Bøger af Simon Goldhill

If you do not know where you come from, you will always be a child. Cicero wasn't talking about being a child in the sense of enjoying life in a state of ignorant bliss. He was, rather, adamant that those who don't understand their origins are consigned to a life without power or authority, without the ability to act fully in the world. Love, Sex & Tragedy is acclaimed classicist Simon Goldhill's corrective to our state of ignorance. Lifting the veil on our inheritance of classical traditions, Goldhill offers a witty, engrossing survey of the Greek and Roman roots of everything from our overwhelming mania for hard bodies to our political systems. Marx, Clark Gable, George W. Bush, Oscar Wilde, and Freud--Goldhill's range here is enormous, and he takes great delight in tracing both follies and fundamental philosophical questions through the centuries and continents to the birthplace of Western civilization as we know it. Underlying his brisk and learned excursions through history and art is the foundational belief, following Cicero, that learning about the classics makes a critical difference to our self-understanding. Whether we are considering the role of religion in contemporary society, our expectations about the boundaries between public and private life, or even how we spend our free time, recognizing the role of the classics is integral to our comprehension of modern life and our place in it. When Goldhill asks Who do you think you are? he presents us with the rarest of opportunities: the chance to let him lead us, firmly but with a wink, back two thousand years to where we are.

"This is the first book to establish how classical antiquity and the study of the Bible together formed Victorian ideas of the past, and consequently informed the very construction of modernity. Its multidisciplinary approach will be valuable to scholars and graduate students in numerous disciplines across the arts and humanities"--

Destroyed nearly 2000 years ago, the Temple of Jerusalem¿cultural memory, symbol, and site¿remains one of the most powerful, and most contested, buildings in the world. This structure, imagined and re-imagined, reconsidered and reinterpreted over two millennia, emerges in all its historical, cultural, and religious significance in this account.

Stratford continues to lure tourists today, as do many other sites of literary pilgrimage throughout Britain. In this title, the author makes a pilgrimage to Sir Walter Scott's baronial mansion, Wordsworth's cottage in the Lake District, the Bronte parsonage, Shakespeare's birthplace, and Freud's office in Hampstead.

How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.

Jerusalem is more than a tourist site-every square mile is layered with historical significance, religious intensity, and extraordinary stories shaped by religion, war, and monumentality. Goldhill takes on this archaeology of human imagination, hope, and disaster to provide a tour through the history of this image-filled and ideology-laden city.

From the stages of Broadway and London to university campuses, Paris, and the bourgeoning theaters of Africa, Greek tragedy remains constantly in production. This title explains how Aeschylus, Euripides, and Sophocles conceived their works in performance. It summarizes what we know about how their tragedies were actually staged.

Dr Goldhill's close reading of the text of Oresteia concentrates on the developing meanings of words within the structuring of the play. In particular, he focuses on the text's interests in language and its control, in sexuality and sexual difference, and in the progression and description of events.

This book is an advanced critical introduction to Greek tragedy. It is written specifically for the reader who does not know Greek and who may be unfamiliar with the context of the Athenian drama festival but who nevertheless wants to appreciate the plays in all their complexity. Simon Goldhill aims to combine the best contemporary scholarly criticism in classics with a wide knowledge of modern literary studies in other fields. He discusses the masterpieces of Athenian drama in the light of contemporary critical controversies in such a way as to enable the student or scholar not only to understand and appreciate the texts of the most commonly read plays, but also to evaluate and utilize the range of approaches to the problems of ancient drama.