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Bøger af Simon Rees

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  • af Simon Rees
    212,95 kr.

    Hitler's Third Reich and Stalin's Soviet Union invaded Poland in September 1939 and the two autocracies proved utterly ruthless in their efforts to subjugate the Polish people. The resultant loss of life was almost unimaginable in scale but Poles from all walks of life refused to submit, either at home or abroad. Germany turned on its Soviet ally in June 1941, with Britain, the USA and the USSR eventually becoming partners in the war against Hitler. At various meetings and conferences, the 'Big Three' agreed post-war Poland would fall into the Soviet sphere of influence and Poles fighting for a free and independent country found themselves cut adrift. They had a stark choice after VE Day: live in Poland dominated by Stalin's puppets or face a life in exile. Betrayal of Poland is the first major English-language compendium of Polish first-hand accounts from the Second World War. Two of the witnesses flew over the Third Reich and faced the deadly threat of night fighters and flak. One fought at Hill 262 in Normandy, joining the effort to close the Falaise Gap, while another was parachuted into the Arnhem campaign. Two saw the horrors of Auschwitz: one from behind the wire and the other outside it. Others detailed the hell of being deported into Stalin's Soviet Union and their daily struggle to survive. Departing the USSR and joining what became the Polish II Corps, many went onto to fight at Monte Cassino. Finally, several witnesses recalled life under German Occupation and how they joined the Warsaw Uprising - the unequal and ultimately doomed battle against some of Hitler's most-murderous units. Backed by comprehensive appendices and several never-seen-before photographs, this work is a must-have for anyone interested in Polish history or the Second World War.

  • af Simon Rees, Francesca Gavin, Jeff Derksen, mfl.
    213,95 kr.

    Over the past decades, public space and architecture have changed drastically as a result of modern technology and its influence in gentrification. The precision of technology no longer requires authorship or a real person pulling the trigger in order to document reality. The more advanced technology becomes, the more in control investors become in ownership of urban planning, and the more out of control citizens are to their public spaces. In this case, New York and other large cities have been under constant artistic scrutiny as a result of these municipal changes that call for permanent control and are marked by capitalist trends.The exhibition catalog "Spaces of No Control" features artists who examine the histories of specific places to create a narrative on the defining architectural and social impressions of the urban structure. The core of this show is formulated by photographic examinations of cities and their social strata, which are then transferred into other media to reflect on how to come to terms with this new reality.