Bøger af Sir Hugh Walpole

Felix Brun, perched like a little bird, on the steps of the Rede Art Gallery, gazed up and down Bond Street, with his sharp eyes for someone to whom he might show Yale Ross's portrait of the Duchess of Wrexe. The afternoon was warm, the date May of the year 1898, and the occasion was the Young Portrait Painters' first show with Ross's "Duchess" as its principal attraction. Brun was thrilled with excitement, with emotion, and he must have his audience. There must be somebody to whom he might talk, to whom he might explain exactly why this occasion was of so stirring an importance.

When Hugh Seymour was nine years of age he was sent from Ceylon, where his parents lived, to be educated in England. His relations having, for the most part, settled in foreign countries, he spent his holidays as a very minute and pale-faced "paying guest" in various houses where other children were of more importance than he, or where children as a race were of no importance at all.

About thirty years ago there was at the top of the right-hand side of Orange Street, in Polchester, a large stone house. I say "was"; the shell of it is still there, and the people who now live in it are quite unaware, I suppose, that anything has happened to the inside of it, except that they are certainly assured that their furniture is vastly superior to the furniture of their predecessors. They have a gramophone, a pianola, and a lift to bring the plates from the kitchen into the dining-room, and a small motor garage at the back where the old pump used to be, and a very modern rock garden where once was the pond with the fountain that never worked. Let them cherish their satisfaction. No one grudges it to them. The Coles were, by modern standards, old-fashioned people, and the Stone House was an old-fashioned house.

"'Tisn't life that matters! 'Tis the courage you bring to it" ... this from old Frosted Moses in the warm corner by the door. There might have been an answer, but Dicky Tasset, the Town Idiot, filled in the pause with the tale that he was telling Mother Figgis. "And I ran-a mile or more with the stars dotted all over the ground for yer pickin', as yer might say...."

Robin Trojan was waiting for his father. Through the open window of the drawing-room came, faintly, the cries of the town-the sound of some distant bell, the shout of fishermen on the quay, the muffled beat of the mining-stamps from Porth-Vennic, a village that lay two miles inland. There yet lingered in the air the faint afterglow of the sunset, and a few stars, twinkling faintly in the deep blue of the night sky, seemed reflections of the orange lights of the herring-boats, flashing far out to sea.

"There is a God after all." That was the immense conviction that faced him as he heard, slowly, softly, the leaves, the twigs, settle themselves after that first horrid crash which the clumsy body had made. Olva Dune stood for an instant straight and stiff, his arms heavily at his side, and the dank, misty wood slipped back once more into silence. There was about him now the most absolute stillness: some trees dripped in the mist; far above him, on the top of the hill, the little path showed darkly-below him, in the hollow, black masses of fern and weed lay heavily under the chill November air-at his feet there was the body.

His was the first figure to catch my eye that evening in Petrograd; he stood under the dusky lamp in the vast gloomy Warsaw station, with exactly the expression that I was afterwards to know so well, impressed not only upon his face but also upon the awkwardness of his arms that hung stiffly at his side, upon the baggy looseness of his trousers at the knees, the unfastened straps of his long black military boots.

Death leapt upon the Rev. Charles Cardinal, Rector of St. Dreots in South Glebeshire, at the moment that he bent down towards the second long drawer of his washhand-stand; he bent down to find a clean collar. It is in its way a symbol of his whole life, that death claimed him before he could find one.

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