preface, written by Stephen Mulhall, illuminating its continuing importance and relevance to philosophical enquiry, this influential work is now available for a new generation of readers.

Explains how language modifies human existence, looking specifically at the culture of Wittgenstein's writings. In this title, the author draws on Emerson, Thoreau, and many others to make his case that Wittgenstein can indeed be viewed as a "philosopher of culture".

A collection of lectures that examine such authors as Emerson, Thoreau, Poe, Wordsworth, and Coleridge to show that romanticism and American transcendentalism represent a serious philosophical response to the challenge of skepticism that underlies the writings of Wittgenstein and Austin on ordinary language.

This book is an invitation to the life of philosophy in the United States, as Emerson once lived it and as Stanley Cavell now lives it-in all its topographical ambiguity.

In these lectures, Cavell situates Emerson at the intersection of three crossroads: a place where both philosophy and literature pass; where the two traditions of English and German philosophy shun one another; and where the cultures of America and Europe unsettle one another.

Stanley Cavell one of America's most distinguished philosophers, has written an invaluable companion volume to Walden, a seminal book in our cultural heritage. This expanded edition includes two essays on Emerson.

Seeking for philosophy the same spirit and assurance conveyed by artists like Fred Astaire, Cavell presents essays exploring the meaning of grace and gesture in film and on stage, in language and in life. Critical to the renaissance in American thought Cavell hopes to provoke is the recognition of the centrality of the "ordinary" to American life.

This book--which presents a course of lectures Cavell presented several times toward the end of his teaching career at Harvard--links masterpieces of moral philosophy and classic Hollywood comedies to fashion a new way of looking at our lives and learning to live with ourselves.

During the '30s and '40s, Hollywood produced a genre of madcap comedies that emphasized reuniting the central couple after divorce or separation. Here, Cavell examines seven of those classic movies for their cinematic techniques, and for such varied themes as feminism, liberty and interdependence.

Stanley Cavell looks closely at America's most popular art and our perceptions of it. His explorations of Hollywood's stars, directors, and most famous films-as well as his fresh look at Godard, Bergman, and other great European directors-will be of lasting interest to movie-viewers and intelligent people everywhere.